The Sauce with Maya Gurantz and Rebecca Cohen Maya Gurantz & Rebecca Cohen

We followed every moment of Trump’s first criminal trial, and now that the verdict is in, boy is there a lot to talk about. From Trump falling asleep (and farting himself awake), to his defense team’s dumbest moves, to the electoral implications of 34 felony convictions, Maya and Rebecca dive into the all pleasures and surprises of watching this real-life procedural drama unfold.

Grunge is dead (again). As Maya grieves the death of iconic producer Steve Albini, she and Rebecca break down whether this Gen-X’s John Lennon moment, if the concept of “selling out” means anything anymore, and why edge lord humor just isn’t the same as it used to be.

Dune is Rebecca’s favorite novel, but Maya is a pure 100% Dune virgin. We watched Denis Villeneuve’s massively popular adaptation of this legendary, and legendarily unfilmable, sci fi epic to see if we see any of the same things. Does it work as a movie series? As an adaptation? As a meditation on the white savior narrative?

There is too damn much to talk about so we try to talk about it ALL! In this episode, Beyonce Goes Country, Tradwifes Go Viral, OJ Simpson Goes Dead, and Rebecca and Maya just try to keep up. We break down Cowboy Carter, the weird fantasy of white housewife cosplay, and the legacy of a famous wife-killer.

After taking a much-needed break from TFG, Maya and Rebecca catch up on Trump’s troubles: legal, financial, political, and psychophysical. How f****d is he? How worried should we be? What’s the most productive way to direct our anxiety between now and November?

Depending on whom you ask, Academy award winner Poor Things is either a feminist masterpiece about an empowered woman, or a male fantasy about a baby-minded fuck toy. Maya and Rebecca attempt to bridge the gap, asking the really important questions: Why is Yorgos Lanthimos so obsessed with old-timey whorehouses? Is this quirky visual style more or less irritating when Wes Anderson does it? And is a critique of men the same thing as a feminist movie?