Final Draft - Great Conversations

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Great conversations with authors from Australia and around the world.

  1. 2 dgn geleden

    Katherine Johnson’s Every Wild Soul

    The Final Draft podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love. These are the stories that make us who we are. Katherine Johnson is the author of five novels including Matryoshka and Paris Savages. Katherine’s latest Every Wild Soul is the inaugural winner of The Australian Fiction Prize and Katherine is joining us to discuss today. To the world Maria Island is a paradise; an ecological wonderland off the coast of Tasmania. At eighteen years old Maria is all she’s known for so much of her life. She loves the beauty and the chance to learn about biodiversity, but she’s also conscious her life doesn’t look like other girls and that maybe she’d like to change that.  Min’s father Piers has other ideas though. Ever since his wife left him he’s been determined to protect his daughter. Protection can look a lot like control though, so when a storm blows over Maria it promises more than a few ill winds for the residents. Final Draft is produced and presented by Andrew Pople Want more great conversations with Australian authors? Discover this and many more conversations on Final Draft every week.

    29 min.

  2. 26 jun

    Johanna Bell’s Department of the Vanishing

    The Final Draft podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love. These are the stories that make us who we are. Johanna is an award winning author of fiction, poetry and children’s books. She’s joining us today with her new novel Department of the Vanishing which won the 2025 Tasmanian Literary Award for Best Unpublished Manuscript. For more than twenty years Ava has toiled away at the Department of Vanishing cataloguing species as they go extinct. The pace of the work has been increasing and as is always the case there’s never enough hands. Birdsong is falling silent and people didn’t even notice. But now it’s Ava’s job to archive the remains, even as her personal life teeters. But in her dying mother’s confused words Ava finds something. Maybe hope. Maybe a clue to the mystery of her father, long missing, and a song that contains more than any might assume… ⁠Final Draft is produced and presented by Andrew Pople⁠ Want more great conversations with Australian authors? ⁠Discover this and many more conversations on Final Draft every week⁠.

    48 min.

  3. 23 jun ·  Bonus

    Book Club - Y.M. Abdel-Magied’s At Sea

    Yassmin Abdel-Magied is a Sudanese diaspora author, screenwriter and award-winning social advocate. She has published six books, including essays in Talking About a Revolution and a series for younger readers, You must be Layla and Listen Layla. Today we’re going to be talking about her latest, literary fiction debut, At Sea.  Zainab has spent her life on oil rigs living the fly in fly out life. It’s meant missing out on a lot, including a relationship with her sister. Now she’s in Perth on a promise that she will see her sister through the birth of her first child. This could finally be the chance to repair their relationship. When Zainab’s boss Bryce calls her back from leave to investigate strange goings on on the rig Clarissa Clyde, she knows this could be her big break. Zainab’s reluctant to leave Kareema but thrilled at the opportunity to take charge as a tool pusher. Joining a rig near the end of a drill isn’t easy. As a woman on the rigs Zainab knows she won’t get an easy ride, let alone an open door to the mysteries plaguing the Clarissa Clyde. The rig is almost too perfect and the team are rough but nothing she hasn’t handled. She is determined though, and haunted by Bryce’s words, ‘Make sure everyone gets out alive’. The hook for me with At Sea was Yassmin’s writing. I wouldn’t normally gravitate to a thriller set on the high  seas but I know from experience Yassmin tackles big ideas. I also know she’s worked on rigs herself and so I was intrigued at how she would treat this world that seems so strange from the shore. Immediately with Zainab we come to understand that this is a man’s world. Her position as a tool pusher should give her some authority but there are men on board who would still demean her as par for the course. The novel works to understand this dynamic as both a moral problem, but also a product of the hyper-real world of a perilous lifestyle. Zainab grapples as much with her own ability to answer disrespect and violence in kind, as she does with any absolute morality of the actions. Life on the rigs is contrasted with the world Kareema offers; life on land, life with family. It’s the kind of world that Zainab has been avoiding. We see that Zainab, along with many of the men on the rig struggle with the demands of these separate lives. But why are these demands so disparate? The plot and the action of At Sea is gripping and I found myself drawn into the claustrophobic spaces and the alien vocabulary of drilling. While I understood very little of the processes involved in these mammoth endeavours to pull oil out of the ocean, the storytelling is such that the precision and the danger is never far from the character's, and therefore the reader’s mind. This is a mystery but not in the conventional sense. While Zainab is tasked with uncovering some sort of conspiracy or coverup, it is tantalisingly obtuse and she is never sure if the danger is real. Within the cauldron of life on a floating petrol bomb she must grapple with whether it is better to continually rock the boat in the name of safety, or to maintain an unexamined conformity for the sake of group cohesion. The trick is knowing and the wrong choice may not be discovered till too late. The twinned tensions of Zainab’s role as a woman with authority, and the possibility of impending catastrophe are constantly stoked. Zainab feels obligated to speak up but cursed not to be believed. Much like Cassandra, Zainab can only watch on as her situation deteriorates. At Sea sets out to achieve a lot, and broadly meets this aim being smart and pacey, technical and philosophical. It asks a lot more questions than it answers but that’s perhaps more a reflection on the world which also refuses to listen when it doesn’t want to hear.

