Hey James, Watch This‪!‬ Hey James Watch This

Episode One Hundred and Twenty-Five: Stop and Go (2021)

Road movies. There aren't a lot of movies that embraced the COVID lifestyle. Most studios either shot around it or greenlit animated productions. One movie dared to show us all the lifestyle changes that would age as well as a carcass on a freeway. Whitney Call and Mallory Everton are taking a road trip from Albuquerque to Seattle in full pandemic swing. 


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Episode One Hundred and Twenty-Four: Bullet Train (2022)

The wheel has demanded comedy-thriller, and Brad Pitt has taken up the gauntlet. We're off to Japan for the most white-washed movie set on a shinkansen you've ever seen. When Michael Shannon is playing a Russian yakuza boss, you know some wires have gotten crossed somewhere. 


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Episode One Hundred and Twenty-Three: Class Action Park (2020)

What is an action documentary, we wondered to ourselves after last week's episode. Then along came con-artist and criminal Gene Mulvihill to give us our answer. His brainchild was a meatgrinder of a playground called Action Park, and enough cannot be said about this Jackass of an attraction. The 80s and New Jersey were the magical ley lines that spawned this monster.


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Episode One Hundred and Twenty-Two: Money Plane (2020)

We're back!

It's a listener request to start off 2023! This is the best movie released in 2020 that stars both a classically trained thespian and a WWE superstar. If you've ever wanted to see Edge act opposite Kelsey Grammer, now you can. The title alone is perfect, but is that an easy enough sell for James? Also, no -- this isn't the long awaited sequel to Money Train. We were similarly crushed. 


Jon Neimeister's Twitter thread on AI art


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Happy 2023, everybody! We'll be back next week with the usual nonsense. There are some politics in this episode, but it's an outtakes episode and anything's fair game.

Enjoy!


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Episode One Hundred and Twenty: Christmas Bloody Christmas (2022)

Christmas horror, you say? There's a LIBRARY. This week it's director Joe Begos and a murderous robotic Santa Claus. No, not the one from Futurama.  Riley Dandy holds her own as the Final Girl in this movie that summarizes itself with its title. Let's be honest -- you know what you're getting. As one third of our podcast puts it --

"If we're already here, you don't have to make us go home."
--James

Happy Holidays, everybody.


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