1 hr 11 min
032 A Chat with Hollywood Costume Supervisor Sara Walbridge I'll Follow You
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- Personal Journals
Show notes are available at QueenofPeaches.com.
For this first episode of 2024, I’m really excited to share my conversation with Hollywood costume supervisor Sara Walbridge. Sara is a graduate of The Theatre School at DePaul University in Chicago and has been steadily working in Hollywood for over 20 years. Some of her best known TV projects include Love and Death, Barry, GLOW, and True Blood, and her film credits include Don’t Look Up, Space Jam: A New Legacy, Vice, and Beautiful Boy.
In our chat today, she gives me the lowdown on how costume supervising is like solving a puzzle; how the immediate aftermath of 9/11 inadvertently shaped the trajectory of her career; why if you don’t notice the costumes in a movie or TV show, that actually means they’ve been executed really well; what the most pressing concerns about AI are for costume departments; the kinds of questions that get tossed around in the group chat of the so-called Costume Mafia; why working as a costume supervisor is secretly kind of a blue-collar job; and why she nerds out about making scale maps of changing tents for huge groups of extras. Plus, since we’re well into awards season now, Sara highlights some of her favorite costuming moments from the year gone by that she hopes will be recognized by voters.
For my Letterboxd users out there, I’ve created a list featuring all the films we talk about in this episode. Links to that and other show notes will be available on my blog QueenofPeaches.com.
Show notes are available at QueenofPeaches.com.
For this first episode of 2024, I’m really excited to share my conversation with Hollywood costume supervisor Sara Walbridge. Sara is a graduate of The Theatre School at DePaul University in Chicago and has been steadily working in Hollywood for over 20 years. Some of her best known TV projects include Love and Death, Barry, GLOW, and True Blood, and her film credits include Don’t Look Up, Space Jam: A New Legacy, Vice, and Beautiful Boy.
In our chat today, she gives me the lowdown on how costume supervising is like solving a puzzle; how the immediate aftermath of 9/11 inadvertently shaped the trajectory of her career; why if you don’t notice the costumes in a movie or TV show, that actually means they’ve been executed really well; what the most pressing concerns about AI are for costume departments; the kinds of questions that get tossed around in the group chat of the so-called Costume Mafia; why working as a costume supervisor is secretly kind of a blue-collar job; and why she nerds out about making scale maps of changing tents for huge groups of extras. Plus, since we’re well into awards season now, Sara highlights some of her favorite costuming moments from the year gone by that she hopes will be recognized by voters.
For my Letterboxd users out there, I’ve created a list featuring all the films we talk about in this episode. Links to that and other show notes will be available on my blog QueenofPeaches.com.
1 hr 11 min