154 episodes

Feminist Frequency Radio is coming for your media. Each week, Anita Sarkeesian, Carolyn Petit, and Ebony Aster bring you dispatches from the pop culture wars and invite you to listen in on their entertaining, stimulating, take-no-prisoners conversations about the latest films, games, and tv. They’ll be bringing their distinctly different feminist perspectives to the mix as they celebrate and critique it all. With special guests from all over the feminist media sphere, an assortment of great bonus segments, and your questions keeping them on their toes, Feminist Frequency Radio is there to help you dig deeper into the things you love. Warning: Feminist Frequency Radio may significantly enhance your media experience.

Join our community at Patreon.com/femfreq

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Feminist Frequency Radio Anita Sarkeesian, Carolyn Petit, Ebony Adams

    • TV & Film
    • 5.0 • 4 Ratings

Feminist Frequency Radio is coming for your media. Each week, Anita Sarkeesian, Carolyn Petit, and Ebony Aster bring you dispatches from the pop culture wars and invite you to listen in on their entertaining, stimulating, take-no-prisoners conversations about the latest films, games, and tv. They’ll be bringing their distinctly different feminist perspectives to the mix as they celebrate and critique it all. With special guests from all over the feminist media sphere, an assortment of great bonus segments, and your questions keeping them on their toes, Feminist Frequency Radio is there to help you dig deeper into the things you love. Warning: Feminist Frequency Radio may significantly enhance your media experience.

Join our community at Patreon.com/femfreq

Feminist Frequency Radio is powered by Simplecast

    FFR 142: The Witches of Eastwick

    FFR 142: The Witches of Eastwick

    Today’s episode of the podcast finishes up our spooky season series on occult-themed nostalgia watches with 1987’s The Witches of Eastwick, starring Susan Sarandon, Michelle Pfeiffer, and Cher, adapted from the John Updike novel. Join us as we try to figure out how we feel about this movie including big 80s perms (great), Cher (even better), and Jack Nicholson’s diabolic sex appeal (not good). Made at the height of Reagan’s America, does the film have something insightful to say about gender inquality, or like the devilish Daryl, is it in the end all about reinforcing the Patriarchal status quo?

    • 1 hr 2 min
    FFR 141: Blade

    FFR 141: Blade

    Welcome to the second episode in our spooky season series, revisiting classic, cult or nostalgic witch and vampire movies as chosen by our patrons. Today we’re traveling back to 1998, when Wesley Snipes starred as the titular vampire hunter, Blade. 9 years after Tim Burton’s Batman, and 20 years before the MCU’s Black Panther, Blade was the first Marvel Superhero theatrical release, the grandfather of every Marvel Superhero movie to follow. Join us as we dive into a grimdark version of LA, populated by blood and power thirsty vampires that can only be stopped by a stoic vampire/human hybrid seeking revenge.

    • 59 min
    FFR 140: Hocus Pocus

    FFR 140: Hocus Pocus

    In celebration of the spooky season, we’re looking at media depictions of witches and vampires, starting with Hocus Pocus. Starring Bette Midler, Kathy Najimy and Sarah Jessica Parker, this 1993 Disney classic sparks a feeling of campy nostalgia for many, but how did it hold up for us and what does an almost 30 year old children’s Halloween movie have to say to a modern audience?

    • 55 min
    FFR 139: Enola Holmes

    FFR 139: Enola Holmes

    The Netflix film Enola Holmes introduces us to the much younger (and perhaps more brilliant) sister of the infamous Sherlock and Mycroft Holmes.  The film is based on a series of YA detective novels by author Nancy Springer, and our heroine (played in the film by Stranger Things’ Millie Bobby Brown) is a quick-thinking and fearless young woman who frustrates and amazes everyone around her in equal measure. We discuss who we think the intended audience is, and whether the film succeeds in delivering a feminist-minded moral to a younger audience. We also discuss casting choices for Mycroft and Sherlock, held up against Arthur Conan Doyle’s source material, and offer up some opinions on other recent adaptations.

    • 1 hr
    FFR 138: The Matrix

    FFR 138: The Matrix

    This week, by popular demand, we're talking about The Matrix, a film once co-opted by the online right that has in recent years seen a kind of reclamation as an explicitly queer, trans text. Carolyn kicks things off by telling us about a 20th anniversary screening of the landmark film that she attended last year which illuminated some aspects of the film that contribute to its reading as a queer work. From there, we talk about the film's systemic perspective, and reveal who among us would take the blue pill. We talk about the challenge of doing the actual work of resisting the cisnormative heteronormative white supremacist patriarchy, and express frustration with some of the film's more conventional aspects, including the role Trinity is wedged into. Carolyn does her best Agent Smith impression, Ebony raises an important point about what it means if humanity only accepts the simulation if it replicates certain forms of oppression, and we talk about finding joy in the struggle.

    • 59 min
    FFR 137: I May Destroy You

    FFR 137: I May Destroy You

    We begin this week’s episode by acknowledging the passing of Chadwick Boseman, talking a bit about his impact, his legacy, and the grief so many of us have felt in response to the loss.
    Our main topic this week is the incendiary series I May Destroy You, written by and starring the staggeringly talented Michaela Cole. Our conversation covers the revelatory way in which the show frankly and honestly confronts so many forms of rape and sexual assault, and a larger culture that normalizes and perpetuates them. We also discuss the remarkable complexity of the show’s central characters, as they often make choices that we as viewers may strenuously object to, but never in a way that reduces them to villains or makes them seem worthy of being written off as people.

    • 59 min

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