Longform Longform

PJ Vogt is the host of Search Engine.
“One of our tests editorially is if we think we’ve got something good, but we haven’t started reporting or recording on it, I’ll just try asking the question at dinner and stuff. If it derails conversations, that’s a really good sign.”
Show notes:

@PJVogt

Vogt’s Substack

Vogt on Longform Podcast

03:00 “Why Are There So Many Illegal Weed Stores in New York City? (Part 1)” (Search Engine • Mar 2024)

03:00 “Why Are There So Many Illegal Weed Stores in New York City? (Part 2)” (Search Engine • April 2024)

03:00 “When Do You Know It’s Time to Stop Drinking?” (Search Engine • Jan 2024)

08:00 “Why Are There So Many Chicken Bones on the Street? (Part 1)” (Search Engine • Jan 2024)

08:00 “Why Are There So Many Chicken Bones on the Street? (Part 2)” (Search Engine • Jan 2024)

13:00 “Is There a Sane Way to Use the Internet?” (Search Engine • Oct 2023)

15:00 “How Do You Survive Fame?” (Search Engine • Feb 2024)

15:00 “The Tao of Rick Rubin” (New York Times • The Ezra Klein Show • Feb 2023)

15:00 “Rick Rubin Says Trust Your Gut, Not Your Audience” (Bari Weiss • The Free Press • Mar 2023)

16:00 “Rick Rubin, The Seclusive Zen Master” (Tim Ferriss • Jan 2023)

16:00 “Frank Sinatra Has a Cold” (Gay Talese • Esquire • April 1966)

18:00 The Ezra Klein Show


18:00 Fresh Air


19:00 Crypto Island (Jigsaw Productions • 2022)

26:00 “Do Political Yard Signs Actually Do Anything?” (Search Engine • Apr 2024)

27:00 Reply All


35:00 “What’s Going on With Elon Musk?” (Search Engine • July 2023)

38:00 “What’s It Like to Go Blind? (Search Engine • July 2023)


Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lindsay Peoples is the editor-in-chief of The Cut.
“You see so many incredible people make one mistake and lose their job or they speak out about something and then the next day something blows up. And so I do think that I often feel like I have to be so careful. And that's hard to do because I'm just naturally curious and I want to know and I want to find and explore and do the things. But I'm aware that … people think I'm too young. I'm too Black. I'm aware of all those things and I'm still going to try.”
Show notes:

01:00 "Everywhere and Nowhere: What It’s Really Like to Be Black and Work in Fashion" (The Cut • Aug 2018)

09:00 The Devil Wears Prada (Fox 2000 Pictures • 2006)

29:00 David Haskell on Longform Podcast


31:00 "Should I Leave My Husband? The Lure of Divorce" (Emily Gould • The Cut • Feb 2024)

31:00 "The Day I Put $50,000 in a Shoe Box and Handed It to a Stranger" (Charlotte Cowles • The Cut • Feb 2024)

31:00 "Age Gap Relationships: The Case for Marrying an Older Man" (Grazie Sophia Christie • The Cut • Mar 2024)

50:00 "Is There Room for Fashion Criticism in a Racist Industry?" (The Cut • Aug 2021)


Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Motlagh, a journalist and filmmaker, is a contributing editor at Rolling Stone and the founder of Blackbeard Films. He won the Polk's Sydney Schanberg Prize for “This Will End in Blood and Ashes,” an account of the collapse of order in Haiti.
“Once you've gotten used to this kind of metabolism, it can be hard to walk away from it. Ordinary life can be a little flat sometimes. And so that's always kind of built in. I accept that. I think I've just tried to be more honest about like, [am I taking this risk] because I need a bump my life? Or do you really believe in what you're doing? And I feel like I really do need to believe in the purpose of the story. There has to be some motivation greater than myself."
This is the last in a series of conversations with winners of this year's George Polk Awards in Journalism.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brian Howey is a freelance journalist who won the Polk Award for Justice Reporting after exposing a deceptive police tactic widely used in California. He began the project, which was eventually published by the Los Angeles Times and Reveal, as a graduate student in the UC Berkeley Graduate School of Journalism.
“It’s one thing to hear about this tactic and hear about parents being questioned in this way. It’s another thing entirely to hear the change in a parent’s voice when they realize for the past 20 minutes they’ve been speaking ill of a relative who’s actually been dead the entire time, and to hear that wave of grief and sometimes that feeling of betrayal that cropped up in their voice and how the way that they spoke to the officers afterwards changed.”
This is the fourth in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meribah Knight is a reporter with Nashville Public Radio. She won the Polk Award for Podcasting for “The Kids of Rutherford County,” produced with ProPublica and Serial, which revealed a shocking approach to juvenile discipline in one Tennessee county.
“Where does it leave me? It leaves me with a searing anger that is going to propel me to the next thing. But we’ve made some real improvement. And that’s worth celebrating. That’s worth recognizing and saying, This work matters, people are paying attention.”
This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates.
“You can imagine this having never become a problem, because it’s so weird. What a weird scam. I’m going to print and sell tens of thousands of paper license plates. But someone figured it out. And then a lot more people followed. It just exploded.”
This is the second in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
Learn more about your ad choices. Visit podcastchoices.com/adchoices