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In Kings of the Garden: The New York Knicks and Their City (Three Hills, 2024), Adam J. Criblez traces the fall and rise of the New York Knicks between the 1973, the year they won their last NBA championship, and 1985, when the organization drafted Patrick Ewing and gave their fans hope after a decade of frustrations.
During these years, the teams led by Walt Frazier, Earl Monroe, Bob McAdoo, Spencer Haywood, and Bernard King never achieved tremendous on-court success, and their struggles mirrored those facing New York City over the same span. In the mid-seventies, as the Knicks lost more games than they won and played before smaller and smaller crowds, the city they represented was on the brink of bankruptcy, while urban disinvestment, growing income inequality, and street gangs created a feeling of urban despair.
Kings of the Garden details how the Knicks' fortunes and those of New York City were inextricably linked. As the team's Black superstars enjoyed national fame, Black musicians, DJs, and B-boys in the South Bronx were creating a new culture expression―hip-hop―that like the NBA would become a global phenomenon. Criblez's fascinating account of the era shows that even though the team's efforts to build a dynasty ultimately failed, the Knicks, like the city they played in, scrappily and spectacularly symbolized all that was right―and wrong―with the NBA and the nation during this turbulent, creative, and momentous time.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
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From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z's song "Dirt Off Your Shoulder," politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton's sax-playing and Obama's shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?
With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency (U Michigan Press, 2023) sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Imagine an environmentalist. Are you picturing a Birkenstock-clad hippie? An office worker who hikes on weekends? A political lobbyist? What about a modern day timber worker? 
This last group is at the center of University of Oregon historian Steven C. Beda's new book, Strong Winds and Widow Makers: Workers, Nature, and Environmental Conflict in Pacific Northwest Timber Country (U Illinois Press, 2023). In Beda's telling, it's timber workers, as lovers of the outdoors who also rely upon healthy forests for their livelihoods, who are often at the forefront of local environmentalism, including organizing at the crossroads of labor and environmental activism. From the late 19th century onwards, timber works imbued the Pacific Northwest with a sense of place inaccessible to upper-class Northern California newcomers who changed the region's cultural and political calculus in the late 20th century. We live in a timber society, Beda argues, and no one knows what that means nearly as much as the workers who turn trees into books like this.
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Journalists have a long history of covering race and racism in the United States, telling stories that shed light on protest, activism, institutional turmoil, and policy change. Especially in recent years, though, the racial politics of journalism has very often become the story itself. Newsrooms across the country have had to grapple with big questions about diversity, inclusion, power, and professional standards in the media industry. What have these debates looked like up close? In what ways have newsrooms evolved? And what does this all mean for the stories we tell about our communities, our country, and the world at large? 
In Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia UP, 2023), Andrea Wenzel provides a critical look at how local media organizations in the Philadelphia area are attempting to address structural racism. She focuses on two established, majority-white newsrooms, the Philadelphia Inquirer and the public radio station WHYY, and two start-ups where at least half the staff identify as Black, Indigenous, or people of color (BIPOC), Resolve Philly and Kensington Voice. Drawing on more than five years of field research, Wenzel charts how these outlets have pursued a range of interventions—such as tracking the diversity of sources, examining reporting and editing practices, and working with community members to gain input—to varying degrees of success. Wenzel argues that institutional and systemic transformation will be possible only through the establishment of structures that facilitate holding those with more power responsible for listening to and addressing the needs and concerns of those with less.
Andrea Wenzel is an associate professor in Temple University’s Department of Journalism and a member of the Klein College of Media and Communication graduate faculty. Her research focuses on initiatives to create more connected and equitable communities and newsrooms. She is the author of Community-Centered Journalism: Engaging People, Exploring Solutions, and Building Trust (University of Illinois Press, 2020) and of Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia University Press, 2024). Prior to academia, Andrea worked for 15 years as a public radio producer, editor, and media development consultant. She managed projects and trained media makers in Afghanistan, Sri Lanka, Iraq and India for media development organizations such as BBC Media
Garrett Broad is Associate Professor of Communication Studies in Rowan University’s Edelman College of Communication & Creative Arts, where he also serves as Provost’s Fellow in the Catalysts for Sustainability Initiative. His research and teaching explores the connections between contemporary social movements, food systems, and digital media technology. He is the author of More Than Just Food: Food Justice and Community Change, as well as a variety of articles on food's relationship to environmental sustainability, economic equity, and the health of humans and nonhuman animals.
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Based on extensive research into weekly rural publishers and rural readers, Reviving Rural News: Transforming the Business Model of Community Journalism in the US and Beyond (Routledge, 2024) outlines a mode of practice by which small publications can stay financially sound and combat the rise of "news deserts." This book argues that publishers must actively reach out to their communities to foster a sense of belonging and shared purpose. A new model known as Press Club -- tested for a year at a weekly newspaper in Kansas -- is presented as a template through which memberships, social events, and online newsletters can create a more sustainable path for the future. Reviving Rural News will be of interest to advanced students and researchers of local, community, and rural journalism as well as practitioners looking to bring about real-world change in journalism organizations.
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Albert Brooks: Interviews (UP of Mississippi, 2024) brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life in corporate America.
Brooks is neither a Hollywood insider nor an outsider. He’s somewhere in-between. Since the early 1970s, this inimitable actor-writer-director has incisively satirized the mass media system from within. After initial work as an inventive comedian, both live and on network television, Brooks contributed six shorts to the first season of Saturday Night Live, which earned him a cult following for their avant-garde form and sensibility. These were followed by his feature debut, Real Life, the first of only seven films—including Modern Romance, Lost in America, and Defending Your Life—that Brooks has directed to date. His limited output reflects not only the difficulty in financing idiosyncratic films, but equally the exacting seriousness which Brooks has in making audiences laugh and think at the same time.
Alexander Greenhough teaches in the Program in Writing and Rhetoric at Stanford University.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
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