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If There Is No Struggle There Is No Progress: Black Politics in Twentieth-Century Philadelphia (Temple UP, 2022) provides an in-depth historical analysis of Philadelphia politics from the days of the Great Migration to the present. Philadelphia has long been a crucial site for the development of Black politics across the nation and this volume emphasizes how Black activists have long protested against police abuse, pushed for education reform, challenged job and housing discrimination, and put presidents in the White House. If There Is No Struggle There Is No Progress demonstrates that “Philadelphia must be central to any analysis of African American political history.”
But politics means more than elected office and the book highlights political strategies such as the "Don't Buy Where You Can't Work" movement and the Double V campaign. It demonstrates how Black activism helped shift Philadelphia from the Republican machine to Democratic leaders in the 1950s and highlights the election of politicians like Robert N. C. Nix, Sr., the first African American representative from Philadelphia. The book highlights grassroots movements and the intersection of race, gender, class, and politics in the 1960s and shows how African Americans from the 1970s to the present challenged (white) Mayor Frank Rizzo and helped elect (Black) Mayors Wilson Goode, John Street, and Michael Nutter.
Dean James Wolfinger (he/him/his) serves as dean of the School of Education at St. John’s University in Queens, New York.
Dr. Stanley Arnold (he/him/his) is an Associate Professor of American History at Northern Illinois University.
Dr. Alyssa Ribeiro (she/her/hers) is the Henry A Logan, Sr, Professor of American History at Allegheny College in Meadville, Pennsylvania.
 Ms. Daniela Lavergne at Saint Joseph’s University served as the editorial assistant for this podcast.
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Decisions to go to war are often framed in cost-benefit terms, and typically such assessments do not factor in longer term costs. However, recent dramatic improvements in American military medicine have had an unanticipated effect: saving more soldiers' lives has vastly increased long-term, downstream costs of war with profound consequences for global politics in an era of heightened great power competition.
In Military Medicine and the Hidden Costs of War (Oxford UP, 2024), Tanisha Fazal traces the modern history of medical treatment and casualty rates in American conflicts from the Civil War to the more recent counterinsurgency wars. As she shows, wars became increasingly survivable for wounded troops, to the point now where a large majority of wounded soldiers survive. 
Yet the human and financial implications of this steep increase in the wounded-to-killed ratio are dramatic, and her powerful analysis of this shift provides a necessary corrective to how we understand the costs of war. For each major conflict, Fazal analyzes the weapons used, injuries sustained, and policies put in place for veterans' care and pensions. As she argues, these improvements have significant financial and deeply personal implications for the returned wounded and their families, as well as the US government and its citizenry. Fazal's analysis highlights the significance of policymakers underestimating the costs of war, which in turn makes it easier both to initiate and continue military action abroad, contributing to Americas' penchant for engaging in so-called "endless wars."
Tanisha Fazal is a Professor of Political Science at the University of Minnesota. Her scholarship focuses on sovereignty, international law, and armed conflict. In addition to her new book, she is the author of two award-winning books and numerous articles in academic and policy journals. From 2021-2023, she was an Andrew Carnegie Fellow
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu
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In this provocative challenge to United States policy and strategy, former Professor of Strategy & Policy at the US Naval War College, and author or editor of eleven books, Dr. Donald Stoker argues that America endures endless wars because its leaders no longer know how to think about war in strategic terms and he reveals how ideas on limited war and war in general have evolved against the backdrop of American conflicts in Korea, Vietnam, and Iraq. These ideas, he shows, were and are flawed and have undermined America's ability to understand, wage, and win its wars, and to secure peace afterwards. America's leaders he argues have too often taken the nation to war without understanding what they want or valuing victory, leading to the “forever wars” of today in Afghanistan and Iraq. Why America Loses Wars: Limited War and US Strategy from the Korean War to the Present(Cambridge University Press, 2019) dismantles seventy years of misguided thinking and lays the foundations for a new approach to the wars of tomorrow. Why American Loses War is a must read for policy practitioners, serving soldiers and the lay educated public.
Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.
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In 1935, two Soviet satirists, Ilya Ilf and Evgeny Petrov, undertook a 10,000-mile American road trip from New York to Hollywood and back. They immortalised their journey in a popular travelogue entitled One-storied America (published as Little Golden America in the US), a suite of newspaper articles, and a series of photographs. 
In Soviet Adventures in the Land of the Capitalists: Ilf and Petrov's American Road Trip (Cambridge UP, 2024), Lisa A. Kirschenbaum reconstructs this epic journey, exploring Ilf and Petrov’s encounters with a vast range of characters, from famous authors, artists, poets and filmmakers to unemployed hitchhikers and revolutionaries. Using the authors’ notes, archival material in both Russia and the US, and even FBI files, she reveals the role played by ordinary individuals in shaping foreign relations as Ilf, Petrov and the immigrants, communists, and fellow travellers who served as their hosts, guides, and translators became creative actors in cultural exchange between the two countries.
Lisa A. Kirschenbaum is Professor of History at West Chester University. In addition to her latest book Soviet Adventures in the Land of the Capitalists: Ilf and Petrov’s American Road Trip (2024), she is the author of Small Comrades: Revolutionizing Childhood in Soviet Russia, 1917-1932 (Routledge Falmer, 2000); The Legacy of the Siege of Leningrad, 1941-1995: Myth, Memories, and Monuments (Cambridge University Press, 2006); and International Communism and the Spanish Civil War: Solidarity and Suspicion (Cambridge University Press 2015).
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.
Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
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Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture.
In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press.
Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
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