45 min

How To Get a Short Film Into Sundance – and Turn It Into a Feature The No Film School Podcast

    • TV & Film

“There’s never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process.

In today’s episode, No Film School’s Ryan Koo speaks with Mike Plante to discuss:

Developing motion picture films at the drug store in the ‘90s

Why shorts are a great medium to learn and experiment 

Working at festivals and movie theaters

Receiving over 12,000 short submissions in 2024

Disadvantages of creating long shorts

Differences in funding international shorts

Seeing many different types of voices, stories, and styles

Sundance shorts that later became features

What makes you a filmmaker

What Sundance looks for in a short



Memorable Quotes

“You’re always a filmmaker, but there will be months you’re not doing anything on your film.” [2:48]

“You may watch a thousand shorts and nothing is good. Then you just start to lose your mind.” [10:45]

“Your 30-minute short has to be better than three, 10-minute shorts.” [12:25]

“The internet is good for shorts because you can put it up. It doesn’t mean anyone will watch it.” [31:31]



Mentioned
Submission Dates for Sundance


Find No Film School everywhere:

On the Web
https://nofilmschool.com/

Facebook 
https://www.facebook.com/nofilmschool

Twitter 
https://twitter.com/nofilmschool

YouTube 
https://www.youtube.com/user/nofilmschool

Instagram
https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!
Learn more about your ad choices. Visit megaphone.fm/adchoices

“There’s never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process.

In today’s episode, No Film School’s Ryan Koo speaks with Mike Plante to discuss:

Developing motion picture films at the drug store in the ‘90s

Why shorts are a great medium to learn and experiment 

Working at festivals and movie theaters

Receiving over 12,000 short submissions in 2024

Disadvantages of creating long shorts

Differences in funding international shorts

Seeing many different types of voices, stories, and styles

Sundance shorts that later became features

What makes you a filmmaker

What Sundance looks for in a short



Memorable Quotes

“You’re always a filmmaker, but there will be months you’re not doing anything on your film.” [2:48]

“You may watch a thousand shorts and nothing is good. Then you just start to lose your mind.” [10:45]

“Your 30-minute short has to be better than three, 10-minute shorts.” [12:25]

“The internet is good for shorts because you can put it up. It doesn’t mean anyone will watch it.” [31:31]



Mentioned
Submission Dates for Sundance


Find No Film School everywhere:

On the Web
https://nofilmschool.com/

Facebook 
https://www.facebook.com/nofilmschool

Twitter 
https://twitter.com/nofilmschool

YouTube 
https://www.youtube.com/user/nofilmschool

Instagram
https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!
Learn more about your ad choices. Visit megaphone.fm/adchoices

45 min

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