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ABC Movies abcmovies
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- TV und Film
There's lots of movie podcasts where the hosts talk about bad movies. But how many talk about good movies (other than "Unspooled" which is also great!)? In Actually Best Choice Movies, longtime friends and total movie geeks Caleb Shively and Chris Chafin (contributor to Rolling Stone and New York Magazine's Vulture) talk about some movies that are actually worth seeing, in a way that's actually worth listening to. In this weekly show, the pair discuss/review/argue about two films: one new release and one other film that's related to it in a way that makes sense to them (and maybe to you). It's like Siskel & Ebert on Comedy Bang Bang, The Critic on Jordan, Jesse, Go!, or if the Doughboys watched movies instead of eating lethal amounts of fast food.
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Petit Maman & Where Is The Friend’s House
This week, it's two films about the vast, unknowable world of children: Petit Maman and Where Is the Friend's House.
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We’re All Going to the World’s Fair & Unfriended
This week, it's two films valiantly trying to capture the slippery, universal experience of ~~being online~~. It's We're All Going to the World's Fair (2022), and Unfriended (2014).
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Apollo 10 1/2 & Dazed and Confused
It's 420! Zone out to two Linklater films: his latest rotoscope cartoon, the '60s nostalgia fest Apollo 10 1/2, and a film you may have seen on VHS 10,000 times, Dazed and Confused.
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Deep Water& Body Heat
This week, we're looking at two ~~erotic thrillers~~ !! A much-maligned genre making a small, tentative comeback, in part thanks to this week's movie, Deep Water (2022); we're also talking about one of the genre's foundational texts, 1981's Body Heat.
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Turning Red & Eighth Grade
This week, it's two extremely different movies about almost exactly the same extreme situation: being a 13-year-old girl. It's Turning Red (2022) and Eighth Grade (2018).
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After Yang and Alphaville
This week, we're talking about two philosophical science fiction films made by critics-turned-directors: After Yang (2022, Kogonada), and Alphaville (1965, Jean-Luc Godard).
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