A is for Architecture Ambrose Gillick

Episode 107 of ⁠A is for Architecture⁠ is a discussion with Tim Ingold, Emeritus Professor of Social Anthropology at the University of Aberdeen about Making: Anthropology, Archaeology, Art and Architecture, published by Routledge in 2013. 

Acts of making, as the blurb puts it, ‘creates knowledge, builds environments and transforms lives.’ The book reflects ‘on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand’. It’s a beautiful subject, and a great conversation.

Tim is a fellow of the British Academy and the Royal Society of Edinburgh. He was awarded a CBE in 2022 for services to anthropology. His scholarship be found in all good libraries. He has a website, timingold.com, and his professional profile can be found on the University of Aberdeen website.

Thanks for listening.

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Music credits: ⁠Bruno Gillick

In Episode 106 of ⁠A is for Architecture⁠ Sabina Andron talks about her book Urban Surfaces, Graffiti, and the Right to the City, which she published with Routledge this year. 

The book discusses ‘the surfacescapes of our cities […] as material, visual, and legal territories [and] includes a critical history of graffiti and street art as contested surface discourses’ arguing for ‘surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order.’ 

Sabina is a Postdoctoral Research Fellow in Cities and Urbanism at the University of Melbourne and can be found on her personal website, as well as on social media, including  X and Instagram.

Thanks for listening.

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Music credits: ⁠Bruno Gillick

Episode 105 of ⁠A is for Architecture⁠ is with Pier Vittorio Aureli, writer and educator, and founder and principal of Dogma, the much-acclaimed architecture and research group founded in 2002 by Pier Vittorio and Martino Tattara. We talk about Pier Vittorio's 2023 book, Architecture and Abstraction, published by MIT Press.

Architecture and Abstraction, so the gloss has it, ‘argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the purposeful reduction of the complexities of design to its essentials, [this book] presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries’, and the outcome of emergent socio-technical, economic and political realities. In the face of the AI-ification of the public imagination and, increasingly, material culture itself, this argument has great pertinence for design in and of the contemporary commonwealth. 

Pier Vittorio Aureli teaches at Ecole Polytechnique Fédérale de Lausanne (EPFL), and can be found on through Dogma on Instagram.

Thanks for listening.

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Music credits: ⁠Bruno Gillick

In Episode 104 of A is for Architecture, is a conversation with Paul Watt about his 2021 book, Estate Regeneration and Its Discontents: Public Housing, Place and Inequality in London, published by Bristol University Press in 2021.

We discuss the story of council-supplied housing, and its transformation through various governments – not just Maggie’s Conservatives – from a common asset and social good, into an instrument of urban regeneration policy that has at its heart a very different image of the city, predicated a new model of the desired and desirable urban citizen.

Estate Regeneration draws on Paul’s deep knowledge and experience and extensive fieldwork ‘in some of the capital’s most deprived areas’ and shows ‘the dramatic ways that estate regeneration is reshaping London, fuelling socio-spatial inequalities via state-led gentrification’. It’s an important work of deep scholarship, for sure.

Paul is Visiting Professor at the London School of Economics, and can also be found on LinkedIn and Twitter/ X. 

 

Thanks for listening.

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Music credits: Bruno Gillick

In Episode 103 of A is for Architecture, Aaron Betsky discusses his recent book The Monster Leviathan: Anarchitecture, published by MIT Press in January this year. Until recently Professor in the School of Architecture and Design at Virginia Tech, and with previous roles as the President of the School of Architecture at Taliesin, director of the Cincinnati Art Museum and the Netherlands Architecture Institute, Curator at the San Francisco Museum of Modern Art and the author of over 20 books. Aaron directed the Venice architecture biennale in 2008 and now operates as an independent scholar. 

The Monster Leviathan describes an architecture ‘lurking under the surface of our modern world […] an unseen architecture—or anarchitecture […] which haunts in the form of monsters that are humans and machines and cities all at once’ which Betsky suggests ‘are concrete proposals in and of themselves’ and which indicate to us now ways we might ‘construct a better, more sustainable, and socially just future’.

Aaron is on Instagram and LinkedIn and all over the internet, because he’s proper famous. 

 

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Music credits: Bruno Gillick

In Episode 102 of A is for Architecture, Nimi Attanayake and Tim O'Callaghan, founders and principals of nimtim architects, talk about their work, practice and the social role of the practice/s of architects and our architecture. Their body of work is very lovely, but it’s not just this, having a richness born of a dynamic ethicality. The question then is, is the fruit of good ethics good architecture?

In an Architecture After Grenfell, an article they wrote around 2022, and which appeared in BD, they suggest ‘What is required is a reset for the whole industry. If morality is replaced by profiteering then the events at Grenfell tower will be the outcome. […] Whilst the world gasps at the cynicism and callousness revealed by the [Grenfell] inquiry, we should be positioning ourselves as the potential solution. Fundamentally, the problem is not one of process or competence, it is one of ethics and morality. Architects are uniquely placed to become the custodians of a new set of values that can run through every stage of a project. This may demand greater responsibility but it is a responsibility we should fight for and embrace.'

That’s what we’re here for, right?

Thanks for listening.

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Music: Bruno Gillick