War Movie Theatre Rob Hutton & Duncan Weldon

Watching the war movies that put a bit of iron in our blood, with authors Rob Hutton and Duncan Weldon. This time: Used to be that a Sunday didn’t pass without red-jacketed Michael Caine and Stanley Baker staging a last-ditch defence of Rorke’s Drift on TV… but they don’t show Zulu much these days. Why on EARTH should that be?
Special guest Sathnam Sanghera, author of Empireland and the new Empireworld, has never seen Zulu until now. He joins Rob and Duncan to talk over the issues… FAHSANDS of ’em. Will we end with a rousing chorus of ‘Men Of Harlech’ or will everybody get cancelled? How do you make a British Empire film where the Brits are the underdogs? The army doesn’t like more than one disaster in a day… but we do.
Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production
www.podmasters.co.uk
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Watching the war movies that made us shape up and stop shilly-shallying, with authors Rob Hutton and Duncan Weldon. This time: “This is not a gentleman’s war…” With historian Alex von Tunzelmann of Paper Cuts podcast fame, we watch a film regarded by some as the finest British movie ever made, Powell & Pressburger’s epic, moving The Life and Death of Colonel Blimp from 1943. Made during the actual war, denounced for humanising Germans (but did it?) and hated by Churchill, this tale of ageing, the price of war, love and what it means to be English gradually makes its way to classic status – thanks in part to Martin Scorsese, no less. Will our upper lips remain stiff? Listen and find out.
Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production. www.podmasters.co.uk
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Watching the war movies that made men* of us, with authors Rob Hutton and Duncan Weldon. This time: Is a work of art worth a life? All right, what about a podcast then? This week we’re watching The Train, John Frankenheimer’s intense 1964 epic of bravery and moral torment. Can the French Resistance stop the Nazis spiriting a trainload of looted art away from Paris? Has a black-and-white movie ever looked this good? Is it basically steam-train porn? Plus: Burt Lancaster, secret acrobat. On the train to hell with us, BBC Diplomatic Correspondent James Landale.
* also women
Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production. www.podmasters.co.uk
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Watching the war movies that stiffened our upper lips, with authors Rob Hutton and Duncan Weldon. This time: What do you mean, it’s not a war movie? It’s got Nazis in it. What more do you want? Our manly duo are tempted by political journalist Helen Lewis into watching the 1965 nuns, guns and arias extravaganza The Sound of Music. Will their emotionless exterior crack beneath Julie Andrews’ relentless sunniness, like “being hit over the head every day with a giant Valentine’s card”? Can you spot fake, painted Salzburg from the real thing? Is it really a war movie after all? The hills are alive with the sound of podcasts!
Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production
www.podmasters.co.uk
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Watching the war movies that stiffened our upper lips, with authors Rob Hutton and Duncan Weldon. This time: Jude Law is a young Russian sniper in the somewhat messy yet highly entertaining ‘Enemy At The Gates’ from 2001. Why does Kill Your Friends author John Niven love it despite its many shortcomings? Would anyone have time for a love triangle in the middle of a war, much less a knee-trembler in an icy tunnel? Can they swerve the ’Allo ’Allo Bad Accent Factor? Or is it all a terrible pain in the Urals? Note: anyone who attempts to retreat from this movie will be shot by the NKVD.
Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production.
www.podmasters.co.uk
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Watching the war movies that made us the men* we are today, with authors Rob Hutton and Duncan Weldon. This time: “Broadsword calling Danny Boy!” It’s the big one as we skydive in on the Platonic ideal of the war-action pic, the 1968 classic Where Eagles Dare. Clint Eastwood and Richard Burton must break Allied asset General Carnaby out of Nazi prison the Schloß Adler with the pulchritudinous aid of Mary Ure. But is all what it seems? Sunday Times chief political commentator Tim Shipman joins us to let out the rallying cry: “Dad, they’re on the cable car!”
* and occasionally women
Written and presented by Rob Hutton and Duncan Weldon. Audio production by Simon Williams. Art by Jim Parrett. Group Editor: Andrew Harrison. War Movie Theatre is a Podmasters production
www.podmasters.co.uk
Learn more about your ad choices. Visit podcastchoices.com/adchoices