Human Entities Podcast CADA

Human Entities 2023: culture in the age of artificial intelligenceSeventh edition, Wednesday 17 May 2023


Authorship, Agency, and Moral ObligationJoanna BrysonProfessor of Ethics and Technology in the Centre for Digital Governance at Hertie School in Berlin

How much of our individual human experience can we absorb into machine models when we use machine learning and a huge amount of data? Will AI become sentient? Sovereign? Ambitious? How will living with AI change our daily experience? This talk reflects natural, social, and computing sciences, describing both human and artificial intelligence, then governance, justice, and creativity. What we do matters, and we are obliged to ourselves and our planet to create and maintain good governance of all artefacts of our species.

Joanna BrysonJoanna J Bryson, Professor of Ethics and Technology at Hertie School, is an academic recognised for broad expertise on intelligence, its nature, and its consequences. She advises governments, transnational agencies, and NGOs globally, particularly in AI policy. She holds two degrees each in psychology and AI (BA Chicago, MSc & MPhil Edinburgh, PhD MIT). Her work has appeared in venues ranging from reddit to the journal Science. She continues to research both the systems engineering of AI and the cognitive science of intelligence, with present focuses on the impact of technology on human cooperation, and new models of governance for AI and ICT.

https://www.joannajbryson.orghttps://joanna-bryson.blogspot.comhttps://twitter.com/j2bryson


Organised by ⁠CADA⁠ in partnership with ⁠Faculty of Fine Arts⁠, University of Lisbon

Human Entities 2023: culture in the age of artificial intelligenceSeventh edition, Wednesday 3 May 2023

Smart PowerOrit HalpernFull Professor and Chair of Digital Cultures and Societal Change at Technische Universität Dresden

Today, growing concerns with climate change, energy scarcity, security, and economic volatility have turned the focus of urban planners, investors, scientists, and governments towards computational technologies as sites of potential salvation from a world consistently defined by catastrophes and ‘crisis’. From large scale computer simulations of the weather, to smart cities and infrastructures, to geo-engineering projects, to cryptocurrencies and blockchains, we have arguably transformed the planet into a test-bed and experiment for computational technologies. The penetration of almost every part of life by digital technologies has transformed how we understand nature, culture, and time. But what futures are we imagining, or foreclosing through these planetary ‘experiments’? How have we come to see human survival as fundamentally dependent on computational networks? This talk maps the rise of this ‘smartness mandate’. Tracing genealogies from artificial intelligence, finance, architecture, and art I will develop an account of how ubiquitous computing has become one of the dominant governing logics of our present (and possibly our future) and to what effects.

Orit HalpernOrit Halpern is Full Professor and Chair of Digital Cultures and Societal Change at Technische Universität Dresden. Her work bridges the histories of science, computing, and cybernetics with design. She completed her Ph.D. at Harvard. She has held numerous visiting scholar positions including at the Max Planck Institute for the History of Science in Berlin, IKKM Weimar, and at Duke University. She is currently working on two projects. The first is a history of intelligence and evolution; the second project examines extreme infrastructures and the history of experimentation at planetary scales in design, science, and engineering. She has also published widely in many venues including Critical Inquiry, Grey Room, Journal of Visual Culture, and E-Flux. Her first book Beautiful Data: A History of Vision and Reason (Duke UP 2015) investigates histories of big data, design, and governmentality. Her latest book with Robert Mitchell (MIT Press January 2023) The Smartness Mandate, is a theory and history of the concept of ‘smartness’, that interrogates the relationship between computation, population, economy, and governmentality.

https://orithalpern.net

https://governingthrough.design

https://againstcatastrophe.net

Human Entities 2023: culture in the age of artificial intelligenceSeventh edition, Wednesday 26 April 2023

Rebooting democracyManuel Arriaga + Pedro MagalhãesManuel Arriaga is a university professor and one of the founders of the Fórum dos Cidadãos; Pedro Magalhães is a researcher at the Institute of Social Sciences, University of Lisbon

Democracy is a technology of collective decision-making that aggregates intentions and defines a course of action. However, according to the diagnosis of many, it’s a technology ‘in crisis’. An important part of the contemporary experience of ‘democratic frustration’ seems to result from the contrast between the stagnation of ways of doing politics and the rapid evolution of digital technology. As consumers, we have long learned to expect – and demand – innovation. Yet, as citizens, we regularly confront ourselves with the immutability of mechanisms of governance.

In representative democracy, who is effectively represented? How, and to what extent, are the interests and preferences of people – and different people – converted into policies? With regard to the issue of the environment and climate change, in every election cycle there seems to be a kind of myopia, or short-sightedness, which exclusively focuses on the articulation and resolution of (some) short-term problems.

To what extent can forms of ‘democratic innovation’, especially those that serve to create greater opportunities for political participation, serve to address long-term problems, in particular the climate crisis? What is the potential of other forms of political organisation as a complement, or even alternative, to representative democracy?

This discussion will be moderated by Catherine Moury, Associate Professor of Political Science and Director of the PhD programme, Political Studies Department, NOVA University of Lisbon.

