COURTESY OF Adam Art Gallery Te Pataka Toi

The same week the exhibition ‘Infrastructure: power, politics and imagination’ opened at Te Pātaka Toi Adam Art Gallery, select committee submissions closed for the National Government’s Fast-track Approvals Bill. This controversial Bill, which aims to speed up approvals for infrastructure and development projects, has been identified as having implications for iwi and environmental protection.
In this political context and sitting amongst artist Matthew Galloway’s immersive project titled ‘The Power That Flows Through Us’, Galloway sat down with Professor of Politics and Māori Studies at Te Herenga Waka—Victoria University of Wellington Maria Bargh, to explore contemporary perspectives on the politics of resource use, with an eye on the past, present and future.
This episode is an edited recording of the lunchtime talk titled ‘Finding Ways Forward’ that took place on Wednesday 5th June 2024, in conjunction with the exhibition ‘Infrastructure: power, politics and imagination’, 20 April - 30 June 2024.

In the project The Power That Flows Through Us artist Matthew Galloway revisits cartoons from the 1970s/80s by Robert Brockie, Sid Scales, Gordon Minhinnik and Daryl Crimp.
This historical era of cartooning is the starting point for this podcast episode, which is a recording of a panel discussion that took place on 14 May 2024 in conjunction with the exhibition Infrastructure: power, politics and imagination ,
Sitting amongst Galloway's project - and in particular, next to historical cartoons enlarged as life-sized sculptures - are the panelists: Sharon Murdoch, the first woman political cartoonist in the Aotearoa mainstream media; Sam Orchard, Assistant Curator for the Cartoon and Comics Archive at the Alexander Turnbull Library; and, cartoonist and researcher, Dylan Horrocks.
In this wide-ranging conversation, the panel explore such themes as: the importance of cartoons to the political imaginary; cartoons’ influence on public opinion; the politics of the 70s/80s generation of cartoonists; what political cartooning looks like now; and what it might be in the future.

A forest consists of many timescales. Through a constant process of renewal and decay, the ecosystem becomes a record of time passing. Similarly, human memory folds together new and old. Every moment that something is remembered material traces are reshaped and reconstructed.
This episode is a recording from a panel discussion featuring artists Taarn Scott and Raewyn Martyn in conversation with exhibition co-curator Su Ballard, which took place on 23 March 2024 as part of the closing weekend event for 'Folded Memory' titled 'Ki te Ngāhere: Conversations about time material and memory',
Tracing an ongoing thread begun in a previous exhibition — Listening Stones Jumping Rocks (2021) — this conversation considers the way narratives and materials are interchangeable containers of ecological memory. In Invasive Weeds Taarn Scott has rendered Hana Pera Aoake’s poetry material. In Greywacke love poems: returns Raewyn Martyn explored how mutable material can dislodge skewed histories. In this conversation with exhibition curator Su Ballard, Scott and Martyn brought their practices together to reflect on the transformational potential of material as stories and stories as material. Together we imagined new old ways to create survivable futures.

On the occasion of the exhibition Folded Memory (18 November 2023 - 28 March 2024) this podcast episode is a recording of a poetry reading in the Gallery on Wednesday 13 March 2024, titled Spoken Ecologies.
For Spoken Ecologies 2023/24 Tāhuhu Kōrero Toi Summer Scholar in Art History at Te Herenga Waka—Victoria University of Wellington, Margo Montes de Oca brought together poets to share work in response to Folded Memory. Using their poetry to bear witness to the kaleidoscopic stories of geology and ecology of Aotearoa, these readers guide us through shifting landscapes of time, extending the tendrils of human language out towards the more-than-human. Featuring Joan Fleming, Ash Davida Jane, Ruben Mita, Niamh Hollis-Locke, Loretta Riach, and Hana Pera Aoake.

In this episode, you’ll hear a mastered recording of Is This Meta Enough For You? an improvised live electronic music performance by sonic artist Thomas Voyce. During the exhibition installation period for Back of House, Voyce collected field recordings by attaching binaural microphones to individual Adam Art Gallery staff members. Is This Meta Enough For You? is the culmination of these recordings amplified by Te Kōkī Soundsystem and mixed live in the gallery on the evening of Wednesday 18 October 2023.
Thomas Voyce is a sound artist from Te Whanganui-a-Tara, who works primarily with field recordings and live diffusion. He has a particular interest in multi-element soundsystems, spatial audio and dub production techniques. Voyce has participated in sound art residencies in Aotearoa and South Africa, with fixed media work exhibited as part of Audiosphere: Sound Experimentation 1980-2020, Museo Reina Sofia, Madrid (2020-21). With an enduring fascination with vintage audio technology, Voyce often performs with analog mixing consoles and electromechanical effects, creating work that highlights the marriage of source materials and the production methodologies employed.
Back of House, 12 August – 29 October 2023, Te Pātaka Toi Adam Art Gallery.

This episode features 'Aro Toi/ Art Collection in Focus' curator Sophie Thorn speaking with artist Cora-Allan on Saturday 16 September 2023, in a floor-talk associated with the exhibition 'Back of House'.
Cora-Allan is of Māori (Ngāpuhi, Ngātitumutumu) and Niue descent. A contemporary practitioner of the Niue tradition of barkcloth known as hiapo, Cora-Allan is credited with reviving the ‘sleeping artform’ which has not been practised in Niue for several generations.
In this conversation Sophie and Cora-Allan discuss the material processes of harvesting whenua paint and the materials science of producing natural dyes as they relate to Cora-Allan’s three works on hiapo, on display in ‘Aro Toi /Art Collection in Focus: A Gift, A Celebration, An Invitation’.