1 hr 4 min
Mariology and the Medieval Mindset with Dr. Rachel Fulton Brown GIRLBOSS, INTERRUPTED
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- Society & Culture
It’s Holy Week, which means that on Friday night, I’m probably going to lose the last ten pounds of baby weight in tears while watching The Passion Of The Christ.
One of Gibson’s many genius, and deeply Catholic, choices in the film is his deliberate inclusion of scenes involving Christ’s Mother. One stands out: as Christ first falls while carrying His cross to Golgotha, Mary sees Him. We are given a flashback, where He as a child stumbles on a stone path. Mary runs to Him, arms outstretched, her presence His succor. Flash forward, and she runs again, arms outstretched, as Christ chokes on His own blood, crushed under the weight of the cross. I imagine the profound grief and gratitude comingling in both of their hearts for just a moment of one another’s presence.
The crucifix takes on new meaning from perspective of the woman standing beneath it, soaked in His blood, blood of her blood. In so many ways, His wounds are hers, too. I imagine her human, maternal nature, her desire to bring Him comfort, to take her baby’s pain away, to switch places, something, anything — all brushing up against the knowledge of the greater good to come. The cross is the fulfillment of her ultimate confidence in God’s promise, unchanged by the bitter fact of Simeon’s prophecy. She suffers alongside her Son, as only mothers do, in total surrender. His words in the Garden of Gethsemane and hers at the Annunciation echo one another: Thy will be done.
Catholic tradition holds that we take Christ seriously by honoring who He honors. I love Gibson’s Passion for so many reasons, but primarily because He takes Christ seriously by paying serious attention to His mother — and, relatedly, by refusing to shy away from the brutality He endured, she by proxy.
This sincerity, the act of taking historical subjects seriously, is accomplished by placing oneself in the shoes of those subjects without pretense, judgment, or ideological imposition. Dr. Rachel Fulton Brown, my guest in this episode of Girlboss, Interrupted, in her latest book, Mary and the Art of Prayer: The Hours of the Virgin in Medieval Christian Life and Thought, has accomplished something so unique and interesting by doing just this. This history of Marian devotion begins with a call for readers to take their subjects, medieval Christians, seriously, by praying the psalms as they did throughout the day.
I won’t spoil any more surprises. This episode was so fun to record. Please enjoy, and as ever, send messages, leave comments, share with friends, and drop me a 5-star review on Spotify and Apple podcasts.
I hope y’all have a holy Holy week. Christ is coming.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit helenroy.substack.com
It’s Holy Week, which means that on Friday night, I’m probably going to lose the last ten pounds of baby weight in tears while watching The Passion Of The Christ.
One of Gibson’s many genius, and deeply Catholic, choices in the film is his deliberate inclusion of scenes involving Christ’s Mother. One stands out: as Christ first falls while carrying His cross to Golgotha, Mary sees Him. We are given a flashback, where He as a child stumbles on a stone path. Mary runs to Him, arms outstretched, her presence His succor. Flash forward, and she runs again, arms outstretched, as Christ chokes on His own blood, crushed under the weight of the cross. I imagine the profound grief and gratitude comingling in both of their hearts for just a moment of one another’s presence.
The crucifix takes on new meaning from perspective of the woman standing beneath it, soaked in His blood, blood of her blood. In so many ways, His wounds are hers, too. I imagine her human, maternal nature, her desire to bring Him comfort, to take her baby’s pain away, to switch places, something, anything — all brushing up against the knowledge of the greater good to come. The cross is the fulfillment of her ultimate confidence in God’s promise, unchanged by the bitter fact of Simeon’s prophecy. She suffers alongside her Son, as only mothers do, in total surrender. His words in the Garden of Gethsemane and hers at the Annunciation echo one another: Thy will be done.
Catholic tradition holds that we take Christ seriously by honoring who He honors. I love Gibson’s Passion for so many reasons, but primarily because He takes Christ seriously by paying serious attention to His mother — and, relatedly, by refusing to shy away from the brutality He endured, she by proxy.
This sincerity, the act of taking historical subjects seriously, is accomplished by placing oneself in the shoes of those subjects without pretense, judgment, or ideological imposition. Dr. Rachel Fulton Brown, my guest in this episode of Girlboss, Interrupted, in her latest book, Mary and the Art of Prayer: The Hours of the Virgin in Medieval Christian Life and Thought, has accomplished something so unique and interesting by doing just this. This history of Marian devotion begins with a call for readers to take their subjects, medieval Christians, seriously, by praying the psalms as they did throughout the day.
I won’t spoil any more surprises. This episode was so fun to record. Please enjoy, and as ever, send messages, leave comments, share with friends, and drop me a 5-star review on Spotify and Apple podcasts.
I hope y’all have a holy Holy week. Christ is coming.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit helenroy.substack.com
1 hr 4 min