37 min
Naomi Beckwith on Senga Nengudi The Great Women Artists
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- Arts
I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith.
Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum’s vision, Beckwith’s career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem.
Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024.
But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can’t wait to find out more.
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LINKS:
Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection
https://www.guggenheim.org/about-us/staff/naomi-beckwith
https://www.sengasenga.com/
https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/
https://www.youtube.com/watch?v=DutixbTscWM
https://www.moma.org/calendar/exhibitions/5078
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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:
https://www.famm.com/en/
https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037
Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Music by Ben Wetherfield
I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith.
Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum’s vision, Beckwith’s career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem.
Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024.
But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can’t wait to find out more.
--
LINKS:
Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection
https://www.guggenheim.org/about-us/staff/naomi-beckwith
https://www.sengasenga.com/
https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/
https://www.youtube.com/watch?v=DutixbTscWM
https://www.moma.org/calendar/exhibitions/5078
--
THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:
https://www.famm.com/en/
https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037
Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Music by Ben Wetherfield
37 min