Green Room On Air with Ray Renati Ray Renati

Hey there! 🌟 Meet Laurie Roldan, a singer whose passion for music shines through her incredible life story. 🎤 In this episode, Laurie shares how her love for singing started from a young age, inspired by her clarinet-playing dad and the timeless tunes of the Carpenters. 🎶
Laurie’s journey from shy kid to musical theater performer is truly inspiring. She opens up about her one-woman show, which intertwines her life experiences with the beloved songs of Karen Carpenter. 🎭 The show is a heartfelt cabaret concert that not only entertains but also motivates others to pursue their passions. 💖
With a fantastic band, guest stars, and even a kids ensemble, Laurie's performances are a must-see! And guess what? Her shows also support the local theater community. 🎉
So, grab a ticket, sing along, and get inspired by Laurie’s message of never giving up on your dreams. 🌈
LAURIE ROLDAN SINGS A SONG FOR YOU. A Cabaret Concert Inspired by the Music of Karen Carpenter
Show Dates: August 17th, 7 PM and August 25th, 3 PM at the Gateway Theater in San Francisco. Don't miss it! 🎟️
TICKETS: https://42ndstmoon.vbotickets.com/events

From Broadway to classics, on stage and in concert, Lisa Vroman has established herself as one of America's most versatile voices. She starred on Broadway, LA and SF as Christine Daaé in The Phantom of the Opera and garnered theater critics’ awards for her portrayal.
Her Broadway debut was in Aspects of Love and she was the first to play both Fantine and Cosette in Les Misérables. She has starred in major productions as Marian Paroo in The Music Man, Lili Vanessi in Kiss Me Kate, Birdie in Regina, Josephine in HMS Pinafore, Anna 1 in The Seven Deadly Sins, Rosalinde in Die Fledermaus, Laurey in Oklahoma, Anna Leonowens in The King and I, Mary Turner in Of Thee I Sing and Rosabella in The Most Happy Fella. Lisa appeared on PBS as Johanna in the Emmy Award winning production of Sweeney Todd and was featured in the London Royal Gala, Hey! Mr. Producer.
She has played, sang and danced opposite Dick Van Dyke as Mary Poppins at the Hollywood Bowl Disney’s 75th, and played the role of Maria Callas in Terence McNally’s award-winning play, Master Class. Lisa is a frequent guest with symphonies including SF, Nashville, Philadelphia, Dallas, Utah, St. Louis, Houston, Pacific, Atlanta, Hong Kong, Cleveland, National, Florida, Cleveland, BBC Concert Orchestra, Boston Pops, Philly Pops, and the NY Pops. She is a graduate of the Crane School of Music, SUNY Potsdam (BM, Hon. Dr. of Music, Minerva Award), Carnegie-Mellon University (MFA), and is a George London Competition winner.
Lisa has become an active mentor and sought-after clinician with many colleges and universities across the country and around the world. She has acted as a judge in both the Lotte Lenya Competition for the Kurt Weill Foundation and UCLA’s Walter Jurmann Competition, and regularly performs Weill’s music with symphonies throughout the country. Recent performances have included symphony concerts celebrating the music of George Gershwin, and her 2024 Bistro Award-winning cabaret, “Ingénue…Ingé-not-so-new!”, in NY. www.lisavroman.com
Lisa also gave us the scoop on the upcoming "Broadway and Beyond" benefit for the Richmond/Ermet Aid Foundation. It's happening on July 14th at the Marines Memorial Theater, and it's set to be a night filled with incredible talent and heartwarming performances, all for a good cause.
Trust me, you won't want to miss this intimate look into Lisa's world and the wonderful community she's part of. Head over to reef-sf.org for more details on the event. Let's support the arts together!
Contact Ray at Green Room on Air: greenroomonair@gmail.com
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Hey folks, how you doing? Thanks for stopping by. You have reached Green Room On Air and I am your host, Ray Renati. It's a beautiful day today here in the South Bay. Sun shining, birds chirping, and I'm a happy camper. Hope you are too.
Guess what? We have a great guest today. Her name is Valina Brown and she is a company member of the San Francisco Mime Troupe. She's an actor there, a singer, and has been a collaborator since 1992. She's won all kinds of awards and has acted in several of the San Francisco Mime Troupe's plays over the years. She's also performed at ACT, Berkeley Rep, Cal Shakes, and all the big professional theaters here in San Francisco.
We're privileged to talk to her today about her life as an actor and the San Francisco Mime Troupe's upcoming show American Dreams, which will be playing this summer all over the Bay Area. 
We chat about everything from the true meaning behind the term "mime" as used by the San Francisco Mime Troupe, to Valina's personal journey in the theater world. We also dive into the exciting new production American Dreams and what it explores. You don't want to miss this delightful conversation!

