Everything Fab Four Salon

On this episode, acclaimed actor and Beatles fan Jeff Daniels joins “Everything Fab Four” to discuss his experience filming a movie scene with George Harrison and getting his guitar signed by the Quiet Beatle.



Across his five decade-long career, Jeff Daniels has worked with some of the world’s most revered filmmakers. He made his screen debut in Miloš Forman's Ragtime, and followed with James L. Brooks's Terms of Endearment, Woody Allen's The Purple Rose of Cairo, and Mike Nichols's Heartburn. Daniels has been nominated for numerous Golden Globe and Screen Actors Awards for his dramatic turns, including such films as Jonathan Demme's Something Wild and Noah Baumbach's The Squid and the Whale.



In 2012, Daniels joined the cast of HBO’s political drama The Newsroom, which earned him a Prime Time Emmy Award for Outstanding Lead Actor in a Drama Series. Playing Will McAvoy, Daniels’ monologue about American exceptionalism in the series pilot has been viewed more than 22 million times on YouTube. His acclaimed television work also includes his portrayal of John O'Neill in the Hulu miniseries The Looming Tower and FBI director James Comey in Showtime’s The Comey Rule.



In May 2024, stars in the new Netflix limited series A Man In Full, based on Tom Wolfe’s novel of the same name.


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English-American music icon Billy Idol joins Everything Fab Four to discuss the exhilaration of being a Beatle fan “in real time” and how his voice was mistaken for Paul McCartney’s.



Billy Idol began his rock n roll career as the guitarist for Chelsea, subsequently achieving renown on the London punk rock scene in the 1970s, when he performed as the lead singer for Generation X. His career truly exploded in the 1980s when he moved to New York City to pursue a solo career working in collaboration with guitarist Steve Stevens. His eponymous debut LP yielded monster hits in “White Wedding” and “Dancing with Myself,” while his 1983 sophomore album Rebel Yell achieved double-platinum success on the heels of “Eyes without a Face” and the sizzling title track “Rebel Yell.” 



Over the years, he has continued to burnish his star on the shoulders of such albums as Whiplash Smile, Charmed Life, Cyberpunk, Devil’s Playground, and, most recently, Kings and Queens of the Underground.



In 2024, Rebel Yell was remastered in a deluxe new edition to celebrate Billy’s incredible 40-year run as one of music’s most beloved, and most notorious, artists.


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To celebrate the sixtieth anniversary of the Beatles’ first appearance on the Ed Sullivan Show, our guests revisit the evening that the Beatles graced their living rooms for the first time, on this special episode of Everything Fab Four. These Beatles lovers include Steven van Zandt from Bruce Springsteen’s E Street Band, R&B singer Darlene Love, actor Billy Bob Thornton, and even one lucky audience member from that first Ed Sullivan performance.



It's almost impossible to imagine what it was like to be at ground zero of American Beatlemania on February 7, 1964, when the group landed at New York City’s John F. Kennedy International Airport, which had been renamed some fifty days earlier in honor of the fallen leader. The band’s Pan Am flight was met with the screams and fanfare of some 5,000 people, whom the Beatles claimed to have heard—incredible as it may seem—even as the plane was taxiing along the runway. 



As writer Stephen Glynn presciently remarked, “The spirit of Camelot, shot down in Dallas, Texas, had flown over from Liverpool, England, and the unprecedented euphoria that greeted the group seemed part of an expiation, a nation shaking itself out of its grief and mourning.” There is little question that the Beatles’ timing in the history of the United States was uncanny, as well as a welcome respite from the national malaise, but one cannot overlook the power of marketing in a new media era unlike any that the postwar world had ever seen. 



Capitol Records had saturated the city with posters announcing, “The Beatles Are Coming,” while New York’s WMCA and WINS radio stations had given away T-shirts—and, rumor has it, $1 each—to thousands of teenagers who greeted the Beatles that Friday afternoon on the JFK tarmac. Released in December 1963 by Capitol, “I Want to Hold Your Hand” had sold more than one million copies by mid-January, an astounding feat for a group that had been largely unheard of on American shores scarcely a month before. 



