New Books in Early Modern History New Books Network

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In the early modern era, seemingly impossible stories of levitation, bilocation, and witchcraft were common and believable. The important question of the time was not if these things happened, but why. This was particularly true as the rise of Protestantism began to challenge Catholic beliefs in miracles and continued to be the case even after scientific research began to supplant religious belief in these phenomena. 
In They Flew: A History of the Impossible (Yale UP, 2023), Carlos Eire shows how these events were an accepted component of early modern life. Based on firsthand accounts, Eire explores the stories of St. Teresa of Avila, St. Joseph of Cupertino, the Venerable María de Ágreda, and others, to describe a world animated by a different understanding of the natural and supernatural. Eire examines why and how cultural, historical, religious, and scientific contexts plays a role in defining both the possible and the impossible.
Recommended reading: 
Authors of the Impossible: The Paranormal and the Sacred & 
How to Think Impossibly: About Souls, UFOs, Time, Belief, and Everything Else 
both by Jeffrey J. Kripal.
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Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century.
But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire’s activities.
Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023).
Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing.
P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev’s interview with the MD here!
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In the eighteenth century, women’s contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artefacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism.
In Novels, Needleworks, and Empire: Material Entanglements in the Eighteenth-Century Atlantic World (Yale University Press, 2024) Dr. Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America—in the objects they made, the books they held, the stories they read—and in doing so adjusted and altered the form and content of print and material culture. A range of artefacts made by women, including makers of colour, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm’s reach. Together, fiction and handicrafts offer new evidence of women’s material contributions to the home’s place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways.
Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad.
Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.
 This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Joseph A. Skloot joins Jana Byars to talk about his new book, First Impressions: Sefer hasimdim and Early Modern Hebrew Printing (Brandeis UP, 2023). First Impressions uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century.
During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim. Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings.
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