    5 min.

  4. 20 jun

    Mary Colussi’s Touch Grass

    The Final Draft podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love. These are the stories that make us who we are. ​​Mary Colussi’s debut novel Touch Grass won the 2025 Penguin Literary Prize. She is joining us today as Touch Grass prepares to launch itself into the world… Charlie’s soul occasionally leaves her body, at least she thinks that’s what’s happening. It’s probably not astral projection. In her job she helps people’s digital selves to leave the internet. Not their physical selves but people seem to forget anyway. Charlie’s housemate Ian won’t leave their apartment. But his twin will.  And there’s a an immortal animal that won’t leave anywhere. Ever. At least that’s the theory. It’s all a bit confusing, but then that’s life  Final Draft is produced and presented by Andrew Pople Want more great conversations with Australian authors? Discover this and many more conversations on Final Draft every week.

    30 min.

  5. 14 jun

    Charlotte McConaghy’s Wild Dark Shore

    The Final Draft podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love. These are the stories that make us who we are. ​Charlotte McConaghy is the award-winning, New York Times bestselling author of the novels Wild Dark Shore, Once There Were Wolves, and Migrations. She is joining us fresh from winning the Literary Fiction Book of the Year at THE AUSTRALIAN BOOK INDUSTRY AWARDS 2026 for Wild Dark Shore Rowan has risked everything to get to Shearwater Island.  When she is dragged lifeless from the water she wakes to find herself in the middle of the Salt family, the last residents of the island. Dominic and his children are racing against the ocean to rescue the contents of Shearwater’s Seed Vault. It’s a noble mission but Rowan questions why the scientists and researchers would abandon it to a caretaker and his children. Everyone on Shearwater has secrets and Rowan must decide quickly whether hers are in direct conflict with Dominic and whatever he is keeping from her. Final Draft is produced and presented by Andrew Pople Want more great conversations with Australian authors? Discover this and many more conversations on Final Draft every week.

    43 min.

  6. 9 jun ·  Bonus

    Book Club - Brendan Colley’s The Season for Flying Saucers

    Brendan Colley’s first novel was the much feted The Signal Line and introduced us to his wild and wonderful world within a world of Hobart. Brendan’s new novel The Season for Flying Saucers promises to deliver just as much of a ride. When the lights appear on the first night of summer Hobart is abuzz. Locals and paranormal pundits alike agree, it’s shaping up to be a good season. Noah is skeptical. His life is spiraling more than a little; estranged from his family, his wife has left and he’s just been fired from his job. Noah’s sure if he can make payments on the family home he’s bought back and not sure if there’s much of a family to fill it with. Truthfully there’s really nothing to leave behind if they do come to get him. Weird has followed Noah ever since the night twelve years ago when his father disappeared in the lights. Since then he’s been infamous, inseparable from the lights and this Season for Flying Saucers is shaping up to be a doozy. Of course with the lights comes the scrutiny. Now Noah is thrown into a too close for comfort version of his childhood as both his mother and sister move in and try to sort out the mystery and their fraught family dynamic. Brendan Colley has crafted a wickedly fun and far out exploration of the lengths we will go to for family. Within the double brick of Hobart’s northern suburbs we are shown the possibility of a universe much larger than we imagine and yet still not big enough to escape your mum's disapproval. Noah has hung on to the possibility of his father being a part of something bigger. That his disappearance might have some meaning. It’s coloured his world and now his family must come together and try to figure out all the things they left unsaid all those years ago. The novel plays with our own need to discover and to believe by dangling hooks and misdirection as we watch the world watch Noah and the lights that seem to be fixed on his house. While we wonder at the possibility of the impossible we see a group of people coming together and working their way through a different type of impossible.  I really loved both Brendan’s first novel and now The Season for Flying Saucers. Both novels understand that our need to believe moves in both directions and even as we look out to the fantastical in the world there is so much about our inner lives that is equally surprising when we take the time to pay it the attention it’s due. This is the kind of sci-fi and spec-fic that is exciting me in Australian writing today. It understands that as we continue to live in a world that might generously be described as sub-optimal we are looking for answers large and small. I won’t tell you if the lights in the sky turn out to be real but I can tell you that in The Season for Flying Saucers, the time spent looking for them is well worth your while.

