Episode #8 is the penultimate episode of Series One. I was overjoyed to speak to and write music with the amazing composer, Emilie Levienaise-Farrouch. Emilie's practice focuses mainly around a central piano sound (being a pianist) that acts as a spring board for expansion into electronics, sound design and beautiful string writing. Emilie has released two album, both of them using an instinctive writing process beginning at the piano before evolving beyond. Like Water Through The Sand and Époques were released on FatCat Records, the latter was released July this year. Both have received much critical acclaim.
Her music finds it's way into other artistic circles including writing film scores - 'Only You' being one that is set for release this year - as well as collaborations with visual artists, for example a recent piece for an exhibition at Knole called, 'A Woman's Place' where she teamed up with Alice May Williams to provide the soundtrack and sound design for Alice's film.
She has also been commissioned by innovative ensembles like the London Contemporary Orchestra.
I'm splitting up the chat part of the episode and the music making into two episodes.
In this first episode we meet at a quirky cafe in North London called Edith's House, apologies for any distracting background noise.
We had a lovely casual chat about many topics, the one's that made the edit are: her coveting of free plugins, the process behind Époques, the shifts in film music tastes, experiences of gender inequality in music, sampling the oldest playable organ in the UK and so on...
Please do continue sharing excuse the mess with your friends, leave positive reviews & ratings on iTunes etc etc, it all really helps.
Huge thanks to Emilie for getting involved in etm.
To keep up with Emilie news:Website | Twitter | Instagram | Facebook
More linksSmirnoff Equalising Music Resina - cellist and ELF collaborator Emilie Levienaise-Farrouch - The Minutes (World Première)
For information regarding your data privacy, visit acast.com/privacy