The Last Archive Pushkin

Today, we’re ending our Deadline mini-series with an essay about one of our favorite TV shows: Dr. Who. Afterwards, Jill and Ben talk about the greatness of genre fiction and Jill’s love-hate relationship with postmodernism.

We hope you’ve enjoyed this special series of essays from The Deadline. You can purchase the full collection at https://www.pushkin.fm/audiobooks/the-deadline-essays. 
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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Why are there so many stories about the end of the world these days? Jill’s essay “No, We Cannot,” elaborates a political theory of dystopian fiction. And then, after the essay, Jill and Ben talk about the use and misuse of the genre.
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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Today on the show, Jill and Ben travel back in time to the disrupt-or-die 2010s to revisit Jill’s essay about the gospel of disruption. And afterwards, they talk about the consequences and challenges taking on controversial subjects, Ben’s time as a media disruptor, and Jill’s time as a temp worker.
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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Why do we insist on misreading ‘Frankenstein?’ Hardly a day goes by without someone comparing some new technology to Frankenstein’s monster. But there’s a much richer set of lessons to draw from Mary Shelley’s book.

Today on the show, Jill reads her essay “It’s Still Alive.” And then afterwards, Jill and Ben talk about the meaning of the story, the biography of its author, and how what you read shapes who you are.
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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Jill reads her essay on the tangled history of Barbie. And then, after, Ben and Jill talk about how the film fits in with the core concerns of the essay — the tangled web of intellectual property, IP theft, and the relationship between corporations and feminism.
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In our first installment of essays from The Deadline, we’re bringing you ‘The Ice Man,’ a story about the history of cryogenic freezing, and the perils of being unable to let go. 

After the essay, Jill and Ben talk about where the essay began and the moral challenges of writing about a living person. 
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