1 hr 26 min
Anahid Nersessian Keep the Channel Open
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- Visual Arts
Anahid Nersessian is a professor and critic based in Los Angeles, CA. In her latest book, Keats’s Odes: A Lover’s Discourse, Anahid takes the reader through close readings of John Keats’s six Great Odes, providing cultural context and explicating their themes of sexual violence, melancholy, and the seductiveness of beauty. More than that, though, the book is, itself, a love story. In our conversation, Anahid and I talked about how and why Keats’s Odes still resonate with readers today, how personal narrative entered these essays, and how it functions in them. Then in the second segment, we talked about experimental critical writing. Subscribe: Apple Podcasts | Google Podcasts | RadioPublic | Stitcher | Goodpods | TuneIn | RSS
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Show Notes: Anahid Nersessian Purchase Keats’s Odes: A Lover’s Discourse: Skylight Books (Los Angeles, CA) | The Book Catapult (San Diego, CA) | Bookshop.org Anahid Nersessian - Utopia Limited: Romanticism and Adjustment Anahid Nersessian - The Calamity Form: On Poetry and Social Life Anahid Nersessian - “Catastrophic Desires” William Shakespeare - “Sonnet 73” Dorothy Van Ghent - Keats: The Myth of the Hero Danez Smith Alexander Pope - “The Rape of the Lock” Walter Jackson Bate - John Keats William Wordsworth - “Preface to Lyrical Ballads” Ingrid Sischy - “Good Intentions” Peterloo Massacre Los Angeles Review of Books - “Of Poets and Critics: A Conversation Between Anahid Nersessian and Michael Robbins” Alexander Chee Anahid Nersessian in conversation with Zoe Kazan Helen Vendler - The Odes of John Keats Wendy’s Subway Renee Gladman John Coltrane - “Olé” Rachel Pollack Penny Arcade - “Parabolic” Heather K. Love Eve Kosofsky Sedgwick Rosie Stockton - Pumpjack Rosie Stockton - Permanent Volta Transcript Episode Credits Editing/Mixing: Mike Sakasegawa Music: Podington Bear Transcription: Shea Aguinaldo
Anahid Nersessian is a professor and critic based in Los Angeles, CA. In her latest book, Keats’s Odes: A Lover’s Discourse, Anahid takes the reader through close readings of John Keats’s six Great Odes, providing cultural context and explicating their themes of sexual violence, melancholy, and the seductiveness of beauty. More than that, though, the book is, itself, a love story. In our conversation, Anahid and I talked about how and why Keats’s Odes still resonate with readers today, how personal narrative entered these essays, and how it functions in them. Then in the second segment, we talked about experimental critical writing. Subscribe: Apple Podcasts | Google Podcasts | RadioPublic | Stitcher | Goodpods | TuneIn | RSS
Support: Support our Patreon | Review on Apple Podcasts | Review on Podchaser
Share: Tweet this episode | Share to Facebook
Connect: Newsletter | Email | Facebook | Twitter | Instagram | YouTube
Show Notes: Anahid Nersessian Purchase Keats’s Odes: A Lover’s Discourse: Skylight Books (Los Angeles, CA) | The Book Catapult (San Diego, CA) | Bookshop.org Anahid Nersessian - Utopia Limited: Romanticism and Adjustment Anahid Nersessian - The Calamity Form: On Poetry and Social Life Anahid Nersessian - “Catastrophic Desires” William Shakespeare - “Sonnet 73” Dorothy Van Ghent - Keats: The Myth of the Hero Danez Smith Alexander Pope - “The Rape of the Lock” Walter Jackson Bate - John Keats William Wordsworth - “Preface to Lyrical Ballads” Ingrid Sischy - “Good Intentions” Peterloo Massacre Los Angeles Review of Books - “Of Poets and Critics: A Conversation Between Anahid Nersessian and Michael Robbins” Alexander Chee Anahid Nersessian in conversation with Zoe Kazan Helen Vendler - The Odes of John Keats Wendy’s Subway Renee Gladman John Coltrane - “Olé” Rachel Pollack Penny Arcade - “Parabolic” Heather K. Love Eve Kosofsky Sedgwick Rosie Stockton - Pumpjack Rosie Stockton - Permanent Volta Transcript Episode Credits Editing/Mixing: Mike Sakasegawa Music: Podington Bear Transcription: Shea Aguinaldo
1 hr 26 min