The Ezra Klein Show The New York Times

Drug policy feels very unsettled right now. The war on drugs was a failure. But so far, the war on the war on drugs hasn’t entirely been a success, either.

Take Oregon. In 2020, it became the first state in the nation to decriminalize hard drugs. It was a paradigm shift — treating drug-users as patients rather than criminals — and advocates hoped it would be a model for the nation. But then there was a surge in overdoses and public backlash over open-air drug use. And last month, Oregon’s governor signed a law restoring criminal penalties for drug possession, ending that short-lived experiment.

Other states and cities have also tipped toward backlash. And there are a lot of concerns about how cannabis legalization and commercialization is working out around the country. So what did the supporters of these measures fail to foresee? And where do we go from here?

Keith Humphreys is a professor of psychiatry at Stanford University who specializes in addiction and its treatment. He also served as a senior policy adviser in the Obama administration. I asked him to walk me through why Oregon’s policy didn’t work out; what policymakers sometimes misunderstand about addiction; the gap between “elite” drug cultures and how drugs are actually consumed by most people; and what better drug policies might look like.

Mentioned:

Oregon Health Authority data

Book Recommendations:

Drugs and Drug Policy by Mark A.R. Kleiman, Jonathan P. Caulkins and Angela Hawken

Dopamine Nation by Anna Lembke

Confessions of an English Opium Eater by Thomas De Quincey

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

Ultimately, the Gaza war protests sweeping campuses are about influencing Israeli politics. The protesters want to use economic divestment, American pressure and policy, and a broad sense of international outrage to change the decisions being made by Israeli leaders.

So I wanted to know what it’s like to watch these protests from Israel. What are Israelis seeing? What do they make of them?

Ari Shavit is an Israeli journalist and the author of “My Promised Land,” the best book I’ve read about Israeli identity and history. “Israelis are seeing a different war than the one that Americans see,” he tells me. “You see one war film, horror film, and we see at home another war film.”

This is a conversation about trying to push divergent perspectives into relationship with each other: On the protests, on Israel, on Gaza, on Benjamin Netanyahu, on what it means to take societal trauma and fear seriously, on Jewish values, and more.

Mentioned:

“Building the Palestinian State with Salam Fayyad” by The Ezra Klein Show

“To Save the Jewish Homeland” by Hannah Arendt

Book Recommendations:

Truman by David McCullough

Parting the Waters by Taylor Branch

Rosalind Franklin by Brenda Maddox

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Claire Gordon and Rollin Hu. Fact-checking by Kate Sinclair, Mary Marge Locker and Kristin Lin. Our senior engineer is Jeff Geld, with additional mixing by Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Michelle Harris. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Lydia Polgreen, Dalit Shalom and Sonia Herrero.

A decade ago, I was feeling pretty pessimistic about climate change. The politics of mitigating global warming just seemed impossible: asking people to make sacrifices, or countries to slow their development, and delay dreams of better, more prosperous lives.

But the world today looks different. The costs of solar and wind power have plummeted. Same for electric batteries. And a new politics is starting to take hold: that maybe we can invest and invent and build our way out of this crisis. But some very hard problems remain. Chief among them? Cows.

Hannah Ritchie is the deputy editor and lead researcher at Our World in Data and the author of “Not the End of the World: How We Can Be the First Generation to Build a Sustainable Planet.” She’s pored over the data on this question and has come away more optimistic than many. “It’s just not true that we’ve had these solutions just sitting there ready to build for decades and decades, and we just haven’t done anything,” she told me. “We’re in a fundamentally different position going forward.”

In this conversation, we discuss whether sustainability without sacrifice is truly possible. How much progress have we made so far? What gives her the most hope? And what are the biggest obstacles?

Mentioned:

“What was the death toll from Chernobyl and Fukushima?” by Hannah Ritchie

“Reducing food’s environmental impacts through producers and consumers” by Joseph Poore and Thomas Nemecek

“Future demand for electricity generation materials under different climate mitigation scenarios” by Seaver Wang, Zeke Hausfather et al.

