Civil War, Monkey Man and Road House – Reviews Geeks OUT
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- TV & Film
Civil War, Monkey Man and Road House – Reviews
Join Miranda and Tamzyn as they navigate the bloody carnage of three distinctly different films with violent themes.
Is “Civil War” merely a speculative documentary about a potential future America, or does it transcend mere speculation? Miranda and Tamzyn delve into the nuances of this visually striking alternate reality film, where war is depicted as a futile endeavour with no true victors.
Next up is “Money Man,” a film that clearly struck a chord with Miranda and Tamzyn, defying Hollywood conventions with its exceptional action sequences and commendable queer representation. This is unquestionably a film tailored for mature audiences.
Finally, we dive into “Road House,” an old-school action classic where every surface is fair game for a brawl. While the plot may be predictable, the film offers an enjoyable remake with its fair share of controversy.
Tune in as Miranda and Tamzyn provide witty, candid, and insightful commentary on a week filled with violent cinema.
Civil War, Monkey Man and Road House – Reviews
Join Miranda and Tamzyn as they navigate the bloody carnage of three distinctly different films with violent themes.
Is “Civil War” merely a speculative documentary about a potential future America, or does it transcend mere speculation? Miranda and Tamzyn delve into the nuances of this visually striking alternate reality film, where war is depicted as a futile endeavour with no true victors.
Next up is “Money Man,” a film that clearly struck a chord with Miranda and Tamzyn, defying Hollywood conventions with its exceptional action sequences and commendable queer representation. This is unquestionably a film tailored for mature audiences.
Finally, we dive into “Road House,” an old-school action classic where every surface is fair game for a brawl. While the plot may be predictable, the film offers an enjoyable remake with its fair share of controversy.
Tune in as Miranda and Tamzyn provide witty, candid, and insightful commentary on a week filled with violent cinema.
40 min