28 分鐘
Ling Ma on Imploding the Immigrant Narrative American Masters: Creative Spark
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- 藝術
Novelist Ling Ma doesn’t shy away from taking risks with her writing. Her 2018 debut novel, “Severance,” is an apocalyptic satire that won the Kirkus Prize for Fiction and squarely put her on the map as an exciting, off-beat new writer.
With her newest collection, “Bliss Montage,” Ma has turned her attention to the short story format. The collection is described as “eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home.”
In this episode, Ling Ma breaks down her creative process and inspiration behind “Peking Duck,” a short story from the collection. She details how she attempted to complicate and “implode” the immigrant narrative through her unique approach to this mother-daughter story.
After listening to the episode, you can read “Peking Duck” here: https://www.newyorker.com/magazine/2022/07/11/peking-duck
Novelist Ling Ma doesn’t shy away from taking risks with her writing. Her 2018 debut novel, “Severance,” is an apocalyptic satire that won the Kirkus Prize for Fiction and squarely put her on the map as an exciting, off-beat new writer.
With her newest collection, “Bliss Montage,” Ma has turned her attention to the short story format. The collection is described as “eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home.”
In this episode, Ling Ma breaks down her creative process and inspiration behind “Peking Duck,” a short story from the collection. She details how she attempted to complicate and “implode” the immigrant narrative through her unique approach to this mother-daughter story.
After listening to the episode, you can read “Peking Duck” here: https://www.newyorker.com/magazine/2022/07/11/peking-duck
28 分鐘