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The Truth Against the World (Square Tire Books, 2023) is a brilliant literary fantasy about a divided, dystopian America on the verge of war. Shane, a former Irish combat soldier with a murky past, wants to save his young friend Georgie O’Halloran, who turned his stories of Celtic history and folklore into a beautifully illustrated book. She gave the book to her professor, who published it under his name and earned millions. It became a wildly popular video game that continues to inspire a violent transformation of America by roaming gangs of murderers. Shane, already trying to free Georgie from the psychiatric institution where she’s been hidden by her money-grubbing stepmother, is devoted to finding the deceitful professor. They embark on a cross-country journey, tracked by those in power and pursued by murderers.
David Corbett is the author of seven novels, which have been nominated for numerous awards, including The Edgar. His short fiction has twice been selected for Best American Mystery Stories, and a collaborative novel for which he contributed a chapter—Culprits—was adapted for TV by the producers of Killing Eve and will appear on Hulu in December 2023. His writing guides The Art of Character and The Compass of Character have been widely praised and used by both aspiring and established authors, and he is a monthly contributor to Writer Unboxed, an award-winning blog dedicated to the craft and business of fiction.
Prior to his career as a novelist, Corbett was a senior operative with the private investigation firm of Palladino & Sutherland in San Francisco, where he worked on a number of high-profile criminal and civil litigations, including the Cotton Club Murder Case, the People’s Temple Trial, Jordan Chandler v. Michael Jackson, a RICO litigation brought by the Teamsters membership against union leaders associated with organized crime, and a number of marijuana prosecutions linked to the Coronado Company out of San Diego. In his spare time, Corbett enjoys reading history, taking hikes in the Catskills with his wife and Wheaten terrier, Fergus, and tending to the sprawling garden on their property.
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Russian Style: Performing Gender, Power, and Putinism (University of Wisconsin Press, 2023) provides a critical and nuanced analysis of the relationship between popular culture and politics in Russia during Vladimir Putin’s first two decades in power. It traces how the performance of Russian citizenship has been remolded according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. The book also demonstrates that while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity.
Russian Style: Performing Gender, Power, and Putinism has been shortlisted for the 2024 Pushkin House Book Prize.
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Defeating the forces of authoritarianism is the political combat task of our age, and we must take it up with the certitude and boldness that our eminent forebears did. Rebuilding the Democrats’ appeal by reestablishing reputations for superior strength and patriotism is a challenge. But the fact that democracy’s plight is due to flaws in liberals’ leadership and messaging rather than economic crises, popular prejudices, or a faulty Constitution is good news. It means that the Democrats can turn the tables on Trumpism now.
– Introduction to Comeback (2024)
The fate of American democracy now hinges on the Democrats' ability to defeat the Republicans for the foreseeable future. But for the Democrats to win consistently, they must reestablish their credentials as fearless leaders, tough fighters, and fierce patriots.
Comeback delivers a bold new take on democracy's crisis. Many liberals think that escalating economic anxieties and cultural backlash drove voters to Trump. But a crush of data shows this thinking to be deeply flawed. It also strikes working-class voters as condescending and repellent. And while the Democrats stick to "kitchen table" issues and showing how much they care, voters care more about strength and commitment to principle than prescription drug prices.
Politics is a dominance game and a contest to capture the flag. Politicians who seem to be the strongest leaders and most passionate patriots hold the advantage. The Republicans get it. The Democrats don't.
Republicans have a high-dominance political style. They take risks, savor conflict, and use provocative language. Democrats have a low-dominance style. They're risk-averse, afraid to engage on cultural issues-and more than a little boring. Republicans hammer away at their patriotism, even as they betray the nation and shred American values. Democrats are loyal to American values but have grown squeamish about patriotism and have no national story.
Ordinary people often don't recognize themselves in the stories liberal politicians tell about them, while the authoritarians speak a language of dominance and national greatness that connects. The Democrats need a new approach to messaging. Comeback spells it out and provides a roadmap for trouncing Trumpism.
Steven Fish is a professor at the University of California, Berkeley, and a comparative political scientist specializing in democracy and authoritarianism, religion and politics, constitutional systems, and national legislatures. He has also taught at the University of Pennsylvania and universities in Russia, Poland, China, and Indonesia.
