1 hr 54 min

ERER006: Opera with Greg Freed Every Record Ever Recorded!!!

    • Music

An introduction to opera! In which Hannah and guest expert Greg Freed discuss music as math homework, the excitement of "wrong" singing, Lawrence Tibbett's forehead, and the proper way to insult one's seatmates at the Met. See everyrecordeverrecorded.com for more opera notes!

PLAYED ON THE SHOW:

PLAYED ON THE SHOW:

- Christine Goerke, "Allein, Weh, ganz allein" from Elektra, Dresden, 2014 (Richard Strauss)
- The Consort of Musicke, "Fantasia a 6 (no. 2)" (William Byrd)
- Ton Koopman, "Fuga in G (BWV 578)" (Johann Sebastian Bach)
- The Academy of Ancient Music, Symphony no. 40 in G minor, first movement (Wolfgang Amadeus Mozart)
- Boston Symphony Orchestra, Symphony no. 5 in C minor, first movement (Ludwig von Beethoven)
- Chicago Symphony Orchestra, Symphony no. 9 in D minor, first movement (Ludwig von Beethoven)
- BBC Symphony Orchestra, "IV. Peripetie, Sehr rasch" from Five Pieces for Orchestra (Arnold Schönberg)
- London Philharmonic Orchestra, "Mortal cosa son io" from Il Ritorno di Ulisse in Patria (Claudio Monteverdi)
- Concerto Vocale, "Mortal cosa son io" from Il Ritorno di Ulisse in Patria (Claudio Monteverdi)
- Jessye Norman, "Mild und leise wie er lächelt" from Tristan und Isolde (Richard Wagner)
- Franco Faggioli, "Vo solcando un mar crudele" from Artaserse (Leonardo Vinci) (nope, different guy)
- Budapest Philharmonic, "Dance of the Blessed Spirits" from Orfeo ed Euridice (Christoph Willibald Gluck)
- Lawrence Brownlee, "Un'aura amorosa" from Cosi Fan Tutte (Wolfgang Amadeus Mozart)
- Lucia Popp, "Der Hölle Rache" from The Magic Flute (Wolfgang Amadeus Mozart)
- Rockwell Blake, "D'ogni più sacro impegno" from L'Occasione Fa Il Ladro (Gioacchino Rossini)
- Leyla Gencer and Shirley Verrett, "Figlia impura di Bolena" from Maria Stuarda (Gaetano Donizetti)
- Franco Corelli from Poliuto (Gaetano Donizetti)
- Kiri te Kanawa, "Aria from Salammbo" (Bernard Herrmann)
- Elmer Fudd, "Kill the Wabbit" from What's Opera, Doc? (Chuck Jones, Michael Maltese and Richard Wagner)
- Lawrence Tibbett, "Leb wohl, du kühnes herrliches Kind" from Die Walküre (Richard Wagner)
- Leonie Rysanek, "Entweihte Götter!" from Lohengrin (Richard Wagner)
- Lilli Lehmann, "Non mi dir" from Don Giovanni (Wolfgang Amadeus Mozart)
- Slovak Philharmonic Orchestra, "Humming Chorus" from Madama Butterfly (Giacomo Puccini)
- Sorasit D Guzheng, "Mo Li Hua"
- Celine Dion and Song Zuying, "Mo Li Hua," live in China, 2013
- Choeurs, "Là, Sui Monte Dell' Est" from Turandot, Avignon, France, 2012 (Giacomo Puccini)
- Maria Callas, first entrance in "Tosca," Metropolitan Opera House, New York, 1965 (Giacomo Puccini)
- Maria Callas, finale of Act 2 of "Aida," Mexico, 1950 (Giuseppe Verdi)
- Ghena Dimitrova, "Gloria, gloria, o vincitore!" from Turandot, (Giacomo Puccini)
- Inge Borkh, "Barak, ich hab' es nicht getan!," from Die Frau Ohne Schatten (Richard Strauss)
- Wiener Philharmoniker, "Mondscheinmusik" from Capriccio (Richard Strauss)
- Edo de Waart and the Orchestra of St Luke, "It Seems So Strange" from Nixon in China (John Adams)
- Trudy Ellen Craney, "I Am the Wife of Mao Tse-Tung"
- Wiener Philharmoniker, "Act 2 Interlude" from Pelleas et Melisande (Claude Debussy)
- Lorraine Hunt Lieberson, "As with rosy steps the morn" from Theodora (George Frideric Handel)

An introduction to opera! In which Hannah and guest expert Greg Freed discuss music as math homework, the excitement of "wrong" singing, Lawrence Tibbett's forehead, and the proper way to insult one's seatmates at the Met. See everyrecordeverrecorded.com for more opera notes!

