New Books in Literary Studies New Books Network

Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.
Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Anthony Grafton is the Henry Putnam University Professor of History at Princeton, where he has taught since 1975. He is an historian of early modern Europe, and the author and co-author of over a dozen books, including The Footnote: A Curious History (Harvard University Press, 1997), and Inky Fingers: The Making of Books in Early Modern Europe (Harvard University Press, 2020).
In November 2006 he spoke to the Institute about Christianity and the Transformation of the Book: Origen, Eusebius, and the Library of Caesarea (Harvard University Press, 2006), which he co-wrote with Megan Hale Williams.
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How can the novel be a way to understand the development of nation-state borders? An important work in the intersections of law, literature, history, and migration, Stephanie DeGooyer's Before Borders: A Legal and Literary History of Naturalization (Johns Hopkins UP, 2022) offers fascinating insight into understanding naturalization. Tracing the idea of naturalization as it can be understood as a legal fiction and through literary fiction, DeGooyer offers a compelling approach to understanding naturalization as a generative mechanism for national expansion. Through a careful and engaging analysis that spans from Mary Shelley to court proceedings, De Gooyer's Before Borders is a compelling read that will be of great interest for those interested in histories of migration, creative approaches to studying the state, and ways to approach law through and alongside literature.
Stephanie DeGooyer is Assistant Professor and Frank Borden and Barbara Lasater Hanes Fellow in the Department of English & Comparative Literature at the University of North Carolina. Her research focuses on the intersections between law and literature.
Rine Vieth is an incoming FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion.
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Plato is a philosophical writer of unusual and ingenious versatility. His works engage in argument but are also full of allegory, imagery, myth, paradox and intertextuality. He astutely characterises the participants whom he portrays in conversation. Sometimes he composes fictive dialogues in dramatic form while at other times he does so as narratives. 
In How Plato Writes: Perspectives and Problems (Cambridge UP, 2023), world-renowned scholar Malcolm Schofield illustrates the variety of the literary resources that Plato deploys to achieve his philosophical purposes. He draws key passages for discussion particularly, but not only, from Republic and the less well-known Laws and also shows how reconstructing the original historical context of a dialogue and of its assumed readership is essential to understanding Plato's approach. The book will open the eyes of readers of all levels of expertise to Plato's masterly ability as a writer and how an understanding of this is crucial if we are to appreciate his philosophy.
Malcolm Schofield is Emeritus Professor of Ancient Philosophy and Fellow of St John's College, Cambridge University
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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For My Blemishless Lord (de Gruyter, 2023) presents the text and translation of the exquisite poem Amalaṉ Āti Pirāṉ by Tiruppāṇ Āḻvār, which is part of the Śrīvaiṣṇava canon, the Nālāyira Divya Prabandham (6th- 9thcenturies CE), as well as of the three Śrīvaiṣṇava commentaries in Tamil-Sanskrit Manipravala (13th- 14th centuries) by key figures in the medieval religious history of South Asia, namely, Periyavāccāṉ Piḷḷai, Aḻakiya Maṇavāḷa Perumāḷ Nāyaṉār, and Vedānta Deśika. Offering the first fully annotated, complete translation of these exegetical writings, this volume analyses the language, commentary techniques, and the theological positions of, as well as cultural, religious and other allusions made by these commentators, placing them in their literary, social and religious backgrounds, during a period of budding dissent within the Śrīvaiṣṇava community, to which they contributed at least in part. This rich resource is made available in English for the first time for students of Tamil and Manipravala, theology, religious history, and philology.
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What’s the truth and what’s a lie? What’s a memoir, what’s a novel, and what if both are just a series of “prose blocks”? This conversation between Sarah Manguso and Tess McNulty takes up questions of writing and veracity, trauma and memory. Sarah Manguso is the author of nine books, including three memoirs. Her first novel, Very Cold People, was named a finalist for the PEN/Jean Stein Book Award, and her second novel, Liars, is forthcoming. Tess and Sarah discuss how the threshold between truth and fiction is often used to minimize writing by women and how characters can achieve escape velocity against the pull of violence and abuse. We learn that Sarah doesn’t imagine an audience when she writes—instead, writing articulates something felt in the body, something that remains “uncomfortable until it is so articulated.” From the Yankee thrift of book design and the writing of front matter, acknowledgements, and Sarah’s brilliant titles, we move to 70s-era typography and wordplay with the answer to Season 7’s signature question.
Mentions:

By Sarah Manguso: Very Cold People, 300 Arguments, Ongoingness: The End of a Diary, The Two Kinds of Decay and Hard to Admit and Harder to Escape in One Hundred and Forty Five Stories in A Small Box by Deb Olin Unferth, Sarah Manguso, and Dave Eggers

Hilary Mantel

Lord Byron, “If I don’t write to empty my mind, I go mad,” from an 1821 letter published in Volume 8 of Byron’s Letters and Journals, edited by Leslie A. Marchand.

Ellen Raskin, The Westing Game



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