On Sunday, February 9, the Beatles launched into a spirited rendition of “All My Loving” to begin their set on the Ed Sullivan Show before some 73 million television viewers, a figure that accounted for nearly 40 percent of the population of the United States at that time. It was popular music’s big bang, and like that incredible instance in the birth of the universe some 13 billion years ago, it is still resonating.


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Brian Ritchie, bassist for the folk punk band the Violent Femmes, joins host Kenneth Womack on this episode to chat about his first Beatles records and the 40th anniversary of the Femmes’ debut album.



Ritchie co-founded the Violent Femmes with percussionist Victor DeLorenzo in 1981, and the duo were later joined by singer-songwriter Gordon Gano. Ritchie came up with band’s distinctive name on a whim, employing it during their early days playing in Milwaukee’s coffee houses. In August 1981, the Violent Femmes were discovered performing on a street corner in front of the Oriental Theatre by James Honeyman-Scott, the guitarist for the Pretenders, and Chrissie Hynde invited the Femmes to play an acoustic set prior to the Pretenders’ show that night.



In 1983, the Violent Femmes released their self-titled debut album, which emerged as a key soundtrack for the burgeoning alternative and college-oriented rock movements. The inaugural LP featured many of the band’s best-known songs, including “Blister in the Sun,” “Kiss Off,” “Add It Up,” and “Gone Daddy Gone.” The album became the Femmes’ most successful LP, eventually earning platinum status from the Recording Industry Association of America. 



Over the years, the Femmes have recorded 10 studio albums, including Hallowed Ground (1984), The Blind Leading the Naked (1986), and Why Do Birds Sing? (1991). The group is widely considered to be a key influence on the 1980s and 1990s alternative rock scene. 


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On this episode, Grammy Award-winning American singer-songwriter and activist Joan Baez joins host Ken Womack to share her memories of meeting the Beatles for the first time and witnessing their final live concert.

Baez's time-eclipsing folk music often champions songs of protest and social justice. Over the years, she has recorded 30 albums in genres ranging from folk rock, pop and country to gospel music. As a performer, Baez has specialized in interpreting the work of other composers, recording songs by such luminaries as the Beatles, Woody Guthrie, Bob Marley, and many others.

Baez began her recording career in 1960, producing a trio of successful LPs in Joan Baez, Joan Baez, Vol. 2 and Joan Baez in Concert. During her early years, Baez was one of Bob Dylan’s first major collaborators, steadfastly working to popularize his impact upon folk music. She was also a featured performer at the 1969 Woodstock Festival, singing fourteen songs on that vaunted stage.

In addition to her musical career, Baez has demonstrated a lifelong commitment to political and social activism in the areas of nonviolence, civil rights, human rights, and the environment. In 2017, she was inducted into the Rock and Roll Hall of Fame, and in 2023, Baez was the subject of the acclaimed documentary "I Am A Noise."


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Sophie B. Hawkins, the Grammy-nominated American singer, songwriter, multi-instrumentalist, and painter, joins host Kenneth Womack on the season five finale episode of “Everything Fab Four.” Hawkins started her Beatles journey as a kid with “Revolver,” and remembers playing along with tennis racket guitars and couch cushion drums. “Even as a non-musician, you can sing basically every part.” In this conversation, she digs deep into the unique ways Beatles fans come together through the music, and how being a Beatles fan pushed her toward excellence in her own songwriting. 



Born and raised in New York City, Hawkins pursued her studies as a percussionist at the Manhattan School of Music before embarking on a music career. She exploded into the international consciousness in 1992 with her debut album “Tongues and Tales.” A massive critical and commercial success, the LP spawned the hit single “Damn, I Wish I Was Your Lover.” Her second album, “Whaler,” featured additional hit singles in “Right Beside You” and “As I Lay Me Down.” As an actress, she has portrayed Janis Joplin in the play “Room 105,” while also performing as herself on the NBC TV series “Community,” for which she sang renditions of “Damn, I Wish I Was Your Lover” and “As I Lay Me Down.” Her latest album “Free Myself,” on the independent label she founded, Trumpet Swan Productions, features such standout tracks as “Love Yourself” and “Better Off Without You.” 


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