31 afleveringen
Scoring Magic Hug House Productions
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- Kunst
There are so many guides out there for how to make a podcast, and for how to make an audio drama. But there’s a difference between reading an article and hearing the reality behind the process.
Scoring Magic follows creators at Hug House Productions as they create fiction podcasts. They’ll share tips, tricks, and resources, but also what it’s like to work on a massive creative project with friends.
Seasons 1 and 2 follow the creation of the 3-season urban fantasy podcast VALENCE. Season 3 will cover an upcoming solo (or mostly solo) project.
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Create Is... Still Feels Good?
As Hug House gears up for VALENCE's second season, we kick off Scoring Magic by talking about what a weird time it's been creating on 2020.
About Scoring Magic
Scoring Magic is presented by Hug House Productions. You can support us for behind-the-scenes details and early previews of upcoming projects on Patreon.
Support Scoring Magic by donating to the tip jar: https://tips.pinecast.com/jar/scoring-magic -
Season 2 Production Updates
We're neck-deep into production for season 2, and we've learned, ummmm, a lot about how to make an audio drama since season 1. Anne walks us through all of the changes we've made since season 1, and answers some of your questions.
About Scoring Magic
Scoring Magic is presented by Hug House Productions. You can support us for behind-the-scenes details and early previews of upcoming projects on Patreon.
Support Scoring Magic by donating to the tip jar: https://tips.pinecast.com/jar/scoring-mag -
Production Update... Update
This week, Hug House brings you an update on everything we've been working on. And then... another update on everything we've been working on. And then...
Credits:
Written and recorded by Anne Baird (and surprise guest Wil Williams).
Edited and sound designed by Wil Williams.
Music by Komiku and Kevin MacLeod.
About Scoring Magic
Scoring Magic is presented by Hug House Productions. You can support us for behind-the-scenes details and early previews of upcoming projects on Patreon.
Support Scoring Magic by donating to the tip jar: https://tips.pinecast.com/jar/scoring-magic -
Sound Design with Wil
Episode Notes
In this episode of Scoring Magic, Wil goes into their sound design process step by step and shares how they learned this finicky, complicated, detailed aspect of making an audio drama.
Mentioned in the Episode:
FreeSound.org
ASoundEffect.com
Sonniss Game Audio Archive
About Scoring Magic
Scoring Magic is presented by Hug House Productions. You can support us for behind-the-scenes details and early previews of upcoming projects on Patreon.
Credits:
"Budding," "The Gold Lining," "And Add" by Broke for Free Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
"Fluff a Duck" by Kevin MacLeod Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ -
We Did It
With VALENCE coming to a close, we're bringing you the final episode of Scoring Magic... for now. Keep following us in the usual places, and hopefully you'll hear more soon.
But first we've got at least one more VALENCE-focused episode to do: a Q&A! Send us your questions to our email, our Twitter, our Tumblr, our Patreon or Patron Discord... anywhere you can find us, we'll take your questions! The due date for sending us those questions is April 28th, 2023.
Credits:
This episode was written, recorded, and sound designed by Wil Williams. It was produced and transcribed by Anne Baird. -
Q&A
The long-awaited responses to your Q&A! This is an ABRIDGED version of a full conversation between Anne and Wil—if you want the full extended discussion, make sure you check out Hug House on Patreon. Monthly support of $10+/month gets access to all of our bonus content, plus early episode releases and more!
Scoring Magic is presented by Hug House Productions. You can support us for behind-the-scenes details and early previews of upcoming projects on Patreon.
This episode was written, recorded, and sound designed by Wil Williams. It was produced and transcribed by Anne Baird.