Children of Tendu Children of Tendu

Remember when we said our previous episode would be our series finale? WE LIED. And we are back to prove it with a super sized episode where we answer YOUR questions about OUR process. How do we write? Why do we write? Where do we write? (and it's not in the bathtub like Dalton Trumbo) All these questions and more! Answered right here! With our usual career-endangering candor!

Seven years ago, veteran television writer/producers Jose Molina and Javier Grillo-Marxuach set out to consign all their experience to a podcast and to give it away for free. One Golden Age of television, a pandemic, and several complete disruptions in the industry later, Jose and Javi look to the future and ponder the fate of the Children of Tendu Podcast... and more importantly, their own transition from wizened veterans to fellow travelers with newcomers in a rapidly changing world!

Most writers have very little idea of what goes on in an edit bay, and how to best manage the collaborative relationship between a TV writer/producer and the show's editor. To remedy this situation, Javi and Jose have brought in one of the most prolific and acclaimed editors working today - Shawn Paper, whose credits include Parks and Rec, Veep, What We Do In The Shadows, Flight of the Conchords, and countless others - to discuss how writers and editors can, and should, be best friends! 

In this super-sized deep-dive, Jose and Javi interview Jeremiah Chechik - director not just of the pilot episode of Javi's show "The Middleman" but also TV shows including "Chuck", "Gossip Girl", "Shadowhunters", "Helix", "The Bronx is Burning", "Burn Notice" - and, oh yeah, a couple of classic feature films including "Benny and Joon" and "Christmas Vacation". 
Though the discussion is wide-ranging, the focus is on the relationship between the writer and director both in TV and features: how we collaborate, how we interact on and off the set, and how do we stay true to each our vision without trampling on the other's! This one's a must for all TV writers - because our work doesn't end at the keyboard, and directors can, and should, be our best friends!

The Writers Guild is currently engaged in a landmark labor action which has already changed the face of the entertainment industry. In this special episode, Jose and Javi have a lengthy and candid conversation with WGA President David A. Goodman about the how's and why's of the guild's goals and strategy as it seeks to redefine the role of agents and agencies in the business of representing writers.

As part of their "Living in the Middle" sessions at the WGA, Javi and Jose host a talk about the writers room - what sort of personalities thrive in the collaborative creative environment that fuels the creation of TV narratives, and how does a writer find his or her voice among the talented many who make up a staff!