My Life In The Mosh Of Ghosts Roger Quail

Sheffield welcomes Space-Jazz royalty as the legendary Sun Ra brings his Arkestra to the new University concert space for a mind-blowing night of free-flowing, transcendental music. 

Artwork by Rionagh.
Music by Simon Elliott-Kemp (thank you so much Simon!)

Additional FX courtesy of Freesound.org, with particular thanks to:
AJ Heels - twinkling stars intro.
Therac 25 - starship hum.
Rikus246 - audience ambience.
Recording Hopkins - applause. 


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Roger has a rare night out at The Limit Club in Sheffield. Ostensibly to meet up with champion road warrior Chas Banks, who is shepherding young rockers Death Cult around the UK on their debut headline tour. 

However, the Limit clientele has changed a bit since he was last down in the sweaty West Street basement, and Roger realizes he too is going through some changes. 

With thanks to Simon Elliott-Kemp for the intro and outro music. And to Rionagh for the artwork.

Sound FX courtesy of Freesound.org, with the following sources used on this episode:

Venusian Charm - Twangy guitars
JCS 2011 - Tribal drums
Dodgy C - Funky loop
Emily Compton - Sheffield road ambience
Arnaud Coutancier - Footsteps
Welvyn Z Porter - Rock drum loop
Sound Design - Descending scream
Bee Productive - Live audience applause
Rikus 246 - Club ambience
Frankumjay - Vintage 80s electro pop loop
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Grab a cuppa and a biscuit 'cos this is a long one.

Roger is in Rotterdam for the very first Pandora's Music Box music festival at the super smart De Doelen venue. 

Siouxsie and The Banshees headline but play first, which means poor, delicate Rog has to wait six hours before The Box take to the stage in the middle of the night. 

Some tales here from a very long, but very memorable night.

With thanks to Simon Elliott-Kemp for the intro and outro music and to Rionagh for the artwork.

Sound FX courtesy of Freesound.org, with particular thanks for this episode to:

Huubjeroen - Feyernoord fans.
RTB45 - Mechanical street organ (The Hague).
Thanvannispen - cheering crowd.
Sandermotions - applause, bar murmur. (Both recorded at De Doelen.)
Valentin Sosnitskiy - Cure-ish guitars.
Rikus246 - venue ambience.
LG - Ford Transit.
Burevo1982 - Electric guitar drone.
Milo - Trois nuages (guitar).
Big Joe Drummer - drums.
Alpersez - acoustic guitar.
Vincent Sermonne - brushed snare.
Klankbeeld - industrial noise loop.




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Jaz Coleman and King Coal Arthur Scargill together in the same episode. Two years since he last saw them, Roger and his band mates in The Box renew their acquaintance with Killing Joke in London. Can Jaz and KJ conquer the world before we are all blown to kingdom come?

Intro and outro music - Simon Elliott-Kemp.

Artwork - Rionagh.

Sound effects courtesy of Freesound.org, with particular thanks to:

peridactyloptrix - crowd noise.
valentin sosnitskiy - guitar.
ERH - sub bass.
rodincoil - tribal drums.
YAP audio - pub noise.
pooleside - ballroom ambience.
tosha73 - power chord guitar.
cgravelle - pit explosion.
Esares - drum loop.
bash rambali - Icelandic weather.
LG - canteen ambience.







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A trip to London in the middle of a sweltering July heatwave sees Roger and his cohorts in Sheffield band The Box share a stage with The Fall. 

Riding high on the recent release of their classic 'Hex Induction Hour', the Mancunian legends are in an uncomprising, take-no-prisoners mood. 

Why would we expect anything else?

Also includes good stuff about The Scorpions, sheep and Arthur Negus.

Intro and outro music: Simon Elliott-Kemp.

Artwork: Rionagh.

Sound FX courtesy of Freesound.org, with particular thanks to:

Klangbeeld - countryside ambience.
Soundmary - sheep.
Esares - drums.
T-Roy 920 - drums.
Analog bleep - tape rewind.
Vi Wright 2112 - door opening.
Ludwig Mueller - studio ambience.
Soundology - electric guitar.
AR503 - feedback.
Nena D Simic - hip-hop drum loop.
Big Joe Drummer - congas.
Rikus246 - club ambience.
Ultradust - applause.
Julian Carrillo - aftershow ambience.



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It's a big one. Roger takes a coach up to Scotland to see his first David Bowie concert. 

For a distinctly personal take on what are some of Bowie's most well-documented shows; Roger mixes the events of the day itself with some of his memories of growing up as a teenage Bowie fan in Sheffield during the 1970s. 

May cause offence to fans of Icehouse, Pilot and the population of Milton Keynes.

Artwork: Rionagh.
Intro and outro music, plus special Bowie-inspired music bed: Simon Elliott-Kemp.

Sound FX courtesy of Freesound.org

With particular thanks to:
55 Anton: bus ride.
Kyles, Benfree, FXCV and Smokey VW: crowd noises.

Thank you to Brent and Wilma for the memory jogging and to my editor Nigel Floyd.



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