New Books in Literature Marshall Poe

Ukraine, 2007. Yefim Shulman, husband, grandfather and war veteran, was beloved by his family and his coworkers. But in the days after his death, his widow Nina finds a letter to the KGB in his briefcase. Yefim had a lifelong secret, and his confession forces them to reassess the man they thought they knew and the country he had defended.
In 1941, Yefim is a young artillerist on the border between the Soviet Union and Germany, eager to defend his country and his large Jewish family against Hitler's forces. But surviving the war requires sacrifices Yefim never imagined-and even when the war ends, his fight isn't over. He must conceal his choices from the KGB and from his family.
Spanning seven decades between World War II and the current Russia-Ukraine conflict, Your Presence Is Mandatory (Bloomsbury, 2024) traces the effect Yefim's coverup had on the lives of Nina, their two children and grandchildren. In the process, Sasha Vasilyuk shines a light on one family caught between two totalitarian regimes, and the grace they find in the course of their survival.
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Anthony Valerio's novel Confessions of an Aspiring Pornographer (Grailing Press, 2024) tells the story of Walter Michael Gregory. Call him Wally. 
Walter Michael Gregory is a literary rogue peddling his prose and amours around 1970s Manhattan. He talks like Frank Sinatra sings, he writes truly, he is a lover par excellence, and he will charm you with his bawdy confessions.
Raised in Brooklyn by mobsters and his doting mother, Wally recounts his idyllic childhood and how he came to be such an amorous soul. Now stepping into life as a young man about town, he establishes himself in the Greenwich Village literary scene and sets out to find work, any work, in the publishing industry. What he finds is the heady rush of hobknobbing with the greats and the tough truths of working for a living. Forced to live off his literary wits, Wally finds interesting work as a copy editor, encyclopedia writer, and literary pornographer. If he can dodge lovers, hunger, meteors, and a lurking bengal tiger of his own imagining, he might realize his dream, cashing in with his prose and feeling like a writer.
From his boyhood in Brooklyn to the pastimes and pitfalls of a bachelor's life, join Wally on this jaunt through his consciousness and a bygone big city, big book era.
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Although Katie Kitamura feels free when she writes—free from the “soup of everyday life,” from the political realities that weigh upon her, and even at times from the limits of her own thinking—she is keenly aware of the unfreedoms her novels explore. Katie, author of the award-winning Intimacies (2021), talks with critic Alexander Manshel about the darker corners of the human psyche and the inescapable contours of history that shape her fiction. Alexander and Katie explore how she brings these tensions to “the space of interpretation, where the book exists” and places trust in her readers to dwell there thoughtfully. They also discuss the influence of absent men (including Henry James), love triangles, love stories, long books, and titles (hint: someone close to Katie says all her novels could be called Complicity). Stay tuned for Katie’s answer to the signature question, which takes listeners from to the farmlands of Avonlea to the mean streets of Chicago.
Mentioned in this episode
By Katie Kitamura:

Intimacies

A Separation

Gone to the Forest

Japanese for Travelers

The Longshot

Also mentioned:

Flannery O’Connor, “Revelation”

Henry James, Portrait of a Lady

Garth Greenwell, What Belongs to You

Elena Ferrante, The Neapolitan Novels

Elsa Morante, Lies and Sorcery

Lucy Maud Montgomery, Anne of Green Gables

John Steinbeck, East of Eden

Theodore Dreiser, An American Tragedy


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Danielle Amir Jackson is a Memphis-born writer and critic, and the editor-in-chief of the Oxford American. Her work has appeared in the New York Times, Vulture, Bookforum, Lapham’s Quarterly, the Criterion Collection, and elsewhere. Honey’s Grill: Sex, Freedom, and Women of the Blues, her first book, is forthcoming from Farrar, Straus, and Giroux.
Originally based in Oxford, Mississippi, hence its name, Oxford American is both a literary and general interest magazine intent on honoring the cultural wealth of the South. Four writings are discussed, beginning with “What If It All Burned Down?” by Katrina Andy, which as its title suggests, is loaded with questions about the largest slave revolt in U.S. history. It happens at the Andry Plantation north of New Orleans, in the aftermath of the successful Haitian Revolution. Two other writings involve music: there’s “How to Take It Slow” by Lauren Du Graf and “Coming Up Fancy” by Jewly Hight. The first portrays Shirley Horn, emphasizing her unique singing and piano style as well as her being such a homebody that she took a pressure cooker along with her on musical road tours. The second takes the song “Fancy” as sung by Reba McEntire and others and explores what home means when it isn’t a place of comfort. The episode’s fourth entry, “The Mustang” by Gwen Thompkins, is an evocative piece about a family journey to see grandparents at the same time that the narrator’s parents’ marriage is coming to an end.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.
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In this evocative, insightful memoir, a leading voice in Middle Eastern Studies revisits his childhood in war-torn Lebanon and his family’s fascinating history, coming to terms with trauma and desire. Water on Fire: A Memoir of War (Other Press, 2024) tells a story of immigration that starts in a Beirut devastated by the Lebanese Civil War (1975–90), continues with experiences of displacement in Europe and Africa, moves to northeastern American towns battered by lake-effect snow and economic woes, and ends in New York City on 9/11. A story of loss, but also of evolution, it models a kind of resilience inflected with humor, daring, and irreverence. Alternating between his perspective as a child and as an adult, Tarek El-Ariss explores how we live with trauma, poignantly illustrating the profound impact of war on our perception of the world, our fears and longings. His memoir is at once historical and universal, intellectual and introspective, the outcome of a long and painful process of excavation that reveals internal turmoil and the predicament of conflict and separation. A contemporary “interpretation of dreams” dealing with monsters, invisible creatures, skin outbreaks, and the sea, it is a book about objects and elements, like water and fire, and about how encountering these elements triggers associations, connecting present and past, time and space.
Tarek El-Ariss is the James Wright Professor and Chair of Middle Eastern Studies at Dartmouth College and was a Guggenheim Fellow (2021–22). Trained in philosophy, comparative literature, and visual and cultural studies at the American University of Beirut, the University of Rochester, and Cornell University, he is the author of Trials of Arab Modernity: Literary Affects and the New Political and Leaks, Hacks, and Scandals: Arab Culture in the Digital Age, and editor of the MLA anthology The Arab Renaissance: A Bilingual Anthology of the Nahda.
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Inspired by the legends of Amazon women warriors told by ancient Greek historian Herodotus and evidenced by recent archaeological discoveries in Central Asia, Akmaral (Regal House Publishing, 2024) is the latest historical fiction novel by author Judith Lindbergh. Through the story of its eponymous main character, a nomadic warrior woman living in the Central Asian steppe in the 5th century BCE, Akmaral vividly brings to life the histories, cultures, and lifestyles of the ancient Sauromatae. In this episode, Judith joins me to talk about the Sauromatae, conducting historical research as a fiction writer, and what contemporary readers can learn about our current world through stories of the past.
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