Discord and Rhyme: An Album Podcast Discord and Rhyme

We’ve held off on R.E.M. for a while, because the Athens, Ga., quartet is just such a heavyweight in the rock canon. They’re so huge, in fact, that they merit two episodes: one for the mumbly, Byrdsy alt-rock troubadours of the ‘80s, and one for the slightly less mumbly arena rock titans of the ‘90s and onward. We’re starting off with their 1983 debut Murmur, which fueled the rise of college radio with songs that were strangely out of time (so to speak) with the trends of the ‘80s. The compositions on Murmur are so hazy and oblique that they almost resist analysis, and that’s before you even consider Michael Stipe’s lyrics. But John, Mike, Phil, and Ben are willing to give it their best shot, so join them as they embark on a long-delayed pilgrimage west of the fields to discuss one of this podcast’s favorite bands.

Rich, Mike, and Amanda answer a bonanza of questions from listeners. Topics include retro prog, great live albums and not-so-great live shows, fantasy supergroups, synesthesia, our favorite recent releases, and no fewer than three questions about the Moody Blues. Listen through to the end for a special request to listeners!

Peter Gabriel is a favorite artist of many of us here at Discord & Rhyme, but we’ve saved him for our own 138th Episode Spectacular. Peter Gabriel III (aka Melt, so called because half of Gabriel’s face on the album cover looks like a melting candle) isn’t just John’s favorite Peter Gabriel album; it’s an album that made him reconsider (in a favorable light) the entirety of popular music in the 1980s and the concept of using the production studio to create entirely new sounds, and John leads a very enthusiastic discussion on an album that we love very much. Join John, Amanda, Rich, and Mike as we gush over an album that transformed solo Peter Gabriel into something greater than “the guy who used to sing for Genesis”; a dark noisy hellscape frontier of an album full of burglars, assassins, and not one cymbal anywhere.

Hear that? There goes the siren that warns of the air raid – or maybe that’s just Bruce Dickinson’s voice. This week, Mike continues his quest to make Discord & Rhyme more metal with the album Powerslave by Iron Maiden. In the popular consciousness, Maiden are known for their goofy album covers and hits like “Bring Your Daughter … to the Slaughter.” But if you dig just a little deeper, they were vanguards of the new wave of British heavy metal, with a seven-album run in the ‘80s that ranks among the greatest winning streaks of the album era, metal or otherwise. Powerslave is arguably their peak, boasting some of their greatest compositions and brainiest lyrics, with subjects running the gamut from The Prisoner to the military-industrial complex to the dawn of British Romanticism. But most importantly, it rocks, and Mike has invited Phil, John, and Rich to discuss eight amazing songs that will put you at a losfer words.

Kylie Minogue had a big comeback last year with the Grammy-winning TikTok hit “Padam Padam,” so Rich decided that it was finally time to give the Discord & Rhyme treatment to one of his favorite divas. Kylie’s 2007 album X wasn’t just an artistic comeback, but a physical and emotional one, recorded in the wake of her grueling but successful treatment for breast cancer. At the time, there was a groundswell of anticipation for her next big move, and X was the first album Kylie conceived as a singular project, rather than the latest entry in a production line of releases. Accordingly, there’s a certain vivaciousness and a willingness to try anything on this album that makes it unlike anything in her catalog, with songs that evoke Timbaland, Serge Gainsbourg and ‘90s R&B sitting alongside Kylie’s trademark Eurodisco. Some of the experiments work better than others, but the album as a whole is a fascinating portrait of a moment in time, both for mid-2000s pop music as well as Kylie herself. And Rich has invited returning guests Jen Carman and Dave Weigel to help elaborate on why you, too, should be so lucky to become a Kylie stan.

Amanda has been threatening to talk about bluegrass on the podcast for years, and we finally settled on the perfect album to start with: Live!!!! Almost!!! by the Dillards. Half a comedy album and half a virtuoso performance by expert musicians, it’s a fantastic introduction to the genre. It was recorded in front of an audience completely unfamiliar with bluegrass music, so the band chose songs that were catchy and accessible, then made it even more engaging by adding Smothers Brothers-style jokey commentary in between. The result is an interesting and very entertaining live album that stands a good chance of winning over any bluegrass skeptics, and even if it doesn’t, it gives us a chance to explain why we like it.