Projected Futures: Exploring the Possibilities of Projection Mapping Ryan Ritchey / Ritchey Studios

Falcon’s Creative Group has been the creative force behind many of the largest and groundbreaking immersive experiences in the world. In this episode we talk to Saham Ali, Falcon’s Director of Technology, and Jesse Allen, Falcon’s Editorial Director. We discuss many aspects of projection mapping and technological progress along the way, plus we go more in-depth on “Dragon’s Treasure,” a particularly spectacular project. (You can see a video of this project on our website: ProjectedFutures.net)

Paintscaping co-founder and CEO Philippe Bergeron talks about his journey creating one of the premier projection mapping companies, and about their latest project: Projection mapping an operational Delta IV rocket at Cape Canaveral.

Latoya Flowers tells us about her work at the Field Museum, and bringing projection mapping to a marquee attraction at the museum: The world's most complete T-Rex fossilized skeleton!

At 24, Kira Bursky is already conquering YouTube, with millions of followers. Now she's bringing projection mapping into her filmmaking and music videos. She joins to discuss "New Thought / No Thought," he short which replaces animation techniques with on-set use of practical projection effects.

Joseph Crossley joins us from Perth Australia to discuss his unusual past, and his bright view of the future of projection mapping.

You might not know the name, but you've seen Quince Imaging's work...