21 afleveringen

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and the relational in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Every episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Each series offers a nuanced approach to this relationship. Series one (supported by the AHRC) explores how authorship and responsibility are developed and understood in artmaking. Series two investigates the authoring of artwork as a process of relational creativity. Series three focuses on the intersection of authorship and voice.

Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London).

Music: Footsteps, by Robert Simpkins.

Artery. A podcast on art, authorship and anthropology Artery. A podcast on art, authorship and anthropology

    • Kunst

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and the relational in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Every episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist’ and ‘the artwork’ as dynamic processes in a relationship of authoring. Each series offers a nuanced approach to this relationship. Series one (supported by the AHRC) explores how authorship and responsibility are developed and understood in artmaking. Series two investigates the authoring of artwork as a process of relational creativity. Series three focuses on the intersection of authorship and voice.

Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London).

Music: Footsteps, by Robert Simpkins.

    Aline Motta with Alex Ungprateeb Flynn

    Aline Motta with Alex Ungprateeb Flynn

    Alex Ungprateeb Flynn is Assistant Professor and Graduate Vice Chair at the Department of World Arts and Cultures/Dance, University of California, Los Angeles. Working with activists, curators, and artists in Brasil, Alex investigates the prefigurative potential of art in community contexts to theorize the production of knowledge, notions of utopia, and social and aesthetic dimensions of form. Framed by a collaborative methodological approach, Alex fundamentally inquires how human beings express themselves artistically, and in doing so, seek to transform the world.
    X/ Insta: alexungprateebf

    With her artistic practice, Aline Motta (b. 1974, Niterói, Brazil) seeks to point out and fill in the gaps in her own family history as a result of colonial erasure. Her videos, photographs, installations, and performances are based on speculative studies that mix archival research, field trips, and oral history reports that she uses to access, nourish, and reveal parts of the past that were previously thought to be lost. In 2023, she exhibited in the Sharjah Biennial 15 (UAE), at MoMA Museum of Modern Art and the 35th São Paulo Biennial.

    Insta: 1alinemotta (Instagram)

    The link to article featuring the full interview: https://terremoto.mx/en/online/escribiendo-historias-manifestando-futuros/ 

    • 50 min.
    Ayala Gazit with Rotem Steinbock

    Ayala Gazit with Rotem Steinbock

    Ayala Gazit is a visual artist who specializes in photography and installation. Born in Israel, she is currently living and working in Berlin. Prior to moving to Berlin she lived in New York city, where she completed, with honors, a BFA in Photography in The School of Visual Arts. Ayala has presented works in art venues around the globe, including in Germany, USA, Australia, New Zealand, and Israel. She is the recipient of numerous awards such as The Tierney Fellowship and The Photography NOW Award at Woodstock, amongst others. Her works cover a wide range of themes, including history, memory, loss, family, and creation, all explored through a special focus on the question of how can the photographic image capture the things that are no longer there.

    https://www.ayalagazit.com/ 


    Rotem Steinbock is a PhD candidate in the Department of Social Anthropology at the University of Cambridge, working on the intersection between art, immigration, and identity. Her PhD research follows Jewish Israeli visual artists who immigrated to Berlin, focusing on the ways they negotiate, reflect upon, and visually represent their dynamic senses of alterity and belonging. Before coming to Cambridge Rotem completed a B.A. in psychology and sociology and anthropology and an M.A. in anthropology at the Hebrew University of Jerusalem, and a B.F.A. at the Department of Fine Arts at the Bezalel Academy of Arts and Design in Jerusalem.

    https://www.socanth.cam.ac.uk/staff/rotem-steinbock-2019

    • 50 min.
    Eliana Otta Vildoso and Nuno Cassola Marques with Frederick Schmidt and Sera Park

    Eliana Otta Vildoso and Nuno Cassola Marques with Frederick Schmidt and Sera Park

    Eliana Otta Vildoso (Lima, 1981) holds a degree in art, an MA in Cultural Studies from the Universidad Católica del Perú, and a PhD in Practice from the Academy of Fine Arts, Vienna. She co-founded the artist collective Bisagra in Lima and the ecofeminist collective Mouries in Athens. She coordinated the curatorial team for the permanent exhibition at Lugar de la Memoria, la Tolerancia y la Inclusión Social. She has taught at the Art Faculty of PUCP, Corriente Alterna and Escuela Nacional de Bellas Artes. She lives and works between Vienna and Athens. 
    Website: eliana-otta.com
    https://drivingthehuman.com/prototype/virtual-sanctuary-for-fertilizing-mourning/
    Instagram: eliana.otta



    Nuno Cassola Marques (Aveiro, 1984) holds a degree in Fine Arts and an MA in Contemporary Art Practice from the University of Porto, Portugal. He co-founded and co-curated the first edition of the Wadi Rum film festival, and co-founded the community kitchen Khora in Athens, which continues to serve 1200 meals a day to people in need. In addition to his activism, he works as a cinematographer and filmmaker. He lives and works in Athens. 
    Website: www.nunocassola.com




    Interviewers: 
    Frederick Schmidt is currently completing his PhD in Social Anthropology at Cambridge with the title “Un-Contemporary Arts: Norms and Forms in a Greek Art School”. Based on two years of ethnographic fieldwork in Athens (2020-2022), his PhD concerns the imbrication of private and public educational institutes in the landscape of artistic education in Athens, and makes the case for a reappraisal of formalist methodologies in visual anthropological research.



