49 min
Rock Climbing and Vertical Dance PuSh Play
-
- Performing Arts
Inbal Ben Haim (Episode 3) and Julia Taffe of Vancouver’s Aeriosa Dance Society chat about the intersection of rock climbing and aerial/vertical dance.
This episode is sponsored by the French Consulate in Vancouver as part of Paris 2024. Sport climbing is one of the new disciplines of the 2024 Olympic and Paralympic Games.
Show Notes
Gabrielle Martin discusses a number of questions with Inbal and Julia, including:
How to deal with the unknown and reframe failure?
How do dance/circus and rock climbing intertwine?
How failure and perfection in dance means something very different in climbing
How are climbing and dance both about problem-solving?
Where does the sport end and the artistic discipline begin?
How does self-discovery of one’s physicality affect the work today? How does it take place of being competitive, replacing the need to be first?
What is the importance of doing the work beforehand (building systems, locations, etc.)?
Is there a spiritual dimension to climbing and/or aerial and vertical dance?
About Inbal
Born in Jerusalem in 1990, Inbal Ben Haim grew up in the Israeli countryside. After studying visual arts, she discovered the circus in 2004 at the Free Dome Project then the Shabazi Circus. The call of heights and creating with her body led her to specialize first in the static trapeze, then the rich minimalism of the aerial rope.In 2011 she left her homeland to follow her artistic path in France, furthering her research through important artistic encounters and training: first at the Centre Régional des Arts du Cirque PACA – Piste d’Azur, then the Centre National des Arts du Cirque in Châlons-en-Champagne, from which she graduated in December 2017 (29th graduating class).
In Summer 2018, she premiered Racine(s) (Root(s)), which developed from her meeting the musician, composer, and arranger David Amar and the director Jean Jacques Minazio. At the same time, she developed a teaching method for therapeutic circus and worked in various contexts in Israel and France.
By blending circus, dance, theatre, improvisation, and visual arts, Ben Haim has created her own form of poetic expression. Largely inspired by the human bond made possible by the stage, the ring, and the street, she aims to create strong connections between the audience and the artist, the intimate and the spectacular, the earth and air, and the here and there.
About Julia
Choreographer Julia Taffe combines art, environment and adventure, making dances for buildings, mountains, neighbourhoods, theatres and trees, finding new movement perspectives in the realm of suspension.
Julia is the artistic director of Aeriosa, a Vancouver-based vertical dance company. She has choreographed over 25 works on location including: Stawamus Chief Mountain in Squamish BC, Taipei City Hall, Cirque du Soleil Headquarters, Vancouver Library Square, Banff Centre, Scotiabank Dance Centre and Toronto’s 58-storey L Tower.
Prior to founding Aeriosa, Julia performed across Canada with Ruth Cansfield, and around the world with Bandaloop. Julia attained ACMG Rock Guide certification in 1997. She has worked as a co-producer, choreographer, cast member, stunt performer, mountain safety rigger and creative movement consultant on various film and television productions in Canada and abroad.
Land Acknowledgement
Gabrielle hosts from the unceded, stolen and ancestral territories of the Coast Salish Peoples: the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaɬ (Tsleil-Waututh), colonially known as Vancouver.
Inbal joins the podcast from Paris, France. Julia joins from Ucluelet, which is a Nuu-chah-nulth (Nootka) word most known as ‘People of the Safe Harbour.’ More accurately Ucluelet People, lit. ‘Dwellers of the Protected Place Inside’. The Ucluth peninsula has been inhabited by the Yuu-tluth-aht Yuułuʔiłʔatḥ people as far back as 4,300+ years ago.
It is our duty to establish right rel
Inbal Ben Haim (Episode 3) and Julia Taffe of Vancouver’s Aeriosa Dance Society chat about the intersection of rock climbing and aerial/vertical dance.
This episode is sponsored by the French Consulate in Vancouver as part of Paris 2024. Sport climbing is one of the new disciplines of the 2024 Olympic and Paralympic Games.
Show Notes
Gabrielle Martin discusses a number of questions with Inbal and Julia, including:
How to deal with the unknown and reframe failure?
How do dance/circus and rock climbing intertwine?
How failure and perfection in dance means something very different in climbing
How are climbing and dance both about problem-solving?
Where does the sport end and the artistic discipline begin?
How does self-discovery of one’s physicality affect the work today? How does it take place of being competitive, replacing the need to be first?
What is the importance of doing the work beforehand (building systems, locations, etc.)?
Is there a spiritual dimension to climbing and/or aerial and vertical dance?
About Inbal
Born in Jerusalem in 1990, Inbal Ben Haim grew up in the Israeli countryside. After studying visual arts, she discovered the circus in 2004 at the Free Dome Project then the Shabazi Circus. The call of heights and creating with her body led her to specialize first in the static trapeze, then the rich minimalism of the aerial rope.In 2011 she left her homeland to follow her artistic path in France, furthering her research through important artistic encounters and training: first at the Centre Régional des Arts du Cirque PACA – Piste d’Azur, then the Centre National des Arts du Cirque in Châlons-en-Champagne, from which she graduated in December 2017 (29th graduating class).
In Summer 2018, she premiered Racine(s) (Root(s)), which developed from her meeting the musician, composer, and arranger David Amar and the director Jean Jacques Minazio. At the same time, she developed a teaching method for therapeutic circus and worked in various contexts in Israel and France.
By blending circus, dance, theatre, improvisation, and visual arts, Ben Haim has created her own form of poetic expression. Largely inspired by the human bond made possible by the stage, the ring, and the street, she aims to create strong connections between the audience and the artist, the intimate and the spectacular, the earth and air, and the here and there.
About Julia
Choreographer Julia Taffe combines art, environment and adventure, making dances for buildings, mountains, neighbourhoods, theatres and trees, finding new movement perspectives in the realm of suspension.
Julia is the artistic director of Aeriosa, a Vancouver-based vertical dance company. She has choreographed over 25 works on location including: Stawamus Chief Mountain in Squamish BC, Taipei City Hall, Cirque du Soleil Headquarters, Vancouver Library Square, Banff Centre, Scotiabank Dance Centre and Toronto’s 58-storey L Tower.
Prior to founding Aeriosa, Julia performed across Canada with Ruth Cansfield, and around the world with Bandaloop. Julia attained ACMG Rock Guide certification in 1997. She has worked as a co-producer, choreographer, cast member, stunt performer, mountain safety rigger and creative movement consultant on various film and television productions in Canada and abroad.
Land Acknowledgement
Gabrielle hosts from the unceded, stolen and ancestral territories of the Coast Salish Peoples: the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaɬ (Tsleil-Waututh), colonially known as Vancouver.
Inbal joins the podcast from Paris, France. Julia joins from Ucluelet, which is a Nuu-chah-nulth (Nootka) word most known as ‘People of the Safe Harbour.’ More accurately Ucluelet People, lit. ‘Dwellers of the Protected Place Inside’. The Ucluth peninsula has been inhabited by the Yuu-tluth-aht Yuułuʔiłʔatḥ people as far back as 4,300+ years ago.
It is our duty to establish right rel
49 min