The Non-Objectifying Voyeurism in John Sloan’s "The Cot" Art Histories
-
- Kunst
UC Davis art history graduate student Alexandra Rea-Baum offers a new view on American artist John Sloan through the analysis of his non-objectifying gaze seen in "The Cot," a painting included in the Ash Can's exhibit at the MacBeth Gallery, NYC, in 1907.
UC Davis art history graduate student Alexandra Rea-Baum offers a new view on American artist John Sloan through the analysis of his non-objectifying gaze seen in "The Cot," a painting included in the Ash Can's exhibit at the MacBeth Gallery, NYC, in 1907.
28 Min.
Top‑Podcasts in Kunst
Mehr von UC Davis
Literature and the Environment, Fall 2008
Timothy Morton
Romanticism, Spring 2009
Timothy Morton
PSC100 - Introduction to Cognitive Psychology
Victoria Cross
Developmental Psychology, Fall 2008
Victoria Cross
Principles of Microeconomics, Winter 2013
Hilary Hoynes
The Inner Workings of Cells, Winter 2008
Ken Kaplan