Story Nerd Melanie Hill, Valerie Francis

Sometimes we stumble upon a story that gets everything right - especially when to reveal information and when to hold back. Melanie and Valerie discuss how mystery impacts the audience's understanding of what's at stake, and how empathy is established in the first scene via shared experience and then grows as the story is revealed.

There is so much storytelling goodness to be learned from The Godfather, it kinda boggles the mind. Even if you're writing a light-hearted romcom, believe it or not, your novel/screenplay will benefit from the way Coppola and Puzzo approached the craft. The stakes start out high and get even higher. And when it comes to empathy, the role that world-building plays is a thing of beauty. Of course, one of us totally empathizes with Michael and the other of us doesn't at all. Guess which one is which.

The biggest problem facing writers who are trying to understand theory and learn how stories work, is that there is no standard lexicon. This leads to no end of problems…and frankly, arguments. How do we deal with this lack of consensus? Tune in to find out.

This may not be the worst movie ever made, but it's certainly among them. The filmmakers have completely ignored storytelling basics and boy, does it ever show. It's based on Shakespeare's The Taming of the Shrew, so you'd think it would be brilliant, right? Wrong. Without the fundamentals in place this is nothing more than a bunch of stereotypes and cliches strung together, and it's painful to watch.

What did they do wrong and how can you avoid making the same mistakes in your story? Tune in to find out.

On this brand new season of the podcast Valerie and Melanie are diving deeply into EMPATHY and STAKES. How did the makers of The King's Speech get us common folk to empathize with a king? How did they get an American audience to empathize with a British king when they fought a war to win their independence from the monarchy? Well, it was no easy task, but the trick to it lies in choosing the right type of protagonist (there are four types of protagonists). Tune into this episode to find out more.

Are you writing a novel with more than one protagonist and/or plotline? Are you using flashbacks or writing a series? If so, this is an episode you simply must check out. This week Valerie and Melanie review their key takeaways from ten weeks of study into story form (plot structure) and resonance.