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A Sherry Thomas story is built around one central conflict and then mining as much story from that conflict as possible. In her debut novel Private Arrangements, we follow Gigi and Camden who have the ideal marriage. They live separately and now after ten years Gigi wants a divorce. Camden says he’ll give her one after she gives him an heir. Their separation, sparked by an act of fraud of Gigi’s part, propels Camden into a cycle of anger against her. He refuses to forgive Gigi. Here is where Thomas shines with a couple’s attempted reconciliation and the subsequent heartache and triumphs that follow.  

Last episode, we covered the rise of Janet Dailey, one of romance’s biggest stars in the 1970s and 80s. A secretary turned millionaire, Dailey was one of the genre’s biggest success stories, but her husband’s work as her manager, and his interest in making her the #1 author in the world fueled “Svengali” rumors. If you haven’t already, go back and listen to Janet Dailey: Part One for the full story, as this is information you’ll need for what’s to come in this episode. This week we’re picking up where we left off: we’ll be talking about Janet Dailey’s plagiarism scandal in 1997, an event that rocked the romance world and tarnished Dailey’s reputation. 

In 1997, a scandal rocked the world of romance: Janet Dailey, one of the most successful and prolific romance authors of all time, got caught plagiarizing the work of Nora Roberts, one of the other most successful and prolific romance authors of all time. Before the scandal, Janet Dailey was the queen of American romance. Born in small-town Iowa, married in Omaha, and settled in Ozarks, she was a down-to-earth, blue-jeaned rebuttal to the only romance author that outsold her in the 70s and 80s: Barbara Cartland. In 1997 the Internet was in its infancy, so public memory of this scandal is fragmented. This is going to be a two-part episode, and in part one we are covering Dailey’s life before she fell from grace for plagiarism. Make no mistake, this is not just boring backstory: this episode is about fame, country music, violence, and one very controversial husband. Step into your boots and get out your fiddle, we’re going to Branson.

Tom and Sharon Curtis’ most famous work is 1984’s The Windflower published under the pen name Laura London. The Windflower is about a young sheltered woman named Merry who is kidnapped by the pirates on a ship called The Black Joke, and falls in love with her captor, the excruciatingly handsome second-in-command, Devon Crandall. Largely considered a classic of the genre, The Windflower is heartwarming, surprising, and very, very funny. Haley joined us on our discussion! You can find her on TikTok under the username @haleystewfart.

Currently on hiatus from writing historical romance, Mallory has written eleven histroms. Her books often are genre hybrids, with a mystery plot as an undercurrent with the romance. The books are Regencies and edge toward the wallpaper line, with a few historical inaccuracies, almost dollhouse like settings and sometimes some incomprehensible world building. For the Earl’s Pleasure is a mystery-romance hybrid as we try to uncover what led to Valerien Lord Rainewood attempted murder, which now has him unconscious in an undisclosed location. But luckily for Valerian, the object of his longtime teasing and bullying, Abigail Smart has a gift: she can see ghosts and while Valerian is unconscious, he appears to Abigail.

Today we’re going to talk about a sometimes polarizing topic—pregnancy in romance. We think pregnancy poses some interesting narrative questions and conflicts. For historical romance novels, babies and pregnancy bring up questions that aren’t really as much of a contemporary concern like legitimate heirs and who will inherit what estate. What does a person do if they have a child outside of wedlock? More universally, how does this pregnancy affect the relationship? Sanjana (@baskinsuns) join us today to give us some of her thoughts as well!