225 episodes
The Theatre of Others Podcast Adam Marple and Budi Miller
-
- Arts
-
-
5.0 • 11 Ratings
-
Co-artistic Directors and Theatre educators Adam Marple and Budi Miller discuss the Theatre moving past the Covid-19 shutdown with topics such as the roles of the Audience, Actor, Director, Playwright, and Space in our new reality.To submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwise. If you enjoyed this podcast, we´d love for you to leave a review at https://ratethispodcast.com/too. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even better. Music credit: https://www.purple-planet.comhttp://www.theatreofothers.com
-
TOO Episode 224 - Conversation with Master Balinese Academic & Performer, John Emigh
In this episode, Adam and Budi sit down with Balinese academic and performer, John Emigh, to discuss his extensive career.
JOHN EMIGH is Professor Emeritus in the Department of Theatre Arts and Performance Studies at Brown University, where he taught and directed regularly from 1967 to 2009; from 2009 to 2018 he taught in the Brown/Trinity MFA program for actors and directors. He has also taught at NYU, Tufts University, and the Yale School of Drama. He was a founding member of the Association for Theatre in Higher Education (ATHE) and of Performance Studies International (Psi), has served on the governing board of Psi, and was founding Chairperson of the Association for Asian Performance. He is the author of Masked Performance: The Play of Self and Other in Ritual and Theatre, based on extensive research on performance in Bali and India, co-author of the forthcoming Illustrated Prahlada Nataka of Odisha: Text, Translation, Music, and History of a Remarkable Theatrical and Devotional Tradition in India, and has written pioneering articles linking the fields of Neuroscience and Performance Studies. With his wife, Ulrike, he made the documentary fllm, Hajari Bhand: Jester without Court, now available on YouTube. He has directed over 80 plays in university and professional theatres, has performed one-person shows based on Balinese topeng (masked dance and theatre) throughout the US and Asia. and has presented invited papers and conducted workshops in Shanghai, New Delhi, Calcutta, Denpasar, and Brussels, as well as at numerous US and international conferences and universities. In 2009, he received the Association for Theatre in Higher Education’s Career Achievement Award for Educational Theatre.
Support the Show.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister -
TOO Episode 223 - The Need of an Audience
In this episode, Adam and Budi go back through some listener questions and insights.
Special thanks to everyone who submitted a question! Please let us know your thoughts!
Mentioned in this episode
Mask Training with Fabio Motta & Budi Miler
Celebration Barn Fundraising
TOO Episode 195: The Audience Making
Support the Show.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister -
TOO Episode 222 - The Feasibility of Actor Training
In this episode, Adam and Budi discuss a recent article in which Patsy Rosenburg steps down from the Guildhall Drama School, leading to a further discussion around the tuition of further education and whether this is an approachable, and sustainable, method of training.
Mentioned in this episode
Celebration Barn Fundraiser Bidding
'Without craft, an actor is a liability': how row over teaching standards is causing a rift in UK theatre industry
Support the Show.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister -
TOO Episode 221 - The Decolonisation of Acting Training
In this episode, Budi sits down with return guest, Fabio Motta, to discuss how they approach decolonizing acting training in their rooms, and what that looks like, and the results they see.
Mentioned in this episode
Discovering the Clown
Support the Show.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister -
TOO Episode 220 - Book Club 02 | Waiting for Lefty by Clifford Odets
In this episode, Adam and Budi sit down to discuss their second book in the 2024 Book Club series "Waiting for Lefty" by Clifford Odets.
Clifford Odets was the leading dramatist of the theatre of social protest in the United States during the 1930s. His important affiliation with the celebrated Group Theatre contributed to that company’s considerable influence on the American stage.
From 1923 to 1928 Odets learned his profession as an actor in repertory companies; in 1931 he joined the newly founded Group Theatre as one of its original members. Odets’s Waiting for Lefty (1935), his first great success, used both auditorium and stage for action and was an effective plea for labour unionism; Awake and Sing (1935) is a naturalistic family drama; and Golden Boy (1937; filmed 1939) concerns an Italian youth who rejects his artistic potential to become a boxer. Paradise Lost (1935) deals with the tragic life of a middle-class family.
Odets moved to Hollywood in the late ’30s to write for motion pictures and became a successful director. His later plays include The Big Knife (1949), The Country Girl(1950; U.K. title Winter Journey), and The Flowering Peach (1954).
Support the Show.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister -
TOO Episode 219 - The Intimate Theatre
In this episode, Adam rides solo and describes a returning phenomenon of apartment based theatre, where restraints of space and audience are controlled and used to create intimate immediate provocations
Article referenced in this episode -
https://gothamist.com/arts-entertainment/where-did-nycs-indie-theater-scene-go-backyards-basements-and-rooftops
Support the Show.
If you enjoyed this week´s podcast, please leave a review on Apple Podcasts.
To submit a question:
Voice- http://www.speakpipe.com/theatreofothers
Email- podcast@theatreofothers.com
Show Credits
Co-Hosts: Adam Marple & Budi Miller
Producer: Jack Burmeister
Music: https://www.purple-planet.com
Additional compositions by @jack_burmeister
Customer Reviews
Never miss an episode!!
This podcast is TOO-OOO Good! Lead by theatre masters Budi Miller and Adam Marple, it is the most comprehensive, expert, thought-provoking, entertaining Theatre podcast, Period. It is a vital resource for makers, performers, actors, directors, teachers and industry professionals of theatre. It tackles all the huge questions and the hosts don’t hold back. And!! The guests are the most highly decorated, accomplished and expert creatives you’ll have the privilege and pleasure of listening to in your ear. This is a 7⭐️ podcast.
Mark
The passion these amazing humans show, is very uplifting.
Keeping my theatre brain engaged
I’ve really missed theatre-making and witnessing others’ works. This podcast is engaging, real and inspiring. Looking forward to listening in each week and joining the conversation. 🙌🏼