Black Music Seen Black Orchestral Network

On February 24th, the Black Orchestral Network hosted a captivating live episode of Black Music Seen at SphinxConnect24. Facilitated by David Norviile, the episode featured an intergenerational panel discussion with four esteemed guests: Dale Allmond Breidenthal, Francisco Joubert, Jennifer Arnold, and Joseph Conyers.
In this engaging episode, the panelists delved into our evolving orchestral landscape and explored the pursuit of a more inclusive future for orchestral musicians. From reflecting on their respective experiences in classical music to examining trends over time, the conversation offered valuable insights and perspectives.

Today's episode honors women in classical music. Join Lexi Ligon Halloway, Deja Wilson, Jennifer Arnold, and Ebonee Thomas from the BON steering committee as they lead an inspiring conversation celebrating the contributions of women in classical music. Plus, hear submissions from our amazing community. 

In this episode, we'll meet Dale Allmond Breidenthal, a distinguished violinist hailing from Los Angeles, CA, with roots deeply embedded in the vibrant West Adams/Crenshaw District. Dale's musical journey began at the University of Southern California, where she honed her craft under the tutelage of renowned violinist Eudice Shapiro. Following her graduation, Dale embarked on a remarkable career trajectory, earning a coveted position with the prestigious Los Angeles Philharmonic (LAPhil) in 1983, under the baton of Maestro Carlo Maria Giulini.
Throughout her illustrious tenure with the LAPhil, Dale has not only showcased her exceptional talent but has also dedicated herself to nurturing the next generation of musicians as a private music instructor for the Youth Orchestra of Los Angeles (YOLA). Her commitment to artistic excellence and community service has earned her the esteemed Dalzell chair for Artistic Service to the Community by the LAPhil.
In this insightful episode, Dale shares captivating anecdotes from her decades-long career, offering a glimpse into the inner workings of the orchestral world. From her unforgettable experiences performing for movie soundtracks like "Hidden Figures" and "Da 5 Bloods" to her unwavering dedication to social justice, Dale's story is as inspiring as it is impactful. Join us as we delve into the remarkable journey of Dale Allmond Breidenthal, a true luminary of classical music.





 
 




















 

From the Inaugural Black Orchestral Network Summit 2023 - BLACK MUSIC SEEN LIVE:Voices of Black Empowerment - a facilitated conversation about history of activism and Black Musicians

Hear the story of an African-American violinist who played with the Philadelphia Orchestra for five decades.

In today’s episode, we’ll meet Rufus Olivier Jr. - the principal bassoonist for the San Francisco Opera and San Francisco Ballet. He joined the symphony in 1977 at only 21 years of age after winning the position for 2nd bassoon. When the Symphony split from the Opera, Rufus auditioned for the Opera and won the principal position. In 1992 he won the principal audition for the Ballet as well.
 
He has recorded many movie, video, CD, and TV soundtracks including Disney’s Never Cry Wolf and San Francisco Opera’s Grammy-nominated CD Orphée et Eurydice. He was even awarded a Grammy for the soundtrack Elmo in Grouchland.
 
Over several decades, Rufus Olivier Jr. has led a career as a bassoonist very much worthy of uplifting and celebrating. We had an amazing time sitting down with him and getting to know him. He’s an exuberant guy, full of laughs, who’s certainly mastered the art of the bassoon and “navigating” life one step at a time, day by day.