Accelerando Paula Tuttle
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- Music
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Ideas about music and the classical music profession
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100. Pittsburgh’s Own Henry Mancini Would Be 100 Years Old This Week
What better way to mark 100 episodes in the Accelerando Podcast than to feature Pittsburgh’s son Henry Mancini. I also talked to another great musician who hails from Aliquippa- George Perilli, when he performed for Chambersite’s Diamante Jazz Quartet this weekend. Joined by Kevin Clark, Lilly Abreu and Bob Insko, they played for the Roaring READ MORE
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99. Sprezzatura
The Italian word, sprezzatura, was invented in the sixteenth century by Castiglione, a writer. His book: The Book of the Courtier describes the perfect courtier, and uses the word to define and group the qualities that exemplify him. The word is popular today in fashion, and is useful to musicians who also strive to please READ MORE
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98. Encore: The Trouble With Auditions
Daniel Kahnemann wrote about how we make decisions, and he won s Nobel Prize for his work on Behavioral Economics. With his passing last week we are thinking about his impact, and contribution to the world. When I began this podcast in April 2022 it was Kahneman who inspired this first episode. If his book READ MORE
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97. One Note
Composers often use a single repeated note in a piece of music, and it usually tends to get the attention of the audience in a particular manner. Sometimes it’s soft, other times loud, but it’s always persistent. Today we talk about some well known pieces that use the One Note More in the show notes READ MORE
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96. The Brandenburg Concertos
It seems appropriate to post a podcast about the masterpieces Bach dedicated on the same date (March 24) a little over three hundred years ago, 1721 to be exact. They were first published in 1850, one hundred years after Bach’s death. The original scores were passed down haphazardly, we don’t know where they went after READ MORE
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95. Muzio Clementi, The Composers’ Composer
Muzio Clementi was respected and praised by most of his contemporaries, especially Beethoven. Mozart paid respects by quoting or borrowing some of his themes, as composers did often in the classical era. Mozart may have been envious of Clementi’s technique and the two were put side by side on a Christman Eve’s concert type competition READ MORE
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Customer Reviews
Insightful and refreshing
I always feel more elegant and put-together after listening to an episode of Accelerando, it’s uncanny. Well researched, well produced, and charming, this is reminiscent of listening to NPR in the car with my mom. Greetings from Scotland!
Neat info!
The range of subjects offered and their connections to music are interesting and inspiring!
Lively
A pretty good listen. Informative and lively.