C86 Show - Indie Pop thec86show

Richard & Julian in conversation with David Eastaugh
https://redmoney.co.uk/
http://www.firestation-records.de/catalogue.html
Red Money emerged as an acoustic band in January 1990. Originally performing as a larger line up, fate stepped in to change both the format and sound of the band. Booked to play their first gig of the year at the Fulham Greyhound in London, various members then dropped out due to other commitments. Rather than cancelling, founder founders Richard and Jules hastily arranged a stripped down set and took to the stage with saxophone player Roz Bateman (who played on the single).

Rin Lennon, Michael George,Jay Smith-drums &  Alias Wilde  in conversation with David Eastaugh
https://monogroove.bandcamp.com/album/the-flip-side
http://www.rinsrescues.com
https://www.youtube.com/user/rinlennon4/featured

Johnnie Johnson in conversation with David Eastaugh
http://jawbonepress.com/through-the-crack-in-the-wall/
https://www.roughtrade.com/en-gb/product/johnnie-johnstone-foreword-by-stewart-lee/through-the-crack-in-the-wall-the-secret-history-of-josef-k#paperback-exclusive-signed-plus
Through The Crack in The Wall is the first ever biography of the band, tracing their story from their origins in the leafy suburbs of Edinburgh through to their untimely implosion four years later. It’s a tale of fun and frenzy, filled with highs and lows. From their thrilling live shows, which left onlookers spellbound, to more anxious occasions confronting a baying audience of rioting anarcho-punks in Brussels; from a brief spell as press darlings of the inkies to the fateful decision to pull their debut album just as pop stardom beckoned—one that continues to haunt them today.
Drawing extensively on new interviews with the band members and those around them as well as contemporary press articles, the book explores the band’s inner workings and analyses their relationships with Postcard Records supremo Alan Horne, labelmates Orange Juice, and manager Allan Campbell. It re-evaluates their position in the pantheon of post-punk greats and considers how their music helped shape the UK independent scene of the eighties. More than anything else, though, the book’s primary purpose is to celebrate the incredible music Josef K made and consider what makes it more vital today than ever.

Frank Deserto in conversation with David Eastaugh
https://www.cherryred.co.uk/no-songs-tomorrow-darkwave-ethereal-rock-and-coldwave-1981-1990-4cd-box-set
•    FEATURING THE CURE, DEAD CAN DANCE, CLAN OF XYMOX, COCTEAU TWINS, SOFT CELL, TONES ON TAIL, IN THE NURSERY, ATTRITION, IRON CURTAIN, ALIEN SEX FIEND, CRANES, KIRLIAN CAMERA, NEON AND MANY MORE.
•    4CD SET EXPLORING THE 1980s’ DARKWAVE/COLDWAVE SCENE THROUGHOUT THE UK, EUROPE AND THE UNITED STATES
•    A BROAD CHURCH TAKING IN ELECTRONICS, DARK AMBIENT, NEO-CLASSICAL NEW WAVE, GOTHIC SOUNDSCAPES AND COLD DREAM POP.
•    CURATED BY THE TEAM WHO BROUGHT YOU ‘CHERRY STARS COLLIDE’, ‘SILHOUETTES AND STATUES’ AND ‘STILL IN A DREAM’.
•    SLEEVENOTES COURTESY OF FRANK DESERTO.

Pat Thomas in conversation with David Eastaugh
https://allenginsberg.org/2023/11/w-n-29-2/
https://www.amazon.co.uk/Material-Wealth-Personal-Archive-Ginsberg/dp/1648230369
There are hundreds of thousands of items carefully stored and archived at Stanford University's Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.
A poster for Patti Smith's first-ever poetry reading. Correspondence from Allen's stint as literary agent for William S. Burroughs and Herbert Huncke. Yippie manifestos from Jerry Rubin, Abbie Hoffman, and John Sinclair of the MC5. A ticket for a 1974 concert by Bob Dylan & The Band (with Yoko Ono's phone number scribbled on the back). Posters documenting early Beat Generation readings in 1950s San Francisco as well as later ones capturing the 1960s Haight-Ashbury Hippie era. 

Scott Phares in conversation with David Eastaugh
https://www.hollywoodstarsband.com/
https://thehollywoodstars.bandcamp.com/track/cant-do-it-right
American rock band formed in Los Angeles, California in late 1973 by manager/impresario Kim Fowley. The band was created as a West Coast answer to the New York Dolls during the height of the popularity of the glam rock genre. The band signed with Columbia Records in 1974 and with Arista Records in 1976, releasing one self-titled LP with the latter label in 1977 and opening for The Kinks on their Sleepwalker tour the same year. The band's song "Escape" was recorded by Alice Cooper and released on the album Welcome to my Nightmare (1975), while their song "King of the Night Time World" was recorded by Kiss and released on the album Destroyer (1976). Two archive albums recorded in 1974 and 1976 were released in 2013 and 2019 to critical acclaim, prompting the band to reform in 2018.