His previous books include: Democracy from Scratch: Opposition and Regime in the New Russian Revolution (1995); Postcommunism and the Theory of Democracy, co-authored (2001); Democracy Derailed in Russia: The Failure of Open Politics (2005); The Handbook of National Legislatures: A Global Survey (2009); and Are Muslims Distinctive? A Look at the Evidence (2011).
His latest book and the focus of the interview – Comeback: Routing Trumpism, Reclaiming the Nation, and Restoring Democracy’s Edge was published by Rivertowns Books, Irvington, N.Y. in 2024.
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The Color of Desire: The Queer Politics of Race in the Federal Republic of Germany After 1970 (Cornell UP, 2024) tells the story of how, in the aftermath of gay liberation, race played a crucial role in shaping the trajectory of queer, German politics. Focusing on the Federal Republic of Germany, Christopher Ewing charts both the entrenchment of racisms within white, queer scenes and the formation of new, antiracist movements that contested overlapping marginalizations.
Far from being discrete political trajectories, racist and antiracist politics were closely connected, as activists worked across groups to develop their visions for queer politics. Ewing describes not only how AIDS workers, gay tourists, white lesbians, queer immigrants, and Black feminists were connected in unexpected ways but also how they developed contradictory concerns that comprised the full landscape of queer politics. Out of these connections, which often exceeded the bounds of the Federal Republic, arose new forms of queer fascism as well as their multiple, antiracist contestations. Both unsettled the appeals to national belonging, or "homonationalism," on which many white queer activists based their claims. Thus, the story of the making of homonationalism is also the story of its unmaking.
The Color of Desire explains how the importance of racism to queer politics cannot—and should not—be understood without also attending to antiracism. Actors worked across different groups, making it difficult to chart separable political trajectories. At the same time, antiracist activists also used the fractures and openings in groups that were heavily invested in the logics of whiteness to formulate new, antiracist organizations and, albeit in constrained ways, shifted queer politics more generally.
Christopher Ewing is Assistant Professor at Purdue University. His research focuses on the intersections of queer history and the history of race in modern Germany.
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Forest fires, droughts, and rising sea levels beg a nagging question: have we lost our capacity to act on the future? Dr. Liliana Doganova’s book Discounting the Future: The Ascendancy of a Political Technology (Princeton University Press, 2024) sheds new light on this anxious query. It argues that our relationship to the future has been trapped in the gears of a device called discounting. While its incidence remains little known, discounting has long been entrenched in market and policy practices, shaping the ways firms and governments look to the future and make decisions accordingly. Thus, a sociological account of discounting formulas has become urgent.
Discounting means valuing things through the flows of costs and benefits that they are likely to generate in the future, with these future flows being literally dis-counted as they are translated in the present. How have we come to think of the future, and of valuation, in such terms? Building on original empirical research in the historical sociology of discounting, Dr. Doganova takes us to some of the sites and moments in which discounting took shape and gained momentum: valuation of European forests in the eighteenth and nineteenth centuries; economic theories devised in the early 1900s; debates over business strategies in the postwar era; investor-state disputes over the nationalisation of natural resources; and drug development in the biopharmaceutical industry today. Weaving these threads together, the book pleads for an understanding of discounting as a political technology, and of the future as a contested domain.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Crip Colony: Mestizaje, US Imperialism, and the Queer Politics of Disability in the Philippines (Duke UP, 2023), Sony Coráñez Bolton examines the racial politics of disability, mestizaje, and sexuality in the Philippines. Drawing on literature, poetry, colonial records, political essays, travel narratives, and visual culture, Coráñez Bolton traces how disability politics colluded with notions of Philippine mestizaje. He demonstrates that Filipino mestizo writers in the late nineteenth and early twentieth centuries used mestizaje as a racial ideology of ability that marked Indigenous inhabitants of the Philippines as lacking in civilization and in need of uplift and rehabilitation. Heteronormative, able-bodied, and able-minded mixed-race Filipinos offered a model and path for assimilation into the US empire. In this way, mestizaje allowed for supposedly superior mixed-race subjects to govern the archipelago in collusion with American imperialism. By bringing disability studies together with studies of colonialism and queer-of-color critique, Coráñez Bolton extends theorizations of mestizaje beyond the United States and Latin America while considering how Filipinx and Filipinx American thought fundamentally enhances understandings of the colonial body and the racial histories of disability.
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