The Dance Lens Hosted by Cynthia Dragoni cynthiadragonidance

Join the conversation as Madeline Woo, Principal dancer with Royal Swedish Ballet and your host Cynthia Dragoni. We'll discuss Madeline's professional life, her struggles with seasonal depression and her personal accounts of career highs and lows, including the details of her recent salary negotiation. 
Hear about the stark contrasts between the American and European dance education models. In particular, we'll shed light on how economic factors shape the studying and performance of ballet. 
She recounts her favorite roles, future aspirations and the transformative experiences of working with legendary choreographers. Finally, listen to her valuable advice for young dancers looking to carve a career in professional dance.
If you like this and want more great dance content don't forget to subscribe to the podcast and signup for the email list HERE to get dance podcasts, stories, news and info about our Live Dance Talks where we take interactive deep dives into dancers, choreographers and ballets in real time. 
 

In conversation with principal dancer Claudia Hilda. She is a Cuban dance artist, choreographer and director. We’ll talk about her journey and the influence of Cuban politics on dance and dancers.
Today the National Ballet of Cuba, in it’s 75th year is one of the best ballet institutions in the world, developing and occasionally exporting some of the top dancers in the world including Fernando Bujones and of course the revered Carlos Acosta.
What about contemporary dance in Cuba?
There is also a national contemporary dance school and company founded around the same time as National Ballet of Cuba in 1959. Similar to traditional big state ballet schools, it integrates academics into the studies and the students come out with full degrees. The dance training is a mix of contemporary,  classical ballet, modern and folk styles.
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We may think of artists and their work as inherently needing total freedom in order to thrive, but this isn’t always the case especially when it comes to ballet. Similarly to how ballet undeniably flourished in many respects under the communist Soviet Union, Cuba produced (and still produces) some of the best ballet and ballet dancers in the world after the Cuban Revolution, and with the full support of Castro and the communist party.
Why does  ballet get so much support from these so called oppressive regimes?
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It's the 100th anniversary of the Turkish Republic! In this interview with the US's only Turkish ballerina we'll hear how Ballet San Antonio soloist Buse Babadag went from Istanbul to Texas, her challenges and opinions and a little bit about her coffee company Buse and Rosé.
This is a part of our artists in diaspora series where we’ll hear about the life and work of an artist living outside their homeland, some have left for artistic reasons, some for political and others it was simply where the wind blew them. We’ll also learn about the dance scene in their native country and the historical and political context in which it developed.
The episode previous to this one has historical background on the development of ballet in Turkey.
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What does ballet have to do with the development and reputation of the Turkish Republic?
This is a part of our artists in diaspora series where we’ll hear about the life and work of an artist living outside their homeland, some have left for artistic reasons, some for political and others it was simply where the wind blew them. We’ll also learn about the dance scene in their native country and the historical and political context in which it developed.
Ballet and the arts in general have been used for centuries as a way to communicate to the public the power, sophistication and ideals of whoever is in power, be it a pope, a prince, a queen, a ruling party or a nation. Many great works of art have come out of this relationship between those holding power and the artist, a famous example is of course Michelangelo’s Sistine Chapel commissioned by the church.
This was also a part of the story when the Turkish Republic was formed 100 years ago, in 1923.  Following the end of WW1 the remaining parts of the empire had been given to Greece, France, Italy and Britain and it became occupied territory.
This occupation prompted the formation of the Turkish Liberation Movement.
When Atatürk, a leader of the movement united the country he was quoted as saying: “The basis of Turkish Republic is culture”. Come with us to hear what happened next and where ballet is in Turkey today. 
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Let's go backstage with up and coming Philadelphia Ballet soloist Pau Pujol.
Pau is one of the up and coming talents of this generation and and he talks about his experiences as a dancer in Spain vs the US, the psychological perils of ballet life, where the dance world is headed and more! Join us as we draw back the curtains on the lives of the artists in dance.
Want to know more about Pau? You can follow him Youtube/Tiktok and Instagram linked below:
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