    4 min.

  7. 5 jun

    Antoun Issa’s Rebirth

    The Final Draft podcast is all about books, writing and literary culture. We're dedicated to exploring Australian writing, looking into the issues that drive our storytelling to discover more from the books you love. These are the stories that make us who we are. Antoun Issa is a Lebanese-Australian journalist and co-founder of Deepcut News. Antoun has a new book out entitled Rebirth it’s described as a “Love Story from the depths of war.” and chronicles Antoun’s mothers experiences of the beginnings of the Lebanese civil war and her migration to Australia. This is a deeply personal and tremendously affecting novel. Antoun takes his interviews with his mother and his time in Beirut and transforms it into a vibrant story. Final Draft is produced and presented by Andrew Pople Want more great conversations with Australian authors? Discover this and many more conversations on Final Draft every week.

    46 min.

  8. 2 jun ·  Bonus

    Book Club - Charlotte McConaghy’s Wild Dark Shore

    ​Charlotte McConaghy is the award-winning, New York Times bestselling author of the novels Wild Dark Shore, Once There Were Wolves, and Migrations. Wild Dark Shore is the Literary Fiction Book of the Year at THE AUSTRALIAN BOOK INDUSTRY AWARDS 2026. Shearwater Island has a dark history. Pillaged for its natural resources, the island saw the massacre of hundreds of thousands of whales, seals and penguins to prop up the energy needs of industrialising countries. Since those dark days the island has become a miracle of environmental renewal only to see itself threatened again by rising sea levels that could see it vanish forever.  Rowan has risked everything to get to Shearwater Island, and the wildest storm in years may just claim that price.  When she is dragged lifeless from the water she wakes to find herself in the middle of the Salt family, the last residents of the island. Dominic and his children are racing against the ocean to rescue the contents of Shearwater’s Seed Vault. It’s a noble mission but Rowan questions why the scientists and researchers would abandon it to a caretaker and his children. Everyone on Shearwater has secrets and trust is in short supply but Rowan must decide quickly whether hers are in direct conflict with Dominic and whatever he is keeping from her. Wild Dark Shore is a novel that confronts us with our humanity in the face of climate destruction. When Rowan arrives on Shearwater she finds a family fully immersed in the ecosystem of the island. Dom keeps the infrastructure running against all odds, much in the same way he desperately tries to keep his kids around him as a single dad. His eldest Raff struggles to understand how to be a man after living the last eight years on the island. Fen is more at home in the water and Orly has known nothing but the wilds of Shearwater his whole life. As Rowan struggles to know who to trust she must reconcile herself to the fact she is at their mercy. Can she discover the secret of Shearwater before it’s all too late. Wild Dark Shore makes much of its Gothic set up and wild setting. We are give a narrowed cast of characters in extremis and watch as they circle each other warily. With suspicion as a guiding principle we are offered the possibility of a dark heart whilst also shown the love and attention they carry for the island and it’s welfare. Even as the human drama plays out we are confronted with the broader ecological catastrophe that plagues not only the central characters but the wider world they are only superficially separated from. The grievances they carry against each other start to pale in comparison to the challenges they must face as the weather continues to change. I found this a satisfying read both for its central mystery but also for its dealing with feelings of hopelessness and climate grief. As we see more frequent and worsening natural disasters we are going to need books like Wild Dark Shore to help us work through how we might possibly understand our place in it all

    4 min.
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Great conversations with authors from Australia and around the world.

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  • Maker
    2SER 107.3FM
  • Jaren actief
    2018 - 2026
  • Afleveringen
    400
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