To Here Knows When - Great Irish Albums Revisited Paul McDermott

On this episode I’m joined by Liam Heffernan and Ricky Dineen from Big Boy Foolish, a post-punk duo from the northside of Cork City who have just released their debut album – Stall the Ball. Ricky was the guitarist in the legendary bands Nun Attax, Five Go Down to the Sea? and Beethoven and Liam Heffernan played guitar with another Cork band Mean Features, and is well known for his acting roles on both stage and screen. Ricky and Liam revisit "Get That Monster Off the Stage" my old radio documentary about their late friend Finbarr Donnelly. We chat about Ciarán Ó Tuama's recent film version of the documentary and the lads talk about about making music in their 60s, the origins of Big Boy Foolish, the writing, recording and release of Stall the Ball and much more. Episode notes are here.

A short video preview of Episode 40 – Hiding From the Landlord by Nun Attax, Five Go Down to the Sea? and Beethoven.

A short preview of Episode 40 – Hiding From the Landlord by Nun Attax, Five Go Down to the Sea? and Beethoven.

On this episode I’m joined by Martin McCann and John Brereton of Dublin band Sack for a deep dive into the making of the band's second album Butterfly Effect. It's a long conversation talking in their first band, Lord John White, moving to London, signing to Lemon Records, touring in the UK, the release of their acclaimed first singles and their debut album, You Are What You Eat, returning to Ireland, Dirt Records, recording with Paul Tipler and Jacknife Lee, touring Europe and the US with Morrissey, staying together, and writing and recording new music. Episode notes are here.

A short preview of Episode 39 – Butterfly Effect by Sack

On this episode I’m joined by Liam McKahey and Davey Ray Moor for a deep dive into Cousteau’s self-titled debut album from 1999. Cousteau were formed in London in the late 90s when singer McKahey, from Cork, hooked up with songwriter and multi-instrumentalist Ray Moor, from Canberra. Cousteau’s self-titled debut album was released in 1999 by the small UK indie label, Global Warming. After an appearance on Later With Jools Holland the band were signed by Chris Blackwell’s Palm Pictures. The band’s debut single ‘The Last Good Day of the Year’ became an international hit and the band’s album was re-released. Cousteau toured the world eventually selling a few hundred thousand albums. Episode notes are ⁠⁠here⁠.