Abigail Munn – Circus Bella Artistic and Executive Director 
(Interview begins at the 5:53 mark)
Since its inception, Abigail Munn has been directing, creating, and producing new work for Circus Bella. Along with the more conventional duties she has also served as the company's truck driver, catering service and laundress. An accomplished dancer, choreographer, and aerialist, Munn holds a BFA in Modern Dance from UC Santa Barbara. As a child, born and raised in SF, she appeared with the Pickle Family Circus, and with Zoppe Italian Family Circus, Lone Star Circus, the Moisture Festival, the New Pickle Circus, Cabaret Verdelet, Circus Cabaret, Tease-O-Rama, Va Voom Room, and The Velvet Hammer Burlesque. Munn was commended in the NY Times for her performance in Alma Esperanza Cunningham’s Princess. Munn co-directed the nouveau-vaudeville troupe Kitty Bang, an internationally recognized three-time “Best of the Bay” winner that is influential in the modern Burlesque resurgence.
Over the past few years Abigail has become increasingly involved in advocacy work for the Circus Arts. When transitioning Circus Bella performers to Employees, she became aware that the current workers compensation rates and policy descriptions in California were way out of step with the current reality of the Circus Industry. Munn embarked on a one-woman quest to help change this and after initiating a study from the Workers Comp Insurance Rating Bureau (WCIRB), rates were significant lowered (by 80%) for ALL Circus Companies in CA. In addition, she is a founding member and on the board of the American Circus Alliance.
https://www.circusbella.org/

FOREVER PLAID
Written by Stuart RossMusical Continuity, Supervision, and Arrangements by James Raitt
Director/Music Director Daniel ThomasAssoc. Music Director Tim FletcherChoreographer Brittney Monroe
April 18-May 5, 2024Gateway Theatre, San Francisco
FOREVER PLAID is a deliciously fun revue is chock-full of classic four-part harmonies and pitch-perfect melodies! Once upon a time, there were four guys (Sparky, Smudge, Jinx and Frankie) who discovered that they shared a love for music and then got together to become their idols – The Four Freshman, The Hi-Lo’s and The Crew Cuts. Rehearsing in the basement of Smudge’s family’s plumbing supply company, they became “FOREVER PLAID”. On the way to their first big gig, the “Plaids” are broadsided by a school bus and killed instantly. It is at the moment when their careers and lives end that the story of FOREVER PLAID begins…
Singing in close harmony, squabbling boyishly over the smallest intonations and executing their charmingly outlandish choreography with overzealous precision, the “Plaids” are a guaranteed smash, with a program of beloved songs and delightful patter that will keep you laughing when you’re not humming along to some of the greatest pop hits of the 1950s. The hit parade of songs includes “Three Coins in the Fountain,” “Love Is A Many-Splendored Thing,” “16 Tons,” “Rags to Riches” and many more favorites!

FEB. 9 - MAR. 3, 2024Directed by Austin EdgingtonThe Pear Theatrewww.thepear.org
For Peter Pan on Her 70th Birthdayby Sarah Ruhl
When Ann thinks of her father, she immediately remembers playing Peter Pan in her hometown theater in Iowa, and the flowers he delivered after her performance. Her memory is jogged by the fact that she and her four siblings are in their father’s hospital room during his final moments. His death sparks a conversational wake that includes everything from arguments over politics to when each sibling realized that they grew up.
A loving look at a family’s view of death, life and the allure of never growing up.
“A work that is equal parts dark and light, recalling the ebullient excitement of youth, but also confronting the hard fact of mortality… Ruhl’s imagination is among the most adventurous at play today in the theater.” – The New York Times