Burning Man LIVE Burning Man Project

There are a whole lot of military veterans in Burning Man’s history and Black Rock City’s neighborhoods. Combat veterans Dr Raymond Christian (Army) and Samuel Williams (Marines) share stories with Stuart Mangrum (Air Force) about transitioning into civilian life, bringing survival skills and leadership chops to BRC, and finding tribal camaraderie… and a party.

They explore how hackneyed clichés of the military can wither in an environment of love and authenticity. PTSD, though, that’s still a thing. BRC can be like a military operation: the sights, the sounds, the smells... meeting interesting people, and finding forever friendships.

Robot Heart started with a simple sound system on an old double-decker bus at Black Rock City. Over the years, it has evolved into a bespoke sound system, light arrays, iconic art, and an all-star lineup of musical talent performing to massive crowds at sunrise on Playa.… all on that same old double-decker bus.

Robot Heart also expanded its support of arts and artists beyond the playa, including New York’s Central Park, Miami’s Art Basel, and their residency program in Oakland, California. For the 2nd year, the team brings together various Burning Man camps, artists, and musicians from April 25th to May 18th.

A few years ago, Robot Heart created a 501c3 Foundation to make all this happen. Stuart talks with President Gary Mueller and Board Members Clare Laverty and Justin Shaffer. They trade tales from developing a foundation, collaborating with creatives, and taking pleasure from other people's pleasure.

Moshe Kasher has lived many lives as a subculture vulture - a hearing child of deaf parents, an addict at 15, in recovery at 16, a raver, a culturally Jewish standup comedian, an old-school Burner, and a longtime Gate volunteer.

With Andie Grace and Stuart Mangrum he explores how Burning Man is a waterboard of wonder where weirdos go to feel normal, and norms go to feel weird, and that the sweet spot is when you experience something that makes you say “Wait, What?!?”

They discuss how Black Rock City has evolved, from subcultures like the rave scene and AA meetings, to the transitional realm from the default world, the infamous Gate. Listen in on their playful tales of culture-jamming and utopia-tizing.

This is one of those full-circle stories that makes our dusty hearts glow a little brighter. It’s the tale of big art that emerged from a fossil-filled trash heap, came to life in Black Rock City, then returned to its source as a proud symbol of what a community can accomplish together.

Tahoe Mack, a Las Vegas artist, tells the story of the Black Rock City Honoraria art piece she started when she was 15 years old. Her final Girl Scouts project became, oh, so much more. Over a few years, she learned to weld, fundraise, and work with acclaimed artists Dana Albany and Luis Varelo-Rico.

Her vision drew attention to an urban park with a rich archaeological history. Built from metal detritus that had accumulated there, “The Monumental Mammoth” dazzled Burners in Black Rock City 2019, and is now a permanent installation at a trailhead near the fossil field that inspired it all, and forged new connections between dozens of people.

The Tip of the Iceberg is a 30-foot tall clitoris of stone, steel, and cement, fabricated to be monumental like Stonehenge, thus the nickname Clit-Henge. It aroused a lot of conversation at Black Rock City 2023. It’s the phallic symbol’s sister. It’s highly sensitive and highly talked about, and according to the artist, the more we discover about what it does, the more we can celebrate the birthright of pleasure.

Melissa Barron, a.k.a. Syn, has traveled to many places around the world that informed her lens of creativity, sustainability, and gender equality. She co-creates art, from the 2013 Temple of Whollyness, to her decade-long regeneration project Art for Trees, to this new intimate inquiry, the Tip of the Iceberg.

Journey with Syn, Andie Grace, and Stuart Mangrum through the Clit Renaissance, the rethinking of pleasure inequities, the teachings of cancer, the wisdom of aging, and the intuition of radical reciprocity. They explore these complexities, and they keep it light and bright.

Black Rock City is a temporary metropolis of 80,000 people who inhabit 1,600 theme camps and support camps. That means nine out of 10 participants' plans are coordinated by the Placement team — a handful of dedicated staff who decide which camps go where, and why. This year-round process is an art and a science that takes many factors into consideration — from city dynamics, to campers’ Radical Self-expressions.

As Burning Man Project’s Associate Director of City Planning, Bryant Tan manages the Placement team, and oversees the city’s annual planning and placement process. Naturally, questions about Burning Man lead to more questions.

How do we place like-minded folks together for harmony, not monotony?
How are resources shared between camps in this new era?
Can you tell me how to get to Center Camp Plaza?
What rules cultivate a spirit of lawlessness?
Is bigger actually better?

Let’s go behind the scenes, under the clipboard, and beyond the map, exploring opportunities and obligations to iterate in this experimental city. It’s a unique test case for urban planners and any humans who live in semi-civilized situations.