    Sera Park is Associate Lecturer in Social Anthropology at the University of St Andrews. Her PhD (University of Cambridge, 2022) examined the collective mourning and activism that emerged in the aftermath of the Sewol Ferry Disaster in South Korea. Her research interests include social movements and activism, the affective and moral dimensions of social life, and death, mourning, and memorialization. 

    • 49 min.
    Elzė Sigutė Mikalonytė with Edoardo Chidichimo

    Elzė Sigutė Mikalonytė with Edoardo Chidichimo

    Elzė Sigutė Mikalonytė  is a Research Associate at the Department of Psychology and a Junior Research Fellow at Wolfson College, University of Cambridge.
    Her research interests are in aesthetics, metaphysics, experimental philosophy, and philosophy of cognitive science. She currently works on the project “Higher Values: Aesthetic Experiences, Transcendence, and Prosociality” with Prof. Simone Schnall and Dr Ryan Doran.
    Her doctoral work focused on the philosophy of music and the ontology of musical works. As part of her doctoral research, Elzė conducted experimental philosophy studies in musical ontology. She has also investigated other topics in experimental philosophy of aesthetics, such as the folk concept of art, judgments of the identity of artworks, and intuitions on AI-created art.
    https://mikalonyte.com/
    https://twitter.com/ElzeSigute


    Edoardo Chidichimo is a social anthropologist and computational neuroscientist who is interested in all things social. Combining anthropology, AI, mathematics, and philosophy, Edoardo seeks to address sociality in the broadest way, confronting disciplinary niches and pushing toward an integrated study of interpersonal human behaviour and cognition.
    LinkedIn: https://www.linkedin.com/in/ec750
    Profile: https://www.neuroscience.cam.ac.uk/member/ec750

    • 34 min.
    Xasan Daahir Ismaaciil (Weedhsame) with Christina Woolner

    Xasan Daahir Ismaaciil (Weedhsame) with Christina Woolner

    Xasan Daahir Ismaaciil (‘Weedhsame’) is a Somali poet currently based in Hargeysa, Somaliland. Mentored by the beloved late poet Maxamed Xaashi Dhamac ‘Gaarriye’, his work includes hundreds of poems and song lyrics on themes including politics, migration and love. He is widely considered one of the most influential poets of his generation. Trained as a mathematician, Weedhsame currently teaches Somali language and literature at the University of Hargeysa and works as a statistician for the Ministry of Education. Some of his work has been translated by the Poetry Translation Centre, and is available here: https://www.poetrytranslation.org/poets/xasan-daahir-weedhsame


    Christina Woolner is a Leverhulme Early Career Fellow in the Department of Social Anthropology at Cambridge. Her research broadly explores how forms of popular art and practices of “voicing” are entangled in processes of sociopolitical change, especially in the wake of violence. For the last decade she has been studying the political and affective dynamics of love songs and political poetry in Hargeysa, Somaliland. Her first book, Love Songs in Motion: Voicing Intimacy in Somaliland recently came out with the University of Chicago Press. Information about the book, alongside supplemental audio-visual material, is available on the book’s companion website: www.lovesongs.christinawoolner.com.

    • 53 min.
    Jonas Tinius with Iza Kavedžija

    Jonas Tinius with Iza Kavedžija

    Jonas Tinius is a sociocultural anthropologist, and currently scientific coordinator and post-doctoral researcher in cultural anthropology in the ERC project Minor Universality: Narrative World Productions after Western Universalism based at Saarland University. He completed a PhD in the Department of Social Anthropology at the University of Cambridge, before joining the Centre for Anthropological Research on Museums and Heritage (CARMAH) at Humboldt-Universität zu Berlin. He co-founded the Anthropology & the Arts Network of Anthropologists (EASA) with Roger Sansi. His publications include Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (with Margareta von Oswald, Leuven 2020). 

    www.jonastinius.com

    State of the Arts book: https://www.cambridge.org/it/universitypress/subjects/arts-theatre-culture/drama-and-theatre-general-interest/state-arts-ethnography-german-theatre-and-migration?format=HB

    Iza Kavedžija is an Assistant Professor of Medical Anthropology at the University of Cambridge. She is specialising in Japan, with primary research interests in art and creativity, the life course and aging, and health and wellbeing. She is currently leading an AHRC-funded project entitled ‘The Work of Art in Contemporary Japan: Inner and outer worlds of creativity’.

    https://worldsofcreativity.socanth.cam.ac.uk/
    https://www.socanth.cam.ac.uk/directory/dr-iza-kavedzija

    Permissions obtained for the use of all samples featured in this episode.

    • 56 min.

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