Manuel ArriagaManuel Arriaga is a university professor, author of Rebooting Democracy: A Citizen’s Guide to Reinventing Politics one of the founders of the Fórum dos Cidadãos and, more recently, one of the driving forces behind the political party (still non-existent) FUTURO.

https://www.rebootdemocracy.orghttps://www.forumdoscidadaos.pthttps://www.futurodemocratico.pt

Pedro MagalhãesPedro Magalhães is a researcher at the Institute of Social Sciences of the University of Lisbon, where he develops research in the area of public opinion and political attitudes, in particular attitudes towards democracy.

https://www.pedro-magalhaes.org/https://twitter.com/PCMagalhaes

Human Entities 2023: culture in the age of artificial intelligenceSeventh edition, Wednesday 19 April 2023


Artist talkMark Leckey

Mark Leckey is one of the most influential artists working today. Since the late 1990s, his work has looked at the relationship between popular culture and technology as well as exploring the subjects of youth, class and nostalgia. He works with sculpture, film, sound and performance⁠ – and sometimes all four at once. In particular, he is known for Fiorucci Made Me Hardcore (1999) and Industrial Light and Magic (2008), for which he won the Turner Prize.

His work has been widely exhibited internationally, including solo exhibitions at Tate Britain, in 2019, Serpentine Gallery, in 2011, Kölnischer Kunstverein, Cologne, in 2008 and at Le Consortium, Dijon, in 2007. His performances have been presented in New York City at the Museum of Modern Art, Abrons Arts Center; at the Institute of Contemporary Arts, London, both in 2009; and at the Solomon R. Guggenheim Museum, New York City, in 2008. His works are held in the collections of the Tate and the Centre Pompidou.

https://markleckey.comhttps://www.cabinet.uk.com/mark-leckeyhttps://www.tate.org.uk/art/artists/mark-leckey-6877/introducing-mark-leckeyhttps://www.youtube.com/@MrLeckeyhttps://www.instagram.com/mark.leckeyhttps://twitter.com/MarkLeckeyhttps://www.nts.live/shows/mark-leckey

Organized in partnership with  the Faculty of Fine Arts, University of Lisbon, Communication Design and of Multimedia Arts departments

Discriminating Data, a conversation with Wendy Hui Kyong Chun
Wendy Hui Kyong Chun
Canada 150 Chair in New Media, Director, Digital Democracies Institute

In Discriminating Data [2021], Wendy Hui Kyong Chun reveals how polarization is a goal—not an error—within big data and machine learning. These methods, she argues, encode segregation, eugenics, and identity politics through their default assumptions and conditions. Correlation, which grounds big data’s predictive potential, stems from twentieth-century eugenic attempts to “breed” a better future. Recommender systems foster angry clusters of sameness through homophily. Users are “trained” to become authentically predictable via a politics and technology of recognition. Machine learning and data analytics thus seek to disrupt the future by making disruption impossible.

In this conversation, Chun will discuss the themes of her book with Andrea Pavoni, assistant research professor at DINAMIA’CET and then take questions from the audience.

Wendy Hui Kyong Chun
Wendy Hui Kyong Chun is the Canada 150 Research Chair in New Media at Simon Fraser University, and leads the Digital Democracies Institute. She studied Systems Design Engineering and English Literature, which she combines in her current work on digital media, and is the author of Control and Freedom: Power and Paranoia in the Age of Fiber Optics (2006), Programmed Visions: Software and Memory (2011), Updating to Remain the Same: Habitual New Media (2016) and, more recently, Discriminating Data (2021).

https://www.sfu.ca/communication/team/faculty/wendy-chun.html
https://mitpress.mit.edu/books/discriminating-data
https://twitter.com/whkchun

Human Entities is a public programme of talks organised by CADA.

Artist Talk
Paola Torres Núñez del Prado
Artist

Somewhat similar to what it is commonly said about migrants, autonomous machines are taken to be a potential threat to some human labour. In military environments, these systems and their efficiency can, in fact, be more lethal than those controlled by people. This idea allows us to roll back to the core definition of intelligence which, since the Industrial Revolution has been deeply linked with efficiency-as-productivity, and subsequent avoidance of errors. This definition which is the heir of a type of rationality, with origins in the Enlightenment, is placed at the top of a hierarchy above all other human thought systems. Problems linked to managing the natural environment, where other later ‘non-rational’ human cultures are encountered, have been solved through domination and even annihilation. We can now see that some AI systems continue this legacy.

In this context, AIELSON [a machine learning model Torres trained to generate spoken-word poetry] reflects upon the zeitgeist, incorporating a complex critique where the system is seen to be connected to humanity (as a reflection) since imperfections are not discarded but embraced. Consequently this contradicts the notion of intelligence as the epitome of flawless efficiency and perfection. Hence, Torres proposes that we should now discuss machine creativity, and how creativity informs human imagination. Her work asks the question: Can we envision another future of possible cooperation between humans and machines, where the natural world is no longer seen as a territory to conquer?

Bio
Paola Torres Núñez del Prado departs from the exploration of the limits of the senses to examine the concepts of interpretation, translation, and misrepresentation, reflecting on the mediated sensorial experiences that (re)construct our perceived reality and that in turn serve to establish a cultural hegemony within the history of technology and the arts. Recently, she received an Honorary Mention at the Prix Ars Electronica for AIELSON, a system developed during her residence on Google’s Artists + Machine Intelligence program 2019-20.

Her performances and her artworks, which are also part of the collections of Malmo Art Museum and the Public Art Agency of Sweden, have been presented in several countries of the Americas, Central Europe, and Scandinavia, where she is currently based.

https://autodios.github.io
http://www.singingtextiles.com
https://twitter.com/autodios