PLAYED ON THE SHOW:

PLAYED ON THE SHOW:

- Christine Goerke, "Allein, Weh, ganz allein" from Elektra, Dresden, 2014 (Richard Strauss)
- The Consort of Musicke, "Fantasia a 6 (no. 2)" (William Byrd)
- Ton Koopman, "Fuga in G (BWV 578)" (Johann Sebastian Bach)
- The Academy of Ancient Music, Symphony no. 40 in G minor, first movement (Wolfgang Amadeus Mozart)
- Boston Symphony Orchestra, Symphony no. 5 in C minor, first movement (Ludwig von Beethoven)
- Chicago Symphony Orchestra, Symphony no. 9 in D minor, first movement (Ludwig von Beethoven)
- BBC Symphony Orchestra, "IV. Peripetie, Sehr rasch" from Five Pieces for Orchestra (Arnold Schönberg)
- London Philharmonic Orchestra, "Mortal cosa son io" from Il Ritorno di Ulisse in Patria (Claudio Monteverdi)
- Concerto Vocale, "Mortal cosa son io" from Il Ritorno di Ulisse in Patria (Claudio Monteverdi)
- Jessye Norman, "Mild und leise wie er lächelt" from Tristan und Isolde (Richard Wagner)
- Franco Faggioli, "Vo solcando un mar crudele" from Artaserse (Leonardo Vinci) (nope, different guy)
- Budapest Philharmonic, "Dance of the Blessed Spirits" from Orfeo ed Euridice (Christoph Willibald Gluck)
- Lawrence Brownlee, "Un'aura amorosa" from Cosi Fan Tutte (Wolfgang Amadeus Mozart)
- Lucia Popp, "Der Hölle Rache" from The Magic Flute (Wolfgang Amadeus Mozart)
- Rockwell Blake, "D'ogni più sacro impegno" from L'Occasione Fa Il Ladro (Gioacchino Rossini)
- Leyla Gencer and Shirley Verrett, "Figlia impura di Bolena" from Maria Stuarda (Gaetano Donizetti)
- Franco Corelli from Poliuto (Gaetano Donizetti)
- Kiri te Kanawa, "Aria from Salammbo" (Bernard Herrmann)
- Elmer Fudd, "Kill the Wabbit" from What's Opera, Doc? (Chuck Jones, Michael Maltese and Richard Wagner)
- Lawrence Tibbett, "Leb wohl, du kühnes herrliches Kind" from Die Walküre (Richard Wagner)
- Leonie Rysanek, "Entweihte Götter!" from Lohengrin (Richard Wagner)
- Lilli Lehmann, "Non mi dir" from Don Giovanni (Wolfgang Amadeus Mozart)
- Slovak Philharmonic Orchestra, "Humming Chorus" from Madama Butterfly (Giacomo Puccini)
- Sorasit D Guzheng, "Mo Li Hua"
- Celine Dion and Song Zuying, "Mo Li Hua," live in China, 2013
- Choeurs, "Là, Sui Monte Dell' Est" from Turandot, Avignon, France, 2012 (Giacomo Puccini)
- Maria Callas, first entrance in "Tosca," Metropolitan Opera House, New York, 1965 (Giacomo Puccini)
- Maria Callas, finale of Act 2 of "Aida," Mexico, 1950 (Giuseppe Verdi)
- Ghena Dimitrova, "Gloria, gloria, o vincitore!" from Turandot, (Giacomo Puccini)
- Inge Borkh, "Barak, ich hab' es nicht getan!," from Die Frau Ohne Schatten (Richard Strauss)
- Wiener Philharmoniker, "Mondscheinmusik" from Capriccio (Richard Strauss)
- Edo de Waart and the Orchestra of St Luke, "It Seems So Strange" from Nixon in China (John Adams)
- Trudy Ellen Craney, "I Am the Wife of Mao Tse-Tung"
- Wiener Philharmoniker, "Act 2 Interlude" from Pelleas et Melisande (Claude Debussy)
- Lorraine Hunt Lieberson, "As with rosy steps the morn" from Theodora (George Frideric Handel)

1 hr 54 min

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