The Vault New York Institute for the Humanities

James Shapiro spoke at the Institute in 2014 about Shakespeare in America, the anthology he edited for the Library of America. He is the Larry Miller Professor of English and Comparative Literature at Columbia University.
Professor Shapiro is the author of many books on Shakespeare, including Shakespeare in a Divided America, which was a finalist for the 2020 National Book Critics Circle award for non-fiction. In addition, he is the author of Rival Playwrights: Marlowe, Jonson, Shakespeare (1991); Shakespeare and the Jews (1996); Oberammergau: The Troubling Story of the World’s Most Famous Passion Play (2000); 1599: A Year in the Life of William Shakespeare (2005), which was awarded the Samuel Johnson Prize for the best non-fiction book published in Britain; and Contested Will: Who Wrote Shakespeare? (2010).
His essays and reviews have appeared in the New York Times, the New Yorker, the Guardian, and the New York Review of Books. He is currently Shakespeare Scholar in Residence at the Public Theater in New York City.
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In this 2014 episode from the Institute’s Vault, we hear from Betty Medsger. Medsger was a Washington Post reporter in March 1971, and received a cache of stolen FBI files that detailed the elaborate surveillance activities the bureau was using against Vietnam war protesters and others whom J. Edgar Hoover deemed “subversive.“ All Medsger knew about the documents was that they had been stolen by a group of anonymous individuals who called themselves the Citizens Commission to Investigate the FBI. In 2014, she revisited the story in her book, The Burglary: The Discovery of J. Edgar Hoover's Secret FBI (Vintage, 2014). In it, she tells the story of an unlikely group of academics and ordinary citizens who broke into a suburban FBI office and shed light on the way the intelligence community was spying on its own citizens.
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In this episode from the Institute’s Vault we hear from Rebecca Goldstein, an American philosopher, novelist, and public intellectual. She holds a Ph.D. in philosophy of science from Princeton University, and has written ten books, both fiction and non-fiction. Her first book was her 1983 novel, The Mind Body Problem. Goldstein spoke to the Institute in 2006 about her book, Betraying Spinoza: The Renegade Jew Who Gave Us Modernity (Schocken Books, 2009).
A bit about the book: 
In 1656, Amsterdam's Jewish community excommunicated Baruch Spinoza, and, at the age of twenty-three, he became the most famous heretic in Judaism. He was already germinating a secularist challenge to religion that would be as radical as it was original. He went on to produce one of the most ambitious systems in the history of Western philosophy, so ahead of its time that scientists today, from string theorists to neurobiologists, count themselves among Spinoza's progeny.
In Betraying Spinoza, Rebecca Goldstein sets out to rediscover the flesh-and-blood man often hidden beneath the veneer of rigorous rationality, and to crack the mystery of the breach between the philosopher and his Jewish past. Goldstein argues that the trauma of the Inquisition' s persecution of its forced Jewish converts plays itself out in Spinoza's philosophy. The excommunicated Spinoza, no less than his excommunicators, was responding to Europe' s first experiment with racial anti-Semitism.
Here is a Spinoza both hauntingly emblematic and deeply human, both heretic and hero--a surprisingly contemporary figure ripe for our own uncertain age.
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Nicholas Lemann is a staff writer at the New Yorker and a professor of journalism at Columbia. He is the author of four books, the most recent of which is Transaction Man: The Rise of the Deal and the Decline of the American Dream (FSG, 2019). Lemann spoke at the Institute about Transaction Man in 2019.
Over the last generation, the United States has undergone seismic changes. Stable institutions have given way to frictionless transactions, which are celebrated no matter what collateral damage they generate. The concentration of great wealth has coincided with the fraying of social ties and the rise of inequality. How did all this come about?
In Transaction Man, Nicholas Lemann explains the United States'--and the world's--great transformation by examining three remarkable individuals who epitomized and helped create their eras. Adolf Berle, Franklin Delano Roosevelt's chief theorist of the economy, imagined a society dominated by large corporations, which a newly powerful federal government had forced to become benign and stable institutions, contributing to the public good by offering stable employment and generous pensions. By the 1970s, the corporations' large stockholders grew restive under this regime, and their chief theoretician, Harvard Business School's Michael Jensen, insisted that firms should maximize shareholder value, whatever the consequences. Today, Silicon Valley titans such as the LinkedIn cofounder and venture capitalist Reid Hoffman hope "networks" can reknit our social fabric.
Lemann interweaves these fresh and vivid profiles with a history of the Morgan Stanley investment bank from the 1930s through the financial crisis of 2008, while also tracking the rise and fall of a working-class Chicago neighborhood and the family-run car dealerships at its heart. Incisive and sweeping, Transaction Man is the definitive account of the reengineering of America and the enormous impact it has had on us all.
Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.
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In 2006, Jennifer Michael Hecht spoke to the Institute about her book, The Happiness Myth: Why What We Think Is Right Is Wrong. Hecht is a poet and historian, who holds a Ph.D. in the history of science/European cultural history from Columbia University. She has published four books of nonfiction and three books of poetry. She has taught in the MFA programs at Columbia University and the New School.
Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.
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Ian Buruma is the author, co-author and editor of over a dozen books. He has been an editor at the Far Eastern Economic Review and The New York Review of Books. In this talk, he discusses Year Zero: A History of 1945 (Penguin, 2014).
Year Zero is a landmark reckoning with the great drama that ensued after war came to an end in 1945. One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it.
In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the European welfare state, the United Nations, decolonization, Japanese pacifism, and the European Union. Social, cultural, and political "reeducation" was imposed on vanquished by victors on a scale that also had no historical precedent. Much that was done was ill advised, but in hindsight, as Ian Buruma shows us, these efforts were in fact relatively enlightened, humane, and effective.
A poignant grace note throughout this history is Buruma's own father's story. Seized by the Nazis during the occupation of Holland, he spent much of the war in Berlin as a laborer, and by war's end was literally hiding in the rubble of a flattened city, having barely managed to survive starvation rations, Allied bombing, and Soviet shock troops when the end came. His journey home and attempted reentry into "normalcy" stand in many ways for his generation's experience.
A work of enormous range and stirring human drama, conjuring both the Asian and European theaters with equal fluency, Year Zero is a book that Ian Buruma is perhaps uniquely positioned to write. It is surely his masterpiece.

Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org.
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