54 min
Rainbow Chan explores language through lament, and when George Gershwin met Arnold Schoenberg The Music Show
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- Music Interviews
Rainbow Chan returns to The Music Show to discuss her latest audio-visual project, The Bridal Lament. In an attempt to preserve her mother's mother tongue, Rainbow has spent the last five years researching and learning the Weitou language, an endangered Cantonese dialect, through learning traditional bridal laments. Rainbow talks to Andy about the defiant tradition of performing these laments in the face of arranged marriages, and her process of learning the language through song from the 'grannies' preserving it.
You might think Broadway composer George Gershwin and pioneer of 12-tone music Arnold Schoenberg would have had little in common, but when Gershwin arrived in Beverly Hills in August 1936, he found Schoenberg (who had fled Nazi Germany in 1933), was his neighbour. Gershwin was in the last year of his life, but during that time the two composers played tennis together every week. They also admired each other’s music - and Schoenberg admired Gershwin’s business acumen. When Gershwin asked Schoenberg for lessons, the older man enquired how much Gershwin earned, suggesting he should the one taking lessons from Gershwin. When George Met Arnold is the title of a film/concert from pianist Simon Tedeschi and conductor/violist Roger Benedict with the Sydney Symphony Orchestra, and they’ll be in the music studio to talk about it.
Plus an exclusive live performance from Yirinda via our comrades at Awaye.
This week’s show was recorded on Ngunnawal and Ngambri Country and produced on Gadigal Land.
Technical production by Simon Branthwaite.
Rainbow Chan returns to The Music Show to discuss her latest audio-visual project, The Bridal Lament. In an attempt to preserve her mother's mother tongue, Rainbow has spent the last five years researching and learning the Weitou language, an endangered Cantonese dialect, through learning traditional bridal laments. Rainbow talks to Andy about the defiant tradition of performing these laments in the face of arranged marriages, and her process of learning the language through song from the 'grannies' preserving it.
You might think Broadway composer George Gershwin and pioneer of 12-tone music Arnold Schoenberg would have had little in common, but when Gershwin arrived in Beverly Hills in August 1936, he found Schoenberg (who had fled Nazi Germany in 1933), was his neighbour. Gershwin was in the last year of his life, but during that time the two composers played tennis together every week. They also admired each other’s music - and Schoenberg admired Gershwin’s business acumen. When Gershwin asked Schoenberg for lessons, the older man enquired how much Gershwin earned, suggesting he should the one taking lessons from Gershwin. When George Met Arnold is the title of a film/concert from pianist Simon Tedeschi and conductor/violist Roger Benedict with the Sydney Symphony Orchestra, and they’ll be in the music studio to talk about it.
Plus an exclusive live performance from Yirinda via our comrades at Awaye.
This week’s show was recorded on Ngunnawal and Ngambri Country and produced on Gadigal Land.
Technical production by Simon Branthwaite.
54 min