The New Yorker: Fiction The New Yorker
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- Arts
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A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.
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Rachel Cusk Reads Marguerite Duras
Rachel Cusk joins Deborah Treisman to read and discuss "The Bible" and “The Stolen Pigeons” by Marguerite Duras, which were translated from the French, by Deborah Treisman, and published in *The New Yorker* in 2006 and 2007. Cusk is a winner of the Whitbread First Novel Award and the Somerset Maugham Award, and is the author of five books of nonfiction and twelve novels, including "Arlington Park," "Outline," "Transit," "Kudos," and "Parade," which will be published in June.
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David Bezmozgis Reads Sarah Shun-lien Bynum
David Bezmozgis joins Deborah Treisman to read and discuss “Likes,” by Sarah Shun-lien Bynum, which was published in The New Yorker in 2017. Bezmozgis is a filmmaker and writer. He has published two story collections and two novels, “The Free World,” which was a finalist for the Governor General's Award and the Giller Prize, and “The Betrayers,” which won the National Jewish Book Award. He was also chosen as one of The New Yorker's 20 Under 40 in 2010.
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Greg Jackson Reads Jennifer Egan
Greg Jackson joins Deborah Treisman to read and discuss “Safari,” by Jennifer Egan, which was published in The New Yorker in 2010. Jackson has published a story collection, “Prodigals,” and a novel “The Dimension of a Cave,” which was one of The New Yorker's Best Books of 2023. He has been publishing in the magazine since 2014.
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Sterling HolyWhiteMountain Reads Roberto Bolaño
Sterling HolyWhiteMountain joins Deborah Treisman to read and discuss “Labyrinth,” by Roberto Bolaño, translated from the Spanish by Chris Andrews, which was published in The New Yorker in 2012. HolyWhiteMountain is a Jones Lecturer at Stanford, and grew up on the Blackfeet Reservation in Montana.
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Rivka Galchen Reads Aleksandar Hemon
The author joins Deborah Treisman to read and discuss the story “The Bees, Part 1,” which was published in a 2002 issue of The New Yorker.
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Teju Cole Reads Anne Carson
The author joins Deborah Treisman to read and discuss the story “1=1,” which was published in a 2016 issue of The New Yorker.
Ressenyes del públic
Returns
A great show, as always.
A gift to readers
The Writer’s Voice podcast is a treasure. The level of care, attention and personal investment that goes into each episode is remarkable, as is the opportunity to listen in on a conversation between Deborah Treisman and George Saunders or Margaret Atwood or any of the New Yorker writers. I marvel that such a thing exists! And for free!
Time to upgrade the tech
I really love this podcast. But I think it might be hitting a technical wall of sorts.
Obviously, during the pandemic, readers are having to read from their homes. This means that the quality of their connection, probably on Zoom, makes sometimes for a bad listening experience. (I found the Jan 1 story to be almost incomprehensible a lot of the time.)
I would suggest that it’s time for some upgrading of technical standards. Including microphones with audio interface devices, wired connection to routers, and software (like Jamulus) to route to dedicated servers. This sort of thing is being implemented by musicians now for online playing and singing together. A relatively small investment of money and time makes a huge difference. And it doesn’t require any great technical expertise to get it working.
I think we’re in a time of transition. It’s like 30 years ago when it was amazing to hear any audio files at all (music, etc.) coming across on the internet. But the quality was terrible. We’re at a similar stage with personal connection to the internet.