Book Recommendations:

Factfulness by Hans Rosling

Possible by Chris Goodall

Range by David Epstein

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

Salman Rushdie’s 1988 novel, “The Satanic Verses,” made him the target of Ayatollah Ruhollah Khomeini, who denounced the book as blasphemous and issued a fatwa calling for his assassination. Rushdie spent years trying to escape the shadow the fatwa cast on him, and for some time, he thought he succeeded. But in 2022, an assailant attacked him onstage at a speaking engagement in western New York and nearly killed him.

“I think now I’ll never be able to escape it. No matter what I’ve already written or may now write, I’ll always be the guy who got knifed,” he writes in his new memoir, “Knife: Meditations After an Attempted Murder.”

In this conversation, I asked Rushdie to reflect on his desire to escape the fatwa; the gap between the reputation of his novels and their actual merits; how his “shadow selves” became more real to millions than he was; how many of us in the internet age also have to contend with our many shadow selves; what Rushdie lives for now; and more.

Mentioned:

Midnight’s Children by Salman Rushdie

Book Recommendations:

Don Quixote by Miguel de Cervantes, translated by Edith Grossman

One Hundred Years of Solitude by Gabriel García Márquez

The Trial by Franz Kafka

The Castle by Franz Kafka

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero and Mrinalini Chakravorty.

In our recent series on artificial intelligence, I kept returning to a thought: This technology might be able to churn out content faster than we can, but we still need a human mind to sift through the dross and figure out what’s good. In other words, A.I. is going to turn more of us into editors.

But editing is a peculiar skill. It’s hard to test for, or teach, or even describe. But it’s the crucial step in the creative process that takes work that’s decent and can turn it into something great.

Adam Moss is widely known as one of the great magazine editors of his generation: He remade The New York Times Magazine in the late 1990s and early 2000s, and during his 15 years as editor in chief of New York magazine, shaped that outlet into one of the greatest print and digital publications we have. And he’s now out with a new book, “The Work of Art: How Something Comes From Nothing.” It’s a curation of 43 conversations with artists about the marginalia, doodles, drafts and revisions that lead to great art. It’s a celebration of the hard, human work that goes into the creative act. It’s a book, really, about editing.

In this conversation, we discuss what musicians, writers, visual artists, sandcastle-builders and others have in common as they create; how editing is an underappreciated and often misunderstood step in the creative process; how creativity morphs in different stages of our lives; and trusting your own “sensibility.”

Mentioned:

“A Subtlety, or the Marvelous Sugar Baby” by Kara Walker

“Miss Gleason” by Amy Sillman

Ezra Klein Show episode with George Saunders

“Mother and Child on Blue Mat” by Cheryl Pope

Ezra Klein Show episode with Maryanne Wolf

“Fidenza” by Tyler Hobbs

“In a River” by Rostam

Book Recommendations:

Interviews with Francis Bacon by David Sylvester

Faux Pas by Amy Sillman

The Sketchbooks Revealed by Richard Diebenkorn

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero, Rachel Baker and James Burnett.

There is so much we need to build right now. The housing crunch has spread across the country; by one estimate, we’re a few million units short. And we also need a huge build-out of renewable energy infrastructure — at a scale some experts compare to the construction of the Interstate highway system.

And yet, we’re not seeing anything close to the level of building that we need — even in the blue states and cities where housing tends to be more expensive and where politicians and voters purport to care about climate change and affordable housing.

Jerusalem Demsas is a staff writer at The Atlantic who obsesses over these questions as much as I do. In this conversation, she takes me through some of her reporting on local disputes that block or hinder projects, and what they say about the issues plaguing development in the country at large. We discuss how well-intentioned policies evolved into a Kafka-esque system of legal and bureaucratic hoops and delays; how clashes over development reveal a generational split in the environmental movement; and what it would take to cut decades of red tape.

Mentioned:

“Colorado’s Ingenious Idea for Solving the Housing Crisis” by Jerusalem Demsas

“The Culture War Tearing American Environmentalism Apart” by Jerusalem Demsas

“Why America Doesn’t Build” by Jerusalem Demsas

Book Recommendations:

Don’t Blame Us by Lily Geismer

The Bulldozer in the Countryside by Adam Rome

A Swim in a Pond in the Rain by George Saunders

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Michelle Harris with Kate Sinclair. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.