5 min
BellBottom Review: Akshay Kumar’s Film Is a High-Jacked Flight From Start News and Views
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It’s for a noble cause after all. BellBottom becomes the first major Bollywood film to release in cinemas after the deadly second wave of the COVID-19 pandemic. It was also one of the first Indian films to start shoot during the pandemic. It's set in the 1980s against the backdrop of a number of Indian Airlines hijackings by forces hostile to India.
This has to be a separate genre- the “Akshay Kumar” genre- where all other characters can literally laze on a hammock and that would have no bearing on the story because our man Akshay Kumar is the only one who can do anything of consequence anyway. Also, we know how such endeavours are destined to end – with a national anthem, Tricolor et al.
Couple of minutes set aside for Kumar’s entry, then Kumar’s dare devilry and since its on the big screen even the interval ad will have Kumar telling Nandu off and then ends with Kumar sorting the mess. There is just a lot of Akshay Kumar!
Tune in for the full review!
VO: RJ Stutee Ghosh
It’s for a noble cause after all. BellBottom becomes the first major Bollywood film to release in cinemas after the deadly second wave of the COVID-19 pandemic. It was also one of the first Indian films to start shoot during the pandemic. It's set in the 1980s against the backdrop of a number of Indian Airlines hijackings by forces hostile to India.
This has to be a separate genre- the “Akshay Kumar” genre- where all other characters can literally laze on a hammock and that would have no bearing on the story because our man Akshay Kumar is the only one who can do anything of consequence anyway. Also, we know how such endeavours are destined to end – with a national anthem, Tricolor et al.
Couple of minutes set aside for Kumar’s entry, then Kumar’s dare devilry and since its on the big screen even the interval ad will have Kumar telling Nandu off and then ends with Kumar sorting the mess. There is just a lot of Akshay Kumar!
Tune in for the full review!
VO: RJ Stutee